Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Arte e Scienza

open access | peer reviewed

Keywords Dance • Pieter Boel • Writing • Technology • Form • Architectural drawing • Portraits • Ownership marks • Russian Avant-garde • Theriomorphism • Electronic disobedience • Busts • Manfrin, Girolamo • Biographical Cameos • Book Collecting • Viral • Anthropocene • Cornelis De Bie • Rayonism • Optics • Linear perspective • Scientific knowledge • Science • Flemish Sources • Hybrid space • New media art • Pigments • Contemporary Art • David De Coninck • Digital image • Security • Renaissance • Landscape • Scenography • Francesco Noletti • Anamorphosis • Italian Art Literature • Poussin • Gesture • Grechetto • Movement • Tactical media • Cyborg • Mathematics • Venice • Light and shadow • Software • Drawing instruments • Galleria Manfrin • Art • Hybridisation • Alterity • Michelangelo Cerquozzi • Mikhail Larionov • Proportions • Ornament • Neapolitan Collections • Still Life in Italy • Print Collecting • Seicento painting • Medallions • Het Gulden Cabinet • ) • Planisphere • Diagram • Mario dei Fiori • Cryptography • Infection • Science Treatises • Ideography • Pastel practice • Posthumanism • Bologna, accademia dei Gelati • Zaccolini • Bologna, gentry (XVI-XVII cent • Recipes • Paintings • Abstraction • Eighteenth century • Neoplatonism • Mutation • Computer art • Vitruvius

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, en, it

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