Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Woodcut • Marble slab • Formula similarity • Stucco • Influence • History of collections • Venturi • Compositional axes • Nineteenth-century editions • ‘Motherland’ • Post-soviet society • Monumental painting • Abstraction • Nostalgia • National style • Girikh • 15th century • Russian art • Bouchot • Richard Wollheim • Easel Painters’ Society • Expressionism • Soviet painter • Tangible forms • Eugene Lanceray • Non-European art exhibitions • Easel painting • Post-Impressionism • Artie Vierkant • Project Method – Dynamics • Quattrocento • Statics • Book illustration • Edwardian gift book • Proto-Renaissance • Roger Fry • Peltae pattern • Art ‘before Raphael’ • Allegory for peace • Celebration of unity • Allegory of Russia • Non finito • Soviet architectural décor • Visual perception • Videographic criticism • Nicholas Roerich • Museum of Painterly Culture • Dogma • Post-media condition • Type-token distinction • Parody • Modernism • Perception • Old masters • Symbols • Italian Studies • Reception • Unity of West and East • Interpretation • Prophecy • Art Nouveau • Film studies • ‘Peace’ • Medieval mosaic floor • Joseph Margolis • New Objectivity • YouTube • Religion • Speculative cinema • Canon • Dmitry Zhilinsky • Nineteenth-century France • Berlin Dada • Islamic architectural ornament • Livre d’artiste • Christianism • Artistic reception • Contemporary Soviet Art • Timur Novikov • Weimar art • VKHUTEMAS • Pre-Columbian art • Shape of water • Academicism • Postcolonial studies • Apocalypse • Kazan railway station • Miniature • Soviet painting • Art ontology • Islimi • Pre-Columbian collections • Central Asian architectural décor • Gunch • Дмитрий Жилинский • Systems • Italian painting • Art history and ethnography • Post-soviet art • Print

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language en, it, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.