Quaderni di Venezia Arti

Collana | Quaderni di Venezia Arti
Volume 4 | Miscellanea | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy

open access
    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Girikh • Videographic criticism • Visual perception • Allegory of Russia • Dogma • Formula similarity • Tangible forms • Interpretation • Kazan railway station • Contemporary Soviet Art • ‘Motherland’ • Academicism • Expressionism • Livre d’artiste • Soviet painting • Medieval mosaic floor • Canon • New Objectivity • Artistic reception • Symbols • Weimar art • Dmitry Zhilinsky • Postcolonial studies • Pre-Columbian art • Art ‘before Raphael’ • Speculative cinema • Artie Vierkant • Museum of Painterly Culture • Apocalypse • National style • Print • Islimi • Russian art • Post-media condition • Italian painting • Proto-Renaissance • Joseph Margolis • Non-European art exhibitions • Statics • Parody • Shape of water • Central Asian architectural décor • Gunch • Monumental painting • Celebration of unity • Prophecy • Pre-Columbian collections • Perception • Miniature • Italian Studies • Non finito • Soviet painter • YouTube • Roger Fry • Post-soviet society • Timur Novikov • Дмитрий Жилинский • Venturi • Allegory for peace • Easel Painters’ Society • Nostalgia • Art ontology • Art Nouveau • VKHUTEMAS • Quattrocento • ‘Peace’ • Post-soviet art • Old masters • Easel painting • 15th century • Stucco • Richard Wollheim • Nineteenth-century France • Islamic architectural ornament • Type-token distinction • Systems • Edwardian gift book • Marble slab • Unity of West and East • Post-Impressionism • Christianism • Religion • Compositional axes • History of collections • Art history and ethnography • Nineteenth-century editions • Nicholas Roerich • Bouchot • Book illustration • Modernism • Peltae pattern • Woodcut • Influence • Abstraction • Project Method – Dynamics • Soviet architectural décor • Reception • Eugene Lanceray • Film studies • Berlin Dada

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua en, it, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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