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I pittori veneti alle ‘Biennali di Pallucchini’ (1948-1956)

Le partecipazioni e la ricezione della stampa

Elisa Rampazzo    

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abstract

Venice Biennale was created to magnify this wonderful city also through the encreasing of arts, so a participation of painters born or living in the Veneto region – who originally ‘invented’, with politicians and intellectuals, the Biennale – at the beginning was always considerable. This essay focuses on the analysis of their presence at the Biennale between 1948 and 1956, when Rodolfo Pallucchini was General Secretary of the institution. It is examined through a statistical method that allows a more complete view of this mapping. Another topic is the reception on the press, that highlights the diatribe between artists and critics.

Published
Dec. 18, 2019
Language
IT
ISBN (PRINT)
978-88-6969-367-0
ISBN (EBOOK)
978-88-6969-366-3

Keywords: Rodolfo PallucchiniPress reviewVenice BiennaleVenetian painting

Copyright: © 2019 Elisa Rampazzo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.