Camille Henrot’s Grosse Fatigue

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Campo DC	Valore
dc.identifier	ECF_article_13611
dc.title	Camille Henrot’s Grosse Fatigue. The Frame as an Ordering Element of Hyper-Enactment
dc.contributor.author	Mudu Stefano
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	en
dc.identifier.uri	http://edizionicafoscari.unive.it/it/edizioni4/riviste/the-journal-for-the-philosophy-of-language-mind-an/2023/1/camille-henrots-grosse-fatigue/
dc.description.abstract	This essay aims to analyse the ordering role that the frame plays in Grosse Fatigue (2013) by French artist Camille Henrot. Presented for the first time at the 55th Venice Biennale, the work is a 'desktop documentary', which uses words and images to reconstruct the complex history of the evolution of the Universe and of humanity. With the help of some concepts taken from Object-Oriented Ontology, this article considers Grosse Fatigue as a ‘hyper-enactment’, a neologism used to describe the stage in which pre-existing images/objects (here well circumscribed by desktop frames) aggregate as both particle-weaves and event-objects, producing new narratives that prevent the punctual rediscovery of their references.
dc.relation.ispartof	JoLMA
dc.relation.ispartof	Vol. 4 \| Num. 1 \| Giugno 2023
dc.issued	2023-09-25
dc.dateAccepted	2023-07-03
dc.dateSubmitted	2023-05-31
dc.identifier.issn
dc.identifier.eissn	2723-9640
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Jolma/2723-9640/2023/01/004
dc.peer-review	yes
dc.subject	Camille Henrot
dc.subject	Desktop documentary
dc.subject	Grosse Fatigue
dc.subject	Hyper-enactment
dc.subject	Re-framing

Articolo
open access peer reviewed

Camille Henrot’s Grosse Fatigue

The Frame as an Ordering Element of Hyper-Enactment

Stefano Mudu Università IUAV di Venezia

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abstract

This essay aims to analyse the ordering role that the frame plays in Grosse Fatigue (2013) by French artist Camille Henrot. Presented for the first time at the 55th Venice Biennale, the work is a 'desktop documentary', which uses words and images to reconstruct the complex history of the evolution of the Universe and of humanity. With the help of some concepts taken from Object-Oriented Ontology, this article considers Grosse Fatigue as a ‘hyper-enactment’, a neologism used to describe the stage in which pre-existing images/objects (here well circumscribed by desktop frames) aggregate as both particle-weaves and event-objects, producing new narratives that prevent the punctual rediscovery of their references.

Pubblicato

25 Settembre 2023

Accettato

03 Luglio 2023

Presentato

31 Maggio 2023

Lingua

Keywords: Hyper-enactment • Camille Henrot • Re-framing • Grosse Fatigue • Desktop documentary

permalink http://doi.org/10.30687/Jolma/2723-9640/2023/01/004

Copyright: © 2023 Stefano Mudu. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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