Annali di Ca’ Foscari. Serie orientale

55 | 2019

open access | peer reviewed

Keywords Parody • Nation-state • Algeria • Scholars’ network • Spectatorship • Arabic language • Taḏawwuq adabī • Intermediality • Dolls as metaphors • Ernesto de Martino • Gomorra-La serie • Mode • Agricultural trade • International Monetary Fund • Correspondence • ʿIshrat-nāma • ‘Three perfections’ • Self-rotation • Graffiti • History of music in Central Asia • Civil society • Connected History & Global History • Globalisation • Maqām/makam/mughām • Mamluk period • Performance • Inanimate objects in literature • Debt Relief • Funerary lament in ancient world • La figlia oscura • The social • Armenian Literature • US-occupied Okinawa • Arabic linguistics • Washington Consensus • Kwanyin Clan • Imaginative geographies • Art Collecting • Halo construct • Society as a whole • Khalīl b • Shiraz • Ajavilāpa • Adverse selection • Possessive Individualism • Veda • 3/11 Literature • Chinese Middle-class Consumers • Takahashi Gen’ichirō • Ottoman History • Society • Made-in-Italy food • Transaction costs • Sufi Music • Non-professional translation • History of music in the Middle East • Buddhism • Information asymmetry • Orientalism • Tammām Ḥassān • Manomaya-kāya • Connected History & Global History • Chinese Values • Chinese fansubbing • Chinese literati • Mevlevî Dervishes • Contemporary Chinese literature • Italian sounding • Raghuvaṃśa • The state • Abhiññā • Xu Zechen • Indian Painting • Uzun Ḥasan • Upaniṣad • Ottoman Classical Music • History of Sufism • Fin-de-siècle Italy • Dervishes • Iddhi • Mevlevî Ceremonies • ʿInāyat-Allāh Beg • Food piracy • Literature analysis • Hino Ashihei • Linguistic taboo • Othering • Terayama Shūji • Learning • Identity • South Asian Art • Modern Art Criticism • Chinese rural-urban migrants • Didactics of Arabic to non-Arabic-speaking • Japanese Cinema • Pāli • Eznik of Kołb • Nicolò Manucci • Market economy • World Bank • Urban literature • Historical musicology • Elena Ferrante • Rupture Movement • Aq-Quyūnlū • Body • Contemporary Japanese Literature • Methodius of Olympus • Japan and Okinawa • Textual Criticism • Contemporary Chinese art • Japonisme • Dah-nāma • Euphemism • Chinese market • Intellectual History • Dervish Ceremonies • ʿAishī Shīrāzī • Colonial gaze • Western Travels History

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01 | Pubblicato 27 Giugno 2019 | Lingua fr, it, en

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