The Image in a Vat?

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Campo DC	Valore
dc.identifier	ECF_article_13801
dc.title	The Image in a Vat?
dc.contributor.author	Di Monte Michele
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	en
dc.identifier.uri	http://edizionicafoscari.unive.it/it/edizioni4/riviste/the-journal-for-the-philosophy-of-language-mind-an/2023/1/the-image-in-a-vat/
dc.description.abstract	The relationship between frames and works of art, or more generally between frames and images, is a classic problem of aesthetics and art history, which has however become a hot topic today, since new digital technologies seem to promise completely frameless virtual and fictional worlds. Nonetheless, it is perhaps useful to frame the question of the frame, and of the thresholds of the images, with a colder look, taking into account the cognitive, phenomenological and ontological implications of their variable and multilayered relationships.
dc.relation.ispartof	JoLMA
dc.relation.ispartof	Vol. 4 \| Num. 1 \| Giugno 2023
dc.issued	2023-09-25
dc.dateAccepted	2023-06-22
dc.dateSubmitted	2023-06-13
dc.identifier.issn
dc.identifier.eissn	2723-9640
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Jolma/2723-9640/2023/01/007
dc.peer-review	yes
dc.subject	Art Ontology
dc.subject	Fictional Worlds
dc.subject	Frame
dc.subject	Image
dc.subject	Picture Thresholds
dc.subject	Virtual Reality

Articolo
open access peer reviewed

The Image in a Vat?

Michele Di Monte Gallerie Nazionali Barberini Corsini

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abstract

The relationship between frames and works of art, or more generally between frames and images, is a classic problem of aesthetics and art history, which has however become a hot topic today, since new digital technologies seem to promise completely frameless virtual and fictional worlds. Nonetheless, it is perhaps useful to frame the question of the frame, and of the thresholds of the images, with a colder look, taking into account the cognitive, phenomenological and ontological implications of their variable and multilayered relationships.

Pubblicato

25 Settembre 2023

Accettato

22 Giugno 2023

Presentato

13 Giugno 2023

Lingua

Keywords: Image • Fictional Worlds • Picture Thresholds • Frame • Virtual Reality • Art Ontology

permalink http://doi.org/10.30687/Jolma/2723-9640/2023/01/007

Copyright: © 2023 Michele Di Monte. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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