Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Melancholy • Narratology • Tirante • Spanish Court • Dances • Garcilaso • José Manuel Lucía Megías • Testament • Gender • Novel • Quijote • Error • Tríptico del carnaval • Comparative study • Scipio • Music • Show • Poetry • Recreation • Biography • Narrative transition formulas • Cervantes theatre • Novelas ejemplares • Cervantes • Golden Age theatre • Narrative perspective • Madness • Opera • Carla Perugini • Posthumous fame • Classic • Galatea • Sergio Pitol • Miguel de Cervantes • Entremeses • Orlando innamorato • Fielding • María de Zayas • Individuality • Linguistic deformation • Entremés • Elegiac dystic • Spanish novel • Authentication • Metafiction • Ortega Rosa • Intertextuality • Villaseñor • Theatre • Lie • Antonio de la Peña • Judgment • Contemporary theatre • El Toboso • Erotic crimes • Spain • Fiction • La Galatea • Ludeña • Individual • Clientelar relationship • Mainstreaming • Quintanar de la Orden • Love • Fame • De senectute • Timbrio and Silerio • Law • Picaresque • Shakespeare • Grammar • Persiles • Jorge García López • Italy • Quijote II, 74 • Hypothetical and narrative discourse • Don Quixote • Reception • Jordi Gracia • Honesto y entretenido sarao • Romantic irony • Veridiction • Narrative frame • Poetics • Suicide • Lofraso • Conception of speech • Amplificatio of the enunciative system • History • Truth • Viaje del parnaso • Exemplary Novels • Philology • Translation • Interlacing • Don Quijote • La Mancha • Irony • Society • Parody • Voyage to Parnassus • Libretto • Inserted poetry • Quixote • Body • Orlando furioso • Revival • Anticipation • Avellaneda • Royal Court • Scrutiny • Rubric • English theatre • Pride • Corography • Library • Theogenes

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.