Collana |
Storie dell’arte contemporanea
Miscellanea | Storie della Biennale di Venezia
Capitolo | I pittori veneti alle ‘Biennali di Pallucchini’ (1948-1956)
Abstract
Venice Biennale was created to magnify this wonderful city also through the encreasing of arts, so a participation of painters born or living in the Veneto region – who originally ‘invented’, with politicians and intellectuals, the Biennale – at the beginning was always considerable. This essay focuses on the analysis of their presence at the Biennale between 1948 and 1956, when Rodolfo Pallucchini was General Secretary of the institution. It is examined through a statistical method that allows a more complete view of this mapping. Another topic is the reception on the press, that highlights the diatribe between artists and critics.
Pubblicato 18 Dicembre 2019 | Lingua: it
Keywords Press review • Venetian painting • Venice Biennale • Rodolfo Pallucchini
Copyright © 2019 Elisa Rampazzo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-366-3/007
Storie della Biennale: nuove ricerche
Mapping pavilions
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Rampazzo, Elisa. ‘I Pittori Veneti Alle “Biennali Di Pallucchini” (1948-1956)’. Storie Dell’arte Con...
Rampazzo, Elisa. ‘I Pittori Veneti Alle “Biennali Di Pallucchini” (1948-1956)’. Storie dell’arte con...
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_3434 |
dc.contributor.author |
Rampazzo Elisa |
dc.title |
I pittori veneti alle ‘Biennali di Pallucchini’ (1948-1956). Le partecipazioni e la ricezione della stampa |
dc.type |
Capitolo |
dc.language.iso |
it |
dc.description.abstract |
Venice Biennale was created to magnify this wonderful city also through the encreasing of arts, so a participation of painters born or living in the Veneto region – who originally ‘invented’, with politicians and intellectuals, the Biennale – at the beginning was always considerable. This essay focuses on the analysis of their presence at the Biennale between 1948 and 1956, when Rodolfo Pallucchini was General Secretary of the institution. It is examined through a statistical method that allows a more complete view of this mapping. Another topic is the reception on the press, that highlights the diatribe between artists and critics. |
dc.relation.ispartof |
Storie dell’arte contemporanea |
dc.relation.ispartof |
Atlante delle Biennali |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-12-18 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-367-0/i-pittori-veneti-alle-biennali-di-pallucchini-1948/ |
dc.identifier.doi |
10.30687/978-88-6969-366-3/007 |
dc.identifier.issn |
2610-9905 |
dc.identifier.eissn |
2610-9891 |
dc.identifier.isbn |
978-88-6969-367-0 |
dc.identifier.eisbn |
978-88-6969-366-3 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Press review |
dc.subject |
Press review |
dc.subject |
Rodolfo Pallucchini |
dc.subject |
Rodolfo Pallucchini |
dc.subject |
Venetian painting |
dc.subject |
Venetian painting |
dc.subject |
Venice Biennale |
dc.subject |
Venice Biennale |
Download data |
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