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Monographic journal issue
open access peer reviewed

Translation as Interpretation | On Joseph Margolis’ Aesthetics. A Symposium

edited by

Gian Luigi Paltrinieri Università Ca’ Foscari Venezia, Italia

Francesco Camera Università degli Studi di Genova, Italia

Alessandro Cavazzana Università Ca’ Foscari Venezia, Italia

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Language: en

Published: Dec. 20, 2022

Keywords

Heidegger • Difference • Source language • Untranslatable • Aesthetics • Explicatures • Pragmatism • Implicatures • Cultural emergence • Target language • History of aesthetics • Definition of art • Hybridisation • Anfang • Kripke • Paul Ricoeur • Pragmatic objectivity • Compromise • Hermeneutics • Knowledge • Dewey • German Romanticism • Truth • Philosophy of art • Hegel • Philosophy • Plurality • Intentionality • Recognition • Translation’s theory • Ontology of art • Historicism • Gadamer • Translation • Translation’s practice • Pluralism • Linguistic Hospitality • Interpretation • Walter Benjamin • Definite Descriptions • Beiträge • Lexical Pragmatics • Margolis • Time-Space • Luigi Pareyson • Language • Objectivity • Relativism • Ambiguity • Joseph Margolis • Messianism • Mediation • Type-token

permalink http://doi.org/10.30687/Jolma/2723-9640/2022/02

Copyright: © 2022 Gian Luigi Paltrinieri, Francesco Camera, Alessandro Cavazzana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.