Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Chinese Middle-class Consumers • Correspondence • Chinese market • Algeria • Contemporary Chinese art • Historical musicology • Ernesto de Martino • Taḏawwuq adabī • Othering • Methodius of Olympus • South Asian Art • Parody • World Bank • Civil society • Imaginative geographies • Contemporary Japanese Literature • Western Travels History • Didactics of Arabic to non-Arabic-speaking • Arabic linguistics • Euphemism • Ajavilāpa • Gomorra-La serie • Abhiññā • Japanese Cinema • Funerary lament in ancient world • Food piracy • History of music in Central Asia • International Monetary Fund • Urban literature • Chinese rural-urban migrants • Elena Ferrante • Raghuvaṃśa • Washington Consensus • Ottoman Classical Music • Modern Art Criticism • The state • Sufi Music • Connected History & Global History • Globalisation • Tammām Ḥassān • Orientalism • Upaniṣad • ʿInāyat-Allāh Beg • Connected History & Global History • Textual Criticism • Spectatorship • Rupture Movement • Fin-de-siècle Italy • Iddhi • Society as a whole • Dervish Ceremonies • Possessive Individualism • Debt Relief • Khalīl b • Intellectual History • Buddhism • Mode • Chinese Values • Takahashi Gen’ichirō • Scholars’ network • ʿAishī Shīrāzī • Shiraz • Japan and Okinawa • Nicolò Manucci • Italian sounding • Mevlevî Dervishes • Literature analysis • Manomaya-kāya • Inanimate objects in literature • Mevlevî Ceremonies • Society • Xu Zechen • Ottoman History • Self-rotation • US-occupied Okinawa • Uzun Ḥasan • Arabic language • Graffiti • ʿIshrat-nāma • Chinese fansubbing • ‘Three perfections’ • Market economy • Adverse selection • Eznik of Kołb • Linguistic taboo • History of music in the Middle East • Maqām/makam/mughām • Performance • Aq-Quyūnlū • Intermediality • 3/11 Literature • Dolls as metaphors • Armenian Literature • Transaction costs • Agricultural trade • Japonisme • Kwanyin Clan • Halo construct • History of Sufism • Nation-state • Terayama Shūji • Information asymmetry • Colonial gaze • Contemporary Chinese literature • Learning • Dah-nāma • Body • Indian Painting • La figlia oscura • Non-professional translation • Made-in-Italy food • Chinese literati • Identity • Pāli • The social • Veda • Dervishes • Hino Ashihei • Art Collecting • Mamluk period

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua fr, en, it

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