Rivista | Archivio d’Annunzio
Fascicolo monografico | 8 | 2021
Articolo | L’anomalia incipitaria del Giovanni Episcopo
Abstract
The essay examines the peculiarities, both formal and of content, of Giovanni Episcopo (1891), considering its incipit – a mimetically connoted space, compared to those of d’Annunzio’s novels that frame him. Particular attention was paid to the debate that was dedicated to the genre of the novel, in its various formulations, also related to the writings of the self (confession, memory, autobiography). This happens in a season marked by restless research, measuring itself against theoretical and aesthetic horizons determined to reread in dialectical terms the lesson already imparted by French Naturalism.
Presentato: 05 Febbraio 2021 | Accettato: 02 Maggio 2021 | Pubblicato 21 Ottobre 2021 | Lingua: it
Keywords Italian novel • Incipit • Giovanni Episcopo • D’Annunzio
Copyright © 2021 Ilaria Crotti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2021/01/006
Officina dannunziana. Incipit ed explicit in Gabriele d’Annunzio
Civiltà dannunziana
Recensioni
DC Field | Value |
---|---|
dc.identifier |
ECF_article_6276 |
dc.title |
L’anomalia incipitaria del Giovanni Episcopo |
dc.contributor.author |
Crotti Ilaria |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Articolo |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2021/1/lanomalia-incipitaria-del-giovanni-episcopo/ |
dc.description.abstract |
The essay examines the peculiarities, both formal and of content, of Giovanni Episcopo (1891), considering its incipit – a mimetically connoted space, compared to those of d’Annunzio’s novels that frame him. Particular attention was paid to the debate that was dedicated to the genre of the novel, in its various formulations, also related to the writings of the self (confession, memory, autobiography). This happens in a season marked by restless research, measuring itself against theoretical and aesthetic horizons determined to reread in dialectical terms the lesson already imparted by French Naturalism. |
dc.relation.ispartof |
Archivio d’Annunzio |
dc.relation.ispartof |
Vol. 8 | Ottobre 2021 |
dc.issued |
2021-10-21 |
dc.dateAccepted |
2021-05-02 |
dc.dateSubmitted |
2021-02-05 |
dc.identifier.issn |
|
dc.identifier.eissn |
2421-292X |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/AdA/2421-292X/2021/01/006 |
dc.peer-review |
yes |
dc.subject |
D’Annunzio |
dc.subject |
D’Annunzio |
dc.subject |
Giovanni Episcopo |
dc.subject |
Giovanni Episcopo |
dc.subject |
Incipit |
dc.subject |
Incipit |
dc.subject |
Italian novel |
dc.subject |
Italian novel |
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