Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Livre d’artiste • Pre-Columbian collections • New Objectivity • Compositional axes • Gunch • Nineteenth-century editions • Dogma • Parody • Postcolonial studies • Edwardian gift book • Quattrocento • Perception • Italian painting • Project Method – Dynamics • Expressionism • Nostalgia • Islamic architectural ornament • Artistic reception • Prophecy • Book illustration • Medieval mosaic floor • Artie Vierkant • Post-Impressionism • Monumental painting • Film studies • Weimar art • Proto-Renaissance • Museum of Painterly Culture • Academicism • Stucco • Shape of water • Celebration of unity • Roger Fry • Peltae pattern • Woodcut • Post-media condition • Visual perception • Print • Non-European art exhibitions • Christianism • Reception • Russian art • Allegory of Russia • Unity of West and East • Art history and ethnography • Easel painting • Дмитрий Жилинский • Girikh • Interpretation • Old masters • Art ‘before Raphael’ • Soviet painting • Soviet architectural décor • Statics • Soviet painter • Easel Painters’ Society • Speculative cinema • Venturi • 15th century • Central Asian architectural décor • ‘Peace’ • Eugene Lanceray • VKHUTEMAS • Marble slab • Apocalypse • Richard Wollheim • Formula similarity • National style • ‘Motherland’ • Nineteenth-century France • Post-soviet art • YouTube • Symbols • Type-token distinction • Influence • Miniature • Art ontology • Italian Studies • Kazan railway station • Art Nouveau • Timur Novikov • Post-soviet society • Videographic criticism • Allegory for peace • Modernism • Pre-Columbian art • Non finito • Islimi • Tangible forms • Religion • Abstraction • Contemporary Soviet Art • Systems • Dmitry Zhilinsky • Joseph Margolis • Bouchot • History of collections • Nicholas Roerich • Berlin Dada • Canon

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.