Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Dmitry Zhilinsky • Influence • Art Nouveau • Pre-Columbian collections • Shape of water • Celebration of unity • Museum of Painterly Culture • Modernism • Joseph Margolis • Italian Studies • 15th century • Statics • Videographic criticism • History of collections • Interpretation • Unity of West and East • Formula similarity • Дмитрий Жилинский • Artie Vierkant • Soviet painter • Marble slab • Miniature • Monumental painting • Easel Painters’ Society • Soviet painting • Compositional axes • Allegory of Russia • Christianism • Allegory for peace • Islamic architectural ornament • Artistic reception • Russian art • Quattrocento • Apocalypse • Art ontology • Tangible forms • National style • Non finito • Weimar art • ‘Peace’ • Girikh • YouTube • Eugene Lanceray • Central Asian architectural décor • Contemporary Soviet Art • Venturi • Livre d’artiste • Print • Bouchot • Type-token distinction • Soviet architectural décor • Canon • Nineteenth-century editions • ‘Motherland’ • Symbols • Stucco • Religion • Pre-Columbian art • Systems • Berlin Dada • Book illustration • Non-European art exhibitions • Nostalgia • Visual perception • Parody • Expressionism • Postcolonial studies • Art history and ethnography • Film studies • Easel painting • Gunch • Kazan railway station • Richard Wollheim • Perception • Post-Impressionism • Art ‘before Raphael’ • Project Method – Dynamics • Prophecy • New Objectivity • Academicism • Peltae pattern • Post-media condition • Post-soviet society • Edwardian gift book • Nicholas Roerich • Dogma • Islimi • Italian painting • Nineteenth-century France • Proto-Renaissance • Timur Novikov • Roger Fry • Post-soviet art • Abstraction • Woodcut • Old masters • Reception • Medieval mosaic floor • VKHUTEMAS • Speculative cinema

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua en, it, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.