Translation as Interpretation | On Joseph Margolis’ Aesthetics. A Symposium
open access | peer reviewed-
edited by
- Gian Luigi Paltrinieri - Ca' Foscari University of Venice - email orcid profile
- Francesco Camera - University of Genoa - email
- Alessandro Cavazzana - Ca' Foscari University of Venice - email
Keywords Implicatures • Hegel • History of aesthetics • Pragmatic objectivity • Philosophy • Type-token • Walter Benjamin • Dewey • Aesthetics • Kripke • Ambiguity • Mediation • Recognition • Difference • Definite Descriptions • Compromise • Luigi Pareyson • Translation’s theory • Anfang • Messianism • Lexical Pragmatics • Objectivity • Translation’s practice • Linguistic Hospitality • Definition of art • Pragmatism • Time-Space • Truth • Heidegger • Interpretation • Joseph Margolis • Language • Ontology of art • Gadamer • Intentionality • Hermeneutics • Cultural emergence • Margolis • Pluralism • Paul Ricoeur • Beiträge • German Romanticism • Historicism • Knowledge • Source language • Target language • Explicatures • Translation • Untranslatable • Hybridisation • Philosophy of art • Relativism • Plurality
Permalink http://doi.org/10.30687/Jolma/2723-9640/2022/02 | Published Dec. 20, 2022 | Language en
Copyright © Gian Luigi Paltrinieri, Francesco Camera, Alessandro Cavazzana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.