Rivista |
Venezia Arti
Fascicolo monografico | 29 | 2020
Arte e Scienza
open access | peer reviewedKeywords Italian Art Literature • Gesture • Digital image • Tactical media • Landscape • Russian Avant-garde • Hybridisation • Drawing instruments • Software • Infection • Movement • Renaissance • Still Life in Italy • Architectural drawing • Anamorphosis • Abstraction • Zaccolini • Contemporary Art • Rayonism • Diagram • Ideography • Posthumanism • Flemish Sources • Mario dei Fiori • Pigments • Mutation • Print Collecting • Het Gulden Cabinet • Poussin • Optics • Hybrid space • Pastel practice • Viral • Medallions • Theriomorphism • Anthropocene • Cornelis De Bie • Vitruvius • Eighteenth century • Francesco Noletti • Neapolitan Collections • Technology • Galleria Manfrin • Pieter Boel • Computer art • Cyborg • Alterity • Scenography • Ownership marks • ) • Dance • Proportions • Portraits • Science • Mathematics • Book Collecting • Neoplatonism • Grechetto • Scientific knowledge • David De Coninck • Art • Form • Venice • Science Treatises • Linear perspective • Ornament • New media art • Security • Bologna, accademia dei Gelati • Cryptography • Electronic disobedience • Paintings • Writing • Biographical Cameos • Light and shadow • Recipes • Planisphere • Bologna, gentry (XVI-XVII cent • Busts • Manfrin, Girolamo • Mikhail Larionov • Seicento painting • Michelangelo Cerquozzi
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Pubblicato 11 Dicembre 2020 | Lingua en, it, fr
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Editoriale
- 11 Dicembre 2020
Medioevo e età moderna
-
From Vitruvius to the Science Of Drawing
Daniele Barbaro’s Concept of “Scaenographia” - 11 Dicembre 2020
- I Gelati, i Gessi e Edgar Allan Poe
- 11 Dicembre 2020
- Poussin and Optics: Reflections on the Lake in “a Calm”
- 11 Dicembre 2020
-
Cornelis De Bie, il Gulden Cabinet e la pittura di natura morta e di genere in Italia
I casi di Francesco Noletti detto il Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi e una riflessione su Pieter Boel e David De Coninck - 11 Dicembre 2020
- Libri e stampe di casa Manfrin a Venezia tra Sette e Ottocento. Prime considerazioni
- 11 Dicembre 2020
Contemporaneo
- Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
- 11 Dicembre 2020
-
Computer art in Italia negli anni Ottanta
Tecnologia, matematica e immaginario scientifico - 11 Dicembre 2020
- Estetica dell’infezione: dal cyborg al teriomorfo
- 11 Dicembre 2020
- Border hacking: una conversione artistica dei confini nazionali nella società delle reti
- 11 Dicembre 2020
-
Le diagramme en scène
Mouvement, geste et écriture - 11 Dicembre 2020
Alia itinera
-
Des figures hors cadre
L’émergence du corps sculpté dans l’architecture de la Renaissance en France - 11 Dicembre 2020
