Quaderni di Venezia Arti

Series | Quaderni di Venezia Arti
Volume 4 | Edited book | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy
open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Project Method – Dynamics • Visual perception • Dogma • Non-European art exhibitions • Bouchot • Eugene Lanceray • Unity of West and East • Art history and ethnography • Monumental painting • Canon • Post-Impressionism • Pre-Columbian art • Shape of water • Apocalypse • Celebration of unity • Peltae pattern • Statics • Nineteenth-century editions • Richard Wollheim • Italian painting • Stucco • Post-media condition • Kazan railway station • Timur Novikov • Post-soviet society • Berlin Dada • Easel painting • Woodcut • Art ontology • Art ‘before Raphael’ • 15th century • History of collections • Non finito • National style • Religion • Videographic criticism • Modernism • Joseph Margolis • VKHUTEMAS • Interpretation • Allegory for peace • Systems • Expressionism • Type-token distinction • Compositional axes • Easel Painters’ Society • Prophecy • Central Asian architectural décor • Russian art • Artistic reception • Proto-Renaissance • Soviet architectural décor • Weimar art • Artie Vierkant • Art Nouveau • Postcolonial studies • Perception • Nicholas Roerich • Quattrocento • Roger Fry • YouTube • Nostalgia • Livre d’artiste • Dmitry Zhilinsky • Influence • Museum of Painterly Culture • Post-soviet art • Academicism • Allegory of Russia • Speculative cinema • Marble slab • New Objectivity • Old masters • Tangible forms • Miniature • Gunch • Book illustration • Formula similarity • Girikh • Islamic architectural ornament • Pre-Columbian collections • Abstraction • ‘Peace’ • ‘Motherland’ • Contemporary Soviet Art • Symbols • Medieval mosaic floor • Islimi • Italian Studies • Nineteenth-century France • Print • Christianism • Soviet painter • Дмитрий Жилинский • Reception • Film studies • Parody • Soviet painting • Venturi • Edwardian gift book

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language it, en, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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