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Formule e itinerari del ‘debut-et-la fin’ nella Contemplazione della morte

Angela Fabris    Alpen-Adria-Universität Klagenfurt, Austria    

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abstract

The essay proposes a selective reading of the beginnings and the endings of the four prose texts of Contemplazione della morte (1912), in their connections, according to the different typologies and functions. Attention is given to the two dedicatees, Pascoli and Bermond, together with natural landscapes and atmospheric notations, as well as to the importance given to silence and to the vitalistic image of the “cagna”, which in the finale imposes itself on that of the drowned man.

Pubblicato
21 Ottobre 2021
Accettato
28 Giugno 2021
Presentato
27 Marzo 2021
Lingua
IT

Keywords: Contemplazione della morteBremondMemory,PascolIncipitSilence

Copyright: © 2021 Angela Fabris. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.