Edizioni Ca' Foscari

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Fascicolo monografico
open access peer reviewed

Arte e Scienza

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Lingua: en, it, fr

Pubblicato: 11 Dicembre 2020

Keywords

Anamorphosis • Busts • Tactical media • Manfrin, Girolamo • Paintings • Contemporary Art • Viral • Cornelis De Bie • Electronic disobedience • Recipes • Optics • Mutation • Architectural drawing • Posthumanism • Diagram • Art • Pastel practice • Zaccolini • Het Gulden Cabinet • Cyborg • Planisphere • Digital image • Mario dei Fiori • Neapolitan Collections • Scientific knowledge • Hybridisation • Michelangelo Cerquozzi • Anthropocene • Neoplatonism • Technology • Software • ) • Bologna, gentry (XVI-XVII cent • Renaissance • Russian Avant-garde • Movement • Theriomorphism • Flemish Sources • Form • Landscape • Francesco Noletti • Medallions • Pigments • Venice • Print Collecting • Pieter Boel • Still Life in Italy • Italian Art Literature • Grechetto • Eighteenth century • Dance • Cryptography • Proportions • Light and shadow • Vitruvius • Poussin • David De Coninck • Computer art • Gesture • Hybrid space • Mathematics • Writing • Portraits • Seicento painting • Ornament • New media art • Science Treatises • Rayonism • Science • Infection • Ownership marks • Alterity • Linear perspective • Book Collecting • Drawing instruments • Biographical Cameos • Abstraction • Ideography • Security • Mikhail Larionov • Scenography • Bologna, accademia dei Gelati • Galleria Manfrin

permalink http://doi.org/10.30687/VA/2385-2720/2020/06

Copyright: © 2020 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.