The Admiration of All Mankind
Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
edited by
abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Erotic crimes • Mainstreaming • Viaje del parnaso • Pride • Entremeses • Law • Narrative perspective • Novelas ejemplares • Melancholy • Orlando furioso • Villaseñor • Anticipation • Honesto y entretenido sarao • Quijote II, 74 • María de Zayas • La Mancha • La Galatea • Cervantes • Cervantes theatre • Carla Perugini • Clientelar relationship • Posthumous fame • Classic • Grammar • Antonio de la Peña • Poetics • Avellaneda • Ortega Rosa • Contemporary theatre • Lie • Quijote • Elegiac dystic • Judgment • Quixote • Narratology • Hypothetical and narrative discourse • El Toboso • Rubric • Metafiction • Don Quixote • Corography • Galatea • Poetry • Suicide • History • Tríptico del carnaval • Ludeña • Jordi Gracia • Persiles • Individual • Authentication • Amplificatio of the enunciative system • Veridiction • Voyage to Parnassus • Quintanar de la Orden • Opera • Orlando innamorato • Show • Library • Comparative study • Timbrio and Silerio • Tirante • Music • Recreation • Interlacing • Inserted poetry • Romantic irony • Translation • Linguistic deformation • Conception of speech • Royal Court • Intertextuality • Spanish novel • Jorge García López • Love • Theatre • Fiction • Miguel de Cervantes • Testament • Theogenes • Sergio Pitol • Madness • Biography • Error • Spain • Philology • Body • Revival • Shakespeare • Individuality • English theatre • Narrative frame • Picaresque • Golden Age theatre • Dances • Parody • Lofraso • Italy • Fame • Entremés • Fielding • Exemplary Novels • Gender • Don Quijote • Scipio • Libretto • De senectute • José Manuel Lucía Megías • Scrutiny • Society • Truth • Reception • Spanish Court • Garcilaso • Novel • Narrative transition formulas • Irony