Edizioni Ca' Foscari

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Fascicolo monografico
open access peer reviewed

Arte e Scienza

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Lingua: it, en, fr

Pubblicato: 11 Dicembre 2020

Keywords

Dance • Bologna, accademia dei Gelati • Planisphere • Pieter Boel • Print Collecting • Medallions • Italian Art Literature • Optics • Russian Avant-garde • Anthropocene • Alterity • Galleria Manfrin • Cryptography • Scientific knowledge • Landscape • Cornelis De Bie • Science Treatises • Theriomorphism • Viral • Michelangelo Cerquozzi • Pastel practice • Zaccolini • Form • Flemish Sources • New media art • Drawing instruments • Light and shadow • ) • Grechetto • Francesco Noletti • Manfrin, Girolamo • Writing • Ownership marks • Seicento painting • Rayonism • Mathematics • Hybridisation • Infection • Mutation • Software • Het Gulden Cabinet • Art • Ornament • Electronic disobedience • Portraits • Diagram • Eighteenth century • Scenography • Security • Neoplatonism • Busts • Linear perspective • Science • Venice • Hybrid space • Proportions • Technology • Recipes • David De Coninck • Book Collecting • Renaissance • Architectural drawing • Mikhail Larionov • Bologna, gentry (XVI-XVII cent • Digital image • Gesture • Poussin • Still Life in Italy • Cyborg • Neapolitan Collections • Mario dei Fiori • Contemporary Art • Movement • Vitruvius • Biographical Cameos • Ideography • Pigments • Abstraction • Tactical media • Paintings • Computer art • Anamorphosis • Posthumanism

permalink http://doi.org/10.30687/VA/2385-2720/2020/06

Copyright: © 2020 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.