Rivista |
Venezia Arti
Fascicolo monografico | 29 | 2020
Keywords Alterity • Bologna, gentry (XVI-XVII cent • New media art • Tactical media • Neapolitan Collections • Movement • Software • Computer art • Proportions • Venice • Optics • Het Gulden Cabinet • Dance • Viral • Planisphere • Architectural drawing • Recipes • Book Collecting • Light and shadow • Pigments • Science • Anamorphosis • Russian Avant-garde • Abstraction • Busts • Pastel practice • Writing • Grechetto • Ownership marks • Vitruvius • Scientific knowledge • Eighteenth century • Cornelis De Bie • Security • Still Life in Italy • Michelangelo Cerquozzi • Electronic disobedience • Seicento painting • Flemish Sources • Print Collecting • Rayonism • Form • Linear perspective • Paintings • Posthumanism • David De Coninck • Theriomorphism • Anthropocene • Medallions • Manfrin, Girolamo • Portraits • Cyborg • Art • Gesture • Scenography • Zaccolini • Galleria Manfrin • Hybridisation • Pieter Boel • Contemporary Art • Mikhail Larionov • Cryptography • Ideography • Renaissance • Mutation • Italian Art Literature • Infection • Poussin • Hybrid space • Biographical Cameos • ) • Drawing instruments • Diagram • Ornament • Technology • Mathematics • Mario dei Fiori • Neoplatonism • Francesco Noletti • Science Treatises • Bologna, accademia dei Gelati • Landscape • Digital image
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua fr, it, en
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