Quaderni di Venezia Arti

Collana | Quaderni di Venezia Arti
Volume 4 | Miscellanea | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy

open access
    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Systems • Modernism • Art Nouveau • Statics • Nineteenth-century editions • Stucco • Old masters • Girikh • Proto-Renaissance • Dogma • Italian painting • Eugene Lanceray • Venturi • Christianism • Kazan railway station • Academicism • Postcolonial studies • Symbols • Unity of West and East • Nineteenth-century France • Richard Wollheim • Type-token distinction • Art ‘before Raphael’ • Canon • YouTube • Parody • Videographic criticism • History of collections • Peltae pattern • Soviet architectural décor • Film studies • Woodcut • Non-European art exhibitions • Allegory for peace • Central Asian architectural décor • Berlin Dada • Religion • Project Method – Dynamics • Post-Impressionism • Speculative cinema • Print • Дмитрий Жилинский • Non finito • Book illustration • Nicholas Roerich • Easel painting • Roger Fry • Timur Novikov • Miniature • Artie Vierkant • Italian Studies • Quattrocento • Compositional axes • Artistic reception • Soviet painter • Visual perception • Easel Painters’ Society • Museum of Painterly Culture • Post-soviet society • Bouchot • Livre d’artiste • Edwardian gift book • Shape of water • Pre-Columbian collections • Russian art • Celebration of unity • Post-soviet art • Soviet painting • Interpretation • Islimi • Prophecy • Nostalgia • Contemporary Soviet Art • VKHUTEMAS • ‘Peace’ • Art ontology • 15th century • Gunch • Dmitry Zhilinsky • Reception • Islamic architectural ornament • Joseph Margolis • Art history and ethnography • National style • Apocalypse • Tangible forms • Allegory of Russia • Weimar art • Post-media condition • Perception • Pre-Columbian art • Expressionism • Marble slab • ‘Motherland’ • Medieval mosaic floor • Formula similarity • Monumental painting • New Objectivity • Abstraction • Influence

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua it, ru, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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