Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Neoplatonism • Venice • Scientific knowledge • Mathematics • Architectural drawing • Pieter Boel • Optics • Viral • Busts • Renaissance • Electronic disobedience • Form • Pastel practice • Ornament • Biographical Cameos • Anamorphosis • Linear perspective • Rayonism • Dance • Art • Francesco Noletti • Planisphere • Pigments • Cyborg • Proportions • Science Treatises • Light and shadow • Alterity • Het Gulden Cabinet • Software • Movement • ) • Abstraction • Mikhail Larionov • Flemish Sources • Mario dei Fiori • Mutation • Neapolitan Collections • Drawing instruments • David De Coninck • Portraits • Grechetto • Diagram • Cornelis De Bie • Russian Avant-garde • Print Collecting • Scenography • Ownership marks • Writing • Bologna, gentry (XVI-XVII cent • Infection • Hybrid space • Poussin • Galleria Manfrin • Posthumanism • Landscape • Book Collecting • Computer art • Anthropocene • Gesture • Theriomorphism • Zaccolini • Security • Manfrin, Girolamo • New media art • Technology • Contemporary Art • Italian Art Literature • Vitruvius • Bologna, accademia dei Gelati • Science • Medallions • Cryptography • Michelangelo Cerquozzi • Paintings • Recipes • Hybridisation • Tactical media • Ideography • Seicento painting • Eighteenth century • Digital image • Still Life in Italy

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.