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Sulle onde del «canto dell’antico sangue»: incipit ed explicit di La figlia di Iorio

Alfredo Sgroi    Università degli Studi di Catania, Italia    

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abstract

The pastoral drama La figlia di Iorio (1904) is a concentrate of musical and linguistic experiments. Incipit and explicit have a very important function in it. In fact, they characterise the ‘stacchi’ or ties that characterise this text with a complex and undulating architecture, similar to a symphony. In this essay, these very important moments in the economy of tragedy are analysed.

Pubblicato
21 Ottobre 2021
Accettato
25 Aprile 2021
Presentato
28 Febbraio 2021
Lingua
IT

Keywords: CadenceRitePopularMelodyRhythm

Copyright: © 2021 Alfredo Sgroi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.