Quaderni di Venezia Arti

Collana | Quaderni di Venezia Arti
Volume 4 | Miscellanea | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy

open access
    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Bouchot • Type-token distinction • Woodcut • Soviet painter • Formula similarity • Tangible forms • Edwardian gift book • Marble slab • YouTube • Nostalgia • Interpretation • Postcolonial studies • Art ‘before Raphael’ • Film studies • Stucco • Systems • Influence • ‘Peace’ • Museum of Painterly Culture • Book illustration • Italian painting • Art ontology • Post-media condition • Religion • Allegory of Russia • Kazan railway station • Miniature • Non finito • Richard Wollheim • Shape of water • Nineteenth-century editions • Print • Дмитрий Жилинский • Project Method – Dynamics • Apocalypse • Parody • Joseph Margolis • Art history and ethnography • Pre-Columbian art • Allegory for peace • Abstraction • Perception • Post-soviet art • Easel painting • Girikh • Prophecy • Post-Impressionism • Visual perception • Islamic architectural ornament • Soviet architectural décor • Quattrocento • Islimi • Speculative cinema • Timur Novikov • Expressionism • National style • Russian art • Venturi • Easel Painters’ Society • Modernism • Videographic criticism • Eugene Lanceray • History of collections • Livre d’artiste • Pre-Columbian collections • Berlin Dada • Art Nouveau • Compositional axes • Central Asian architectural décor • Academicism • Nineteenth-century France • Artie Vierkant • VKHUTEMAS • Medieval mosaic floor • Dogma • Monumental painting • Celebration of unity • Roger Fry • Symbols • Contemporary Soviet Art • Statics • Proto-Renaissance • ‘Motherland’ • Nicholas Roerich • Unity of West and East • Non-European art exhibitions • Christianism • Old masters • Peltae pattern • Gunch • Artistic reception • Dmitry Zhilinsky • 15th century • Canon • Reception • New Objectivity • Soviet painting • Weimar art • Post-soviet society • Italian Studies

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua en, it, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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