Taking and Denying
Challenging Canons in Arts and Philosophy
edited by
abstract
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
Central Asian architectural décor • Bouchot • Expressionism • Dogma • Monumental painting • Soviet painter • Marble slab • Nostalgia • YouTube • Museum of Painterly Culture • Systems • Art ontology • Art ‘before Raphael’ • Apocalypse • Contemporary Soviet Art • Art history and ethnography • Eugene Lanceray • Venturi • Shape of water • Post-soviet art • Islamic architectural ornament • Stucco • Roger Fry • Nicholas Roerich • Soviet architectural décor • Book illustration • ‘Motherland’ • Art Nouveau • Religion • Modernism • Berlin Dada • ‘Peace’ • Celebration of unity • Interpretation • Unity of West and East • Videographic criticism • Tangible forms • Proto-Renaissance • Дмитрий Жилинский • Peltae pattern • Post-soviet society • Richard Wollheim • Type-token distinction • Kazan railway station • Nineteenth-century France • Christianism • Influence • Italian painting • New Objectivity • Non-European art exhibitions • Weimar art • Soviet painting • Artie Vierkant • Compositional axes • Girikh • Post-Impressionism • Russian art • History of collections • Timur Novikov • Allegory of Russia • Statics • Canon • Print • Symbols • Livre d’artiste • Edwardian gift book • National style • Perception • Dmitry Zhilinsky • Islimi • Pre-Columbian collections • Joseph Margolis • Speculative cinema • Miniature • VKHUTEMAS • Prophecy • Visual perception • Medieval mosaic floor • Allegory for peace • Academicism • Film studies • Artistic reception • Woodcut • Project Method – Dynamics • Parody • Gunch • Italian Studies • Easel painting • Formula similarity • Non finito • Post-media condition • Postcolonial studies • Abstraction • Nineteenth-century editions • 15th century • Reception • Easel Painters’ Society • Quattrocento • Pre-Columbian art • Old masters