Rivista | JoLMA
Fascicolo monografico | 3 | 2 | 2022
Translation as Interpretation | On Joseph Margolis’ Aesthetics. A Symposium
open access | peer reviewed-
a cura di
- Gian Luigi Paltrinieri - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Francesco Camera - Università degli Studi di Genova, Italia - email
- Alessandro Cavazzana - Università Ca’ Foscari Venezia, Italia - email
Keywords German Romanticism • Linguistic Hospitality • Ontology of art • Historicism • Messianism • Relativism • Heidegger • Explicatures • Type-token • Pluralism • Objectivity • Untranslatable • Intentionality • Language • Target language • Hybridisation • Translation • Definition of art • Difference • Lexical Pragmatics • Translation’s theory • Translation’s practice • Compromise • Joseph Margolis • Pragmatism • Aesthetics • Source language • Gadamer • Recognition • Beiträge • Margolis • Truth • Paul Ricoeur • Anfang • Dewey • Definite Descriptions • Philosophy • Plurality • Kripke • Ambiguity • Hermeneutics • History of aesthetics • Hegel • Pragmatic objectivity • Luigi Pareyson • Interpretation • Walter Benjamin • Implicatures • Time-Space • Philosophy of art • Cultural emergence • Mediation • Knowledge
Permalink http://doi.org/10.30687/Jolma/2723-9640/2022/02 | Pubblicato 20 Dicembre 2022 | Lingua en
Copyright © Gian Luigi Paltrinieri, Francesco Camera, Alessandro Cavazzana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
