Rivista |
JoLMA
Fascicolo monografico | 4 | 1 | 2023
Unframing/Reframing in the Contemporary Visual, Performing, and Media Arts
open access | peer reviewed-
a cura di
- Pietro Conte - Ca' Foscari University of Venice - email
- Cristina Baldacci - Ca' Foscari University of Venice - email
- Susanne Franco - Università Ca’ Foscari Venezia, Italia - email
Over the last two decades, the notion of the frame has been radically challenged in the visual, performing, and media arts, particularly as a consequence of the introduction of two mutually related concepts: ‘unframing’ and ‘reframing’. While the first refers to the gesture of ideally getting rid of any framing device, the second offers alternative ways to contextualise objects, acts, and images in time and space. This issue of JoLMA proposes to examine the concepts of unframing and reframing from the interdisciplinary perspective of visual art, performance, and media studies, by following both a theoretical and a practice-based approach. The entanglement of theory and practice becomes crucial when an attempt is made to introduce new epistemological standpoints.
Keywords Avalanche magazine • Interpretation • AI • Art • Contemporary art • Image • Pictorial Storytelling • Framing in art • Reframing • Virtual Reality • Feminist art • Re-framing • Hyper-enactment • Visual Culture Studies • Art Ontology • Grosse Fatigue • Picture Thresholds • Single Images • Training humans • Narration • Art of the 1960s and 1970s • Art magazines • Art theory • ChatGPT • Artists’ magazines • Sequential Images • Desktop documentary • Framing • Human-machine entanglement • Storytelling • Judy Chicago • Re-enactment • Camille Henrot • Conversation • Fictional Worlds • Frame • Augmented reality
Permalink http://doi.org/10.30687/Jolma/2723-9640/2023/01 | Pubblicato 25 Settembre 2023 | Lingua en, it
Copyright © Pietro Conte, Cristina Baldacci, Susanne Franco. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Introduction
- 25 Settembre 2023
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Bridging the Gap Between Theory and Practice
A Conversation on Framing and Reframing - 25 Settembre 2023
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Reframing Second-Wave Feminism Through Fashion Industry and Augmented Reality
Recent Trends in Judy Chicago’s Work - 25 Settembre 2023
- Framing Humans for AI
- 25 Settembre 2023
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Camille Henrot’s Grosse Fatigue
The Frame as an Ordering Element of Hyper-Enactment - 25 Settembre 2023
- Differences Between Single and Sequential Pictorial Storytelling
- 25 Settembre 2023
- Framing the Unframed: Avalanche, an Art Magazine
- 25 Settembre 2023
- The Image in a Vat?
- 25 Settembre 2023
