Rivista | Archivio d’Annunzio
Fascicolo monografico | 8 | 2021
Articolo | Oltrepassare la soglia della morale: delitto, giustizia, suicidio
Abstract
The essay is about the film L’innocente by Luchino Visconti based on the novel by Gabriele d’Annunzio (1892). Accused of immorality, the literary text, decisive for the work of the Italian writer and dramatist, narrates – in the movie – the story of Tullio Hermil, a refined but restless man with a marked sensuality, and his infidelity towards his submissive wife Giuliana who, after a short love story with the writer Arborio, gets pregnant and decides to keep the baby. After the baptism, the jealous and upset Tullio kills the baby exposing him to the elements of Christmas night. Oppressed by the remorse, he commits suicide by gunshot. This essay intends to compare the two texts according to the poetic horizon of the director Luchino Visconti in the light of his contradictory attraction/rejection relationship with the Vate.
Presentato: 17 Febbraio 2021 | Accettato: 18 Maggio 2021 | Pubblicato 21 Ottobre 2021 | Lingua: it
Keywords L’innocente • Italian novel • Luchino Visconti • Gabriele d’Annunzio • Cinema
Copyright © 2021 Fabrizio Borin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2021/01/008
Officina dannunziana. Incipit ed explicit in Gabriele d’Annunzio
Civiltà dannunziana
Recensioni
DC Field | Value |
---|---|
dc.identifier |
ECF_article_6277 |
dc.title |
Oltrepassare la soglia della morale: delitto, giustizia, suicidio. L’innocente secondo Luchino Visconti |
dc.contributor.author |
Borin Fabrizio |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Articolo |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2021/1/oltrepassare-la-soglia-della-morale-delitto-giusti/ |
dc.description.abstract |
The essay is about the film L’innocente by Luchino Visconti based on the novel by Gabriele d’Annunzio (1892). Accused of immorality, the literary text, decisive for the work of the Italian writer and dramatist, narrates – in the movie – the story of Tullio Hermil, a refined but restless man with a marked sensuality, and his infidelity towards his submissive wife Giuliana who, after a short love story with the writer Arborio, gets pregnant and decides to keep the baby. After the baptism, the jealous and upset Tullio kills the baby exposing him to the elements of Christmas night. Oppressed by the remorse, he commits suicide by gunshot. This essay intends to compare the two texts according to the poetic horizon of the director Luchino Visconti in the light of his contradictory attraction/rejection relationship with the Vate. |
dc.relation.ispartof |
Archivio d’Annunzio |
dc.relation.ispartof |
Vol. 8 | Ottobre 2021 |
dc.issued |
2021-10-21 |
dc.dateAccepted |
2021-05-18 |
dc.dateSubmitted |
2021-02-17 |
dc.identifier.issn |
|
dc.identifier.eissn |
2421-292X |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/AdA/2421-292X/2021/01/008 |
dc.peer-review |
yes |
dc.subject |
Cinema |
dc.subject |
Cinema |
dc.subject |
Gabriele d’Annunzio |
dc.subject |
Gabriele d’Annunzio |
dc.subject |
Italian novel |
dc.subject |
Italian novel |
dc.subject |
Luchino Visconti |
dc.subject |
Luchino Visconti |
dc.subject |
L’innocente |
dc.subject |
L’innocente |
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