Series |
Quaderni di Venezia Arti
Volume 4 | Edited book | Taking and Denying
Taking and Denying
Challenging Canons in Arts and Philosophy
open access
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edited by
- Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
- Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
- Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email
Abstract
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
Keywords Celebration of unity • Islamic architectural ornament • Monumental painting • Videographic criticism • Marble slab • YouTube • Quattrocento • Reception • Italian Studies • Russian art • Livre d’artiste • Christianism • Art history and ethnography • Prophecy • Girikh • Print • Artie Vierkant • New Objectivity • Woodcut • Compositional axes • 15th century • Post-soviet art • Post-soviet society • Soviet painter • Soviet architectural décor • Non-European art exhibitions • Nineteenth-century France • Expressionism • Influence • Dmitry Zhilinsky • Stucco • Weimar art • Gunch • ‘Peace’ • VKHUTEMAS • Academicism • Joseph Margolis • Contemporary Soviet Art • Pre-Columbian art • Dogma • Дмитрий Жилинский • Art Nouveau • Art ontology • Canon • Visual perception • Eugene Lanceray • National style • Art ‘before Raphael’ • Formula similarity • Statics • Film studies • Interpretation • Book illustration • Tangible forms • Miniature • Apocalypse • Nineteenth-century editions • Peltae pattern • History of collections • Religion • Edwardian gift book • Postcolonial studies • Roger Fry • Italian painting • Central Asian architectural décor • Unity of West and East • Islimi • Pre-Columbian collections • Allegory for peace • Venturi • Non finito • Perception • Nostalgia • Richard Wollheim • Speculative cinema • ‘Motherland’ • Type-token distinction • Easel Painters’ Society • Abstraction • Museum of Painterly Culture • Allegory of Russia • Artistic reception • Easel painting • Proto-Renaissance • Medieval mosaic floor • Post-media condition • Berlin Dada • Soviet painting • Project Method – Dynamics • Kazan railway station • Systems • Bouchot • Shape of water • Modernism • Parody • Old masters • Symbols • Nicholas Roerich • Post-Impressionism • Timur Novikov
Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, en, it
Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Syntheses of Traditions
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The ‘Unknown Arts’ of Ancient America: Challenging Classical Art Canons in Nineteenth-Century France
The Reception of Pre-Columbian Art before the Primitivist and Surrealist Avant-Gardes - Dec. 22, 2020
Unfolding Cultural Heritage
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Peltae subacquee e specchiature marmoree
La forma dell’acqua tra storia dell’arte e filosofia - Dec. 22, 2020
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Uno scandalo nello scandalo
L’Apocalisse come eccezione nel canone neotestamentario - Dec. 22, 2020
Interpreting the Renaissance Art
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Incontri, scontri, confronti
Appunti sulla ricezione della xilografia nordica in Italia tra XV e XX secolo - Dec. 22, 2020
- La pittura neorinascimentale di Dmitrij Žilinskij
- Dec. 22, 2020
At the Threshold of Modern Art
- Weimar Art: Between Tradition and Avant-Garde
- Dec. 22, 2020
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The Example of Vincent van Gogh
Denying Forms, Systems and Academicism in Art and Religion - Dec. 22, 2020
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Dispute of Canons: Book Design Traditions at the Beginning of the 20th Century
England vs France - Dec. 22, 2020
- Comparing the Cologne Sonderbund of 1912 and the Second Post-Impressionist Exhibition in London
- Dec. 22, 2020
Hybrid as a Canon
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Tra il foglio vuoto e lo schermo
Type e token alla prova dell’arte post-mediale - Dec. 22, 2020
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From Ancient to Digital
Situating Blackness in Salambo (Domenico Gaido, 1914) - Dec. 22, 2020
- Timur Novikov. L’attualità del passato
- Dec. 22, 2020
