Quaderni di Venezia Arti

Collana | Quaderni di Venezia Arti
Volume 4 | Miscellanea | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy

open access
    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Art ‘before Raphael’ • Religion • Timur Novikov • Interpretation • Art history and ethnography • Edwardian gift book • Woodcut • Abstraction • Academicism • Celebration of unity • Compositional axes • Apocalypse • Proto-Renaissance • Non-European art exhibitions • Easel Painters’ Society • Unity of West and East • Videographic criticism • Book illustration • Type-token distinction • Easel painting • Print • New Objectivity • Livre d’artiste • Allegory for peace • Bouchot • Reception • Weimar art • Postcolonial studies • Speculative cinema • YouTube • 15th century • Post-Impressionism • Peltae pattern • Post-media condition • Art Nouveau • Prophecy • Islamic architectural ornament • Marble slab • Gunch • National style • Berlin Dada • Stucco • Nineteenth-century France • Artistic reception • Formula similarity • Joseph Margolis • Christianism • Allegory of Russia • ‘Motherland’ • Old masters • Eugene Lanceray • Nineteenth-century editions • Roger Fry • History of collections • Richard Wollheim • VKHUTEMAS • Islimi • Miniature • Influence • Kazan railway station • Museum of Painterly Culture • Tangible forms • Pre-Columbian collections • Monumental painting • Canon • Central Asian architectural décor • Medieval mosaic floor • Russian art • Post-soviet art • Soviet painting • Contemporary Soviet Art • Post-soviet society • Soviet architectural décor • Nostalgia • Expressionism • Dmitry Zhilinsky • Дмитрий Жилинский • Symbols • Perception • Visual perception • Girikh • Artie Vierkant • Quattrocento • Modernism • Non finito • Parody • Systems • Nicholas Roerich • ‘Peace’ • Project Method – Dynamics • Dogma • Pre-Columbian art • Statics • Soviet painter • Venturi • Art ontology • Shape of water • Italian Studies • Italian painting • Film studies

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua en, ru, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

  • file_download 22
  • search 74
  • format_quote 0

Sommario

Se trovi interessanti le nostre pubblicazioni e vuoi ricevere aggiornamenti sulle prossime uscite, iscriviti ora alla nostra newsletter.

x

Newsletter