Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 24 | Edited book | The Admiration of All Mankind

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Narratology • Don Quixote • Voyage to Parnassus • Ludeña • Elegiac dystic • Biography • Law • Truth • Exemplary Novels • Villaseñor • Theogenes • Posthumous fame • De senectute • Honesto y entretenido sarao • Music • Philology • Contemporary theatre • José Manuel Lucía Megías • Suicide • Translation • Individuality • Melancholy • Society • Ortega Rosa • Scrutiny • Tirante • Entremeses • Anticipation • Narrative perspective • Garcilaso • Gender • Hypothetical and narrative discourse • Interlacing • Scipio • Body • Viaje del parnaso • Don Quijote • Miguel de Cervantes • Galatea • Shakespeare • Novel • Novelas ejemplares • Quintanar de la Orden • Grammar • Cervantes theatre • Jordi Gracia • Dances • Theatre • Amplificatio of the enunciative system • Conception of speech • Lie • Picaresque • Timbrio and Silerio • Royal Court • Sergio Pitol • Tríptico del carnaval • Narrative transition formulas • Libretto • Fame • Jorge García López • Fielding • Quixote • Golden Age theatre • Irony • Spanish Court • Veridiction • Poetics • Quijote II, 74 • Mainstreaming • Antonio de la Peña • Error • Poetry • English theatre • Avellaneda • Revival • Intertextuality • Entremés • Persiles • Narrative frame • Quijote • Individual • La Galatea • Judgment • Classic • Cervantes • María de Zayas • Madness • Opera • Rubric • Love • History • La Mancha • Lofraso • Inserted poetry • Metafiction • Corography • Reception • Orlando furioso • Fiction • Linguistic deformation • Italy • Parody • Orlando innamorato • Spanish novel • Carla Perugini • El Toboso • Erotic crimes • Spain • Library • Show • Pride • Clientelar relationship • Recreation • Testament • Authentication • Comparative study • Romantic irony

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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