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Venezia Arti
Fascicolo monografico | 29 | 2020
Keywords Ownership marks • Science • Portraits • Galleria Manfrin • Security • Technology • Computer art • Grechetto • Biographical Cameos • Pastel practice • Eighteenth century • Mutation • Contemporary Art • Bologna, accademia dei Gelati • Cryptography • Recipes • Planisphere • Mario dei Fiori • Neoplatonism • Venice • Dance • Bologna, gentry (XVI-XVII cent • Mathematics • Proportions • Theriomorphism • Optics • Italian Art Literature • Busts • Paintings • Software • Viral • Writing • David De Coninck • Francesco Noletti • Cornelis De Bie • Medallions • Book Collecting • Cyborg • Anthropocene • Form • Hybridisation • Mikhail Larionov • Vitruvius • Gesture • Art • Electronic disobedience • Pieter Boel • Print Collecting • Pigments • Architectural drawing • New media art • Manfrin, Girolamo • Zaccolini • Posthumanism • Alterity • Hybrid space • Het Gulden Cabinet • Renaissance • Neapolitan Collections • Flemish Sources • Infection • Landscape • Scientific knowledge • Diagram • Ornament • Rayonism • Scenography • Poussin • Michelangelo Cerquozzi • Russian Avant-garde • Still Life in Italy • Movement • ) • Ideography • Digital image • Science Treatises • Tactical media • Seicento painting • Abstraction • Drawing instruments • Linear perspective • Light and shadow • Anamorphosis
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua en, it, fr
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