Quaderni di Venezia Arti

Collana | Quaderni di Venezia Arti
Volume 4 | Miscellanea | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy

open access
    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords ‘Peace’ • Unity of West and East • Art Nouveau • Celebration of unity • Kazan railway station • Systems • Art history and ethnography • Interpretation • Type-token distinction • Art ontology • Russian art • Allegory for peace • Venturi • Girikh • Nostalgia • Christianism • Timur Novikov • ‘Motherland’ • Speculative cinema • Soviet painting • Woodcut • Eugene Lanceray • Videographic criticism • Post-media condition • Print • Non finito • Allegory of Russia • Post-soviet art • YouTube • Easel painting • Islimi • Formula similarity • Central Asian architectural décor • Nicholas Roerich • Gunch • National style • Non-European art exhibitions • Shape of water • 15th century • Post-soviet society • Statics • Italian Studies • Compositional axes • Modernism • Quattrocento • VKHUTEMAS • Tangible forms • Soviet painter • Italian painting • Soviet architectural décor • Weimar art • Islamic architectural ornament • Parody • Film studies • Expressionism • Postcolonial studies • Nineteenth-century France • Easel Painters’ Society • Medieval mosaic floor • Museum of Painterly Culture • Project Method – Dynamics • Religion • Edwardian gift book • Prophecy • Bouchot • Proto-Renaissance • Book illustration • New Objectivity • Visual perception • Berlin Dada • Miniature • Perception • Roger Fry • Reception • Post-Impressionism • Influence • Contemporary Soviet Art • Canon • Monumental painting • Pre-Columbian art • Apocalypse • Symbols • Academicism • Artie Vierkant • Nineteenth-century editions • Abstraction • Artistic reception • Dogma • Dmitry Zhilinsky • Joseph Margolis • Marble slab • Old masters • Stucco • Livre d’artiste • Art ‘before Raphael’ • Peltae pattern • History of collections • Дмитрий Жилинский • Richard Wollheim • Pre-Columbian collections

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, it, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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