Series |
Quaderni di Venezia Arti
Volume 4 | Edited book | Taking and Denying
Taking and Denying
Challenging Canons in Arts and Philosophy
open access
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edited by
- Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
- Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
- Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email
Abstract
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
Keywords Nostalgia • History of collections • Type-token distinction • Woodcut • Art history and ethnography • Eugene Lanceray • Post-soviet society • Proto-Renaissance • Prophecy • Speculative cinema • Berlin Dada • Girikh • Miniature • Contemporary Soviet Art • Artistic reception • Post-media condition • Systems • Non finito • Compositional axes • Nicholas Roerich • Italian Studies • Islimi • Easel painting • Allegory of Russia • Bouchot • Allegory for peace • Unity of West and East • New Objectivity • Peltae pattern • Postcolonial studies • Print • Shape of water • Venturi • Non-European art exhibitions • Post-soviet art • Film studies • ‘Peace’ • Parody • Perception • Modernism • VKHUTEMAS • Reception • Timur Novikov • Marble slab • Influence • Interpretation • Kazan railway station • ‘Motherland’ • Nineteenth-century editions • Artie Vierkant • Expressionism • Abstraction • Stucco • Symbols • Tangible forms • Book illustration • Дмитрий Жилинский • Dogma • Pre-Columbian collections • Nineteenth-century France • Soviet painter • Academicism • Monumental painting • Statics • Religion • 15th century • Soviet painting • Roger Fry • Gunch • Formula similarity • Edwardian gift book • Art Nouveau • Post-Impressionism • Museum of Painterly Culture • Joseph Margolis • Weimar art • Old masters • Italian painting • Pre-Columbian art • Quattrocento • Christianism • Central Asian architectural décor • Videographic criticism • Islamic architectural ornament • National style • Soviet architectural décor • Russian art • Canon • Art ‘before Raphael’ • Project Method – Dynamics • Art ontology • Dmitry Zhilinsky • Medieval mosaic floor • YouTube • Richard Wollheim • Celebration of unity • Apocalypse • Easel Painters’ Society • Visual perception • Livre d’artiste
Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language it, ru, en
Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Syntheses of Traditions
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The ‘Unknown Arts’ of Ancient America: Challenging Classical Art Canons in Nineteenth-Century France
The Reception of Pre-Columbian Art before the Primitivist and Surrealist Avant-Gardes - Dec. 22, 2020
Unfolding Cultural Heritage
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Peltae subacquee e specchiature marmoree
La forma dell’acqua tra storia dell’arte e filosofia - Dec. 22, 2020
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Uno scandalo nello scandalo
L’Apocalisse come eccezione nel canone neotestamentario - Dec. 22, 2020
Interpreting the Renaissance Art
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Incontri, scontri, confronti
Appunti sulla ricezione della xilografia nordica in Italia tra XV e XX secolo - Dec. 22, 2020
- La pittura neorinascimentale di Dmitrij Žilinskij
- Dec. 22, 2020
At the Threshold of Modern Art
- Weimar Art: Between Tradition and Avant-Garde
- Dec. 22, 2020
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The Example of Vincent van Gogh
Denying Forms, Systems and Academicism in Art and Religion - Dec. 22, 2020
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Dispute of Canons: Book Design Traditions at the Beginning of the 20th Century
England vs France - Dec. 22, 2020
- Comparing the Cologne Sonderbund of 1912 and the Second Post-Impressionist Exhibition in London
- Dec. 22, 2020
Hybrid as a Canon
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Tra il foglio vuoto e lo schermo
Type e token alla prova dell’arte post-mediale - Dec. 22, 2020
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From Ancient to Digital
Situating Blackness in Salambo (Domenico Gaido, 1914) - Dec. 22, 2020
- Timur Novikov. L’attualità del passato
- Dec. 22, 2020
