Collana | Antichistica
Miscellanea | Paulo maiora canamus
Capitolo | Optazianismi. Elementi formulari di un poeta visuale
Abstract
In poetry, particularly in the hexametric one, the use of formulas determines the stylistic fingerprint of an author. The contribution examines the poetic material used by the Constantinian poet Optatianus Porfyrius, trying to identify formulas and motifs peculiar to this author, employed by him several times, or even introduced by him for the first time, some of which appeared successful in the later tradition. The figure of an author well integrated into the poetic tradition emerges, but not without an inventive spirit and auctoritas.
Presentato: 24 Agosto 2021 | Accettato: 12 Novembre 2021 | Pubblicato 14 Dicembre 2021 | Lingua: it
Keywords Orality • Style • Optatianus Porfyrius • Formulas • Visuality
Copyright © 2021 Massimo Manca. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-557-5/011
Storia letteraria e intertestualità
Note filologiche
Studi sul Tardoantico
Studi di ricezione
Appendice
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_6756 |
dc.contributor.author |
Manca Massimo |
dc.title |
Optazianismi. Elementi formulari di un poeta visuale |
dc.type |
Capitolo |
dc.language.iso |
it |
dc.description.abstract |
In poetry, particularly in the hexametric one, the use of formulas determines the stylistic fingerprint of an author. The contribution examines the poetic material used by the Constantinian poet Optatianus Porfyrius, trying to identify formulas and motifs peculiar to this author, employed by him several times, or even introduced by him for the first time, some of which appeared successful in the later tradition. The figure of an author well integrated into the poetic tradition emerges, but not without an inventive spirit and auctoritas. |
dc.relation.ispartof |
Antichistica |
dc.relation.ispartof |
Filologia e letteratura |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2021-12-14 |
dc.dateAccepted |
2021-11-12 |
dc.dateSubmitted |
2021-08-24 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-558-2/optazianismi-elementi-formulari-di-un-poeta-visual/ |
dc.identifier.doi |
10.30687/978-88-6969-557-5/011 |
dc.identifier.issn |
2610-8828 |
dc.identifier.eissn |
2610-9344 |
dc.identifier.isbn |
978-88-6969-558-2 |
dc.identifier.eisbn |
978-88-6969-557-5 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Formulas |
dc.subject |
Formulas |
dc.subject |
Optatianus Porfyrius |
dc.subject |
Optatianus Porfyrius |
dc.subject |
Orality |
dc.subject |
Orality |
dc.subject |
Style |
dc.subject |
Style |
dc.subject |
Visuality |
dc.subject |
Visuality |
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