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Fascicolo
open access peer reviewed

Vol. 55 | Giugno 2019

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Lingua: fr, en, it

Pubblicato: 27 Giugno 2019

Keywords

Scholars’ network • The social • Identity • Performance • Dervish Ceremonies • South Asian Art • Abhiññā • Literature analysis • Arabic linguistics • International Monetary Fund • US-occupied Okinawa • Shiraz • Western Travels History • Urban literature • Contemporary Chinese art • Non-professional translation • Fin-de-siècle Italy • Upaniṣad • Transaction costs • Civil society • Linguistic taboo • Intermediality • Halo construct • Hino Ashihei • Ottoman History • Methodius of Olympus • Graffiti • Eznik of Kołb • Indian Painting • Society as a whole • Connected History & Global History • History of music in the Middle East • History of Sufism • 3/11 Literature • Dolls as metaphors • Food piracy • Contemporary Chinese literature • Algeria • Khalīl b • Possessive Individualism • Washington Consensus • Art Collecting • Dervishes • Armenian Literature • Raghuvaṃśa • Italian sounding • Kwanyin Clan • Spectatorship • Buddhism • Inanimate objects in literature • Chinese literati • Orientalism • Colonial gaze • ʿInāyat-Allāh Beg • Rupture Movement • Adverse selection • Veda • The state • Maqām/makam/mughām • Chinese fansubbing • Market economy • Debt Relief • Globalisation • Information asymmetry • Nation-state • Sufi Music • Connected History & Global History • Uzun Ḥasan • Ottoman Classical Music • Terayama Shūji • Imaginative geographies • Mevlevî Ceremonies • Funerary lament in ancient world • Gomorra-La serie • Modern Art Criticism • Pāli • Tammām Ḥassān • Othering • Nicolò Manucci • Dah-nāma • Agricultural trade • Ajavilāpa • ‘Three perfections’ • Euphemism • Chinese rural-urban migrants • Chinese Middle-class Consumers • Mevlevî Dervishes • World Bank • Body • Self-rotation • Learning • Japonisme • Chinese Values • Aq-Quyūnlū • Correspondence • Made-in-Italy food • Ernesto de Martino • La figlia oscura • Chinese market • Parody • Iddhi • Historical musicology • Elena Ferrante • Taḏawwuq adabī • Didactics of Arabic to non-Arabic-speaking • Arabic language • Takahashi Gen’ichirō • Manomaya-kāya • Contemporary Japanese Literature • Intellectual History • Society • Mamluk period • ʿIshrat-nāma • Japan and Okinawa • ʿAishī Shīrāzī • Japanese Cinema • Xu Zechen • Textual Criticism • History of music in Central Asia • Mode

permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01

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