Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Central Asian architectural décor • Formula similarity • Art history and ethnography • Religion • Book illustration • Monumental painting • Unity of West and East • Compositional axes • Film studies • Tangible forms • Modernism • Type-token distinction • Shape of water • Girikh • Miniature • Easel Painters’ Society • ‘Motherland’ • Art ontology • Symbols • Soviet architectural décor • Old masters • Abstraction • Art ‘before Raphael’ • Artie Vierkant • Edwardian gift book • Christianism • Nineteenth-century editions • Italian painting • Richard Wollheim • Stucco • Bouchot • Postcolonial studies • ‘Peace’ • Project Method – Dynamics • Influence • YouTube • Medieval mosaic floor • Kazan railway station • Celebration of unity • Canon • Visual perception • Berlin Dada • Nostalgia • Prophecy • Post-media condition • Peltae pattern • Quattrocento • Gunch • Italian Studies • Soviet painting • Islamic architectural ornament • VKHUTEMAS • Post-soviet art • Speculative cinema • Print • Non-European art exhibitions • Non finito • Joseph Margolis • New Objectivity • Russian art • Venturi • Contemporary Soviet Art • Allegory of Russia • Timur Novikov • Interpretation • Parody • Easel painting • Nineteenth-century France • History of collections • Soviet painter • Dogma • Post-Impressionism • Art Nouveau • Proto-Renaissance • Systems • Dmitry Zhilinsky • Pre-Columbian collections • Academicism • National style • Videographic criticism • Reception • Statics • Allegory for peace • Marble slab • Дмитрий Жилинский • Woodcut • Islimi • Weimar art • Eugene Lanceray • 15th century • Artistic reception • Roger Fry • Apocalypse • Livre d’artiste • Museum of Painterly Culture • Pre-Columbian art • Expressionism • Post-soviet society • Perception • Nicholas Roerich

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua it, en, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.