Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Roger Fry • Symbols • Speculative cinema • VKHUTEMAS • Italian Studies • Artie Vierkant • Parody • Easel painting • Art ontology • Dogma • Artistic reception • Easel Painters’ Society • Reception • Miniature • Videographic criticism • Art Nouveau • Film studies • Monumental painting • New Objectivity • Post-soviet society • Soviet painting • ‘Motherland’ • Compositional axes • Richard Wollheim • Interpretation • National style • Medieval mosaic floor • Postcolonial studies • Museum of Painterly Culture • Central Asian architectural décor • Venturi • Book illustration • Edwardian gift book • 15th century • Shape of water • History of collections • Unity of West and East • Nicholas Roerich • Eugene Lanceray • Soviet architectural décor • Old masters • Bouchot • Project Method – Dynamics • Kazan railway station • Quattrocento • Abstraction • Allegory for peace • Peltae pattern • Dmitry Zhilinsky • Non finito • Stucco • Woodcut • Joseph Margolis • Prophecy • Berlin Dada • Influence • Weimar art • Дмитрий Жилинский • Gunch • Non-European art exhibitions • Systems • Expressionism • Timur Novikov • Livre d’artiste • Russian art • Post-soviet art • Christianism • YouTube • Celebration of unity • Nineteenth-century France • Print • Academicism • Type-token distinction • Religion • Islimi • Allegory of Russia • Marble slab • Art history and ethnography • Proto-Renaissance • Canon • Italian painting • Pre-Columbian collections • Soviet painter • Nineteenth-century editions • Pre-Columbian art • ‘Peace’ • Visual perception • Modernism • Girikh • Post-Impressionism • Formula similarity • Contemporary Soviet Art • Nostalgia • Art ‘before Raphael’ • Statics • Apocalypse • Perception • Post-media condition • Tangible forms • Islamic architectural ornament

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua it, en, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.