Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

crossmark logo

open access
    a cura di
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

Il volume raccoglie i contributi del II Convegno Internazionale dei Dottorandi del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia e dello State Institute for Art Studies di Mosca Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 settembre 2020).

Keywords Pre-Columbian art • Weimar art • Canon • Artie Vierkant • Postcolonial studies • Art ‘before Raphael’ • Tangible forms • Type-token distinction • Richard Wollheim • Visual perception • Joseph Margolis • Artistic reception • ‘Motherland’ • Medieval mosaic floor • Reception • Roger Fry • Prophecy • Film studies • Easel Painters’ Society • Symbols • Systems • Art Nouveau • Bouchot • Post-Impressionism • Quattrocento • YouTube • Interpretation • Miniature • Eugene Lanceray • Peltae pattern • Museum of Painterly Culture • Influence • Art ontology • Post-media condition • Parody • Non-European art exhibitions • Non finito • Edwardian gift book • Soviet architectural décor • Nicholas Roerich • Gunch • Religion • Allegory of Russia • Soviet painting • Timur Novikov • Project Method – Dynamics • Art history and ethnography • VKHUTEMAS • Nineteenth-century France • Statics • History of collections • Venturi • Abstraction • Nostalgia • Kazan railway station • Marble slab • New Objectivity • Old masters • Videographic criticism • Apocalypse • Book illustration • Shape of water • Pre-Columbian collections • Islamic architectural ornament • Compositional axes • Christianism • Proto-Renaissance • Academicism • Soviet painter • Post-soviet art • 15th century • Berlin Dada • Stucco • ‘Peace’ • Islimi • Woodcut • Girikh • National style • Russian art • Allegory for peace • Italian painting • Print • Monumental painting • Italian Studies • Dmitry Zhilinsky • Modernism • Easel painting • Speculative cinema • Contemporary Soviet Art • Formula similarity • Dogma • Livre d’artiste • Unity of West and East • Celebration of unity • Central Asian architectural décor • Дмитрий Жилинский • Expressionism • Perception • Nineteenth-century editions • Post-soviet society

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Pubblicato 22 Dicembre 2020 | Lingua en, it, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.