Taking and Denying
Challenging Canons in Arts and Philosophy
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abstract
Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).
YouTube • Proto-Renaissance • Weimar art • Pre-Columbian art • Abstraction • Nostalgia • Expressionism • Kazan railway station • Soviet painter • Symbols • Speculative cinema • Soviet painting • Marble slab • National style • Museum of Painterly Culture • Quattrocento • Dogma • Religion • Nicholas Roerich • Gunch • Dmitry Zhilinsky • Miniature • Richard Wollheim • Canon • Contemporary Soviet Art • Central Asian architectural décor • Interpretation • Easel painting • Shape of water • Easel Painters’ Society • Allegory for peace • Дмитрий Жилинский • Soviet architectural décor • Girikh • Venturi • Postcolonial studies • New Objectivity • Post-soviet art • Tangible forms • Formula similarity • Book illustration • Visual perception • VKHUTEMAS • Roger Fry • Compositional axes • Unity of West and East • Perception • Medieval mosaic floor • Type-token distinction • Eugene Lanceray • Old masters • History of collections • Islamic architectural ornament • Modernism • Statics • Timur Novikov • Stucco • Art ‘before Raphael’ • Post-Impressionism • 15th century • Artie Vierkant • Edwardian gift book • Reception • Post-soviet society • Celebration of unity • Christianism • Berlin Dada • Prophecy • Joseph Margolis • Apocalypse • Livre d’artiste • Pre-Columbian collections • Influence • Non-European art exhibitions • Parody • Systems • Art history and ethnography • Peltae pattern • Post-media condition • Allegory of Russia • ‘Peace’ • ‘Motherland’ • Islimi • Film studies • Project Method – Dynamics • Bouchot • Non finito • Nineteenth-century editions • Italian Studies • Monumental painting • Art Nouveau • Nineteenth-century France • Russian art • Art ontology • Artistic reception • Videographic criticism • Italian painting • Woodcut • Academicism • Print