Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Corography • Spanish novel • English theatre • Garcilaso • Persiles • Theogenes • Anticipation • De senectute • Judgment • Poetry • Jordi Gracia • Melancholy • La Galatea • Scipio • Individual • Miguel de Cervantes • Romantic irony • Mainstreaming • Pride • Interlacing • Tirante • Golden Age theatre • Grammar • Exemplary Novels • Library • Individuality • Theatre • Galatea • Avellaneda • Tríptico del carnaval • Voyage to Parnassus • Villaseñor • Fame • Linguistic deformation • Truth • Philology • Poetics • Quixote • Rubric • Don Quijote • Intertextuality • Society • Madness • Entremeses • Ortega Rosa • Suicide • Cervantes • Royal Court • Don Quixote • Show • Picaresque • Sergio Pitol • Inserted poetry • Biography • Narratology • Revival • Gender • Lofraso • José Manuel Lucía Megías • Contemporary theatre • Recreation • Orlando innamorato • Quintanar de la Orden • Testament • Translation • Clientelar relationship • Timbrio and Silerio • Italy • Parody • Ludeña • Jorge García López • Shakespeare • Comparative study • Orlando furioso • Narrative frame • Novelas ejemplares • Amplificatio of the enunciative system • Antonio de la Peña • Lie • Opera • María de Zayas • Irony • Erotic crimes • Narrative perspective • Veridiction • El Toboso • Quijote II, 74 • Spain • History • Dances • Conception of speech • Fiction • Cervantes theatre • Law • Spanish Court • Love • Hypothetical and narrative discourse • Metafiction • Narrative transition formulas • Fielding • Body • Entremés • Error • Posthumous fame • Elegiac dystic • Viaje del parnaso • Libretto • Classic • Music • Authentication • Scrutiny • Honesto y entretenido sarao • Novel • La Mancha • Quijote • Carla Perugini • Reception

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.