Gli artisti veneziani alla Biennale (1895-1905)

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DC Field	Value
dc.identifier	ECF_chapter_3429
dc.contributor.author	Ferrarin Matilde
dc.title	Gli artisti veneziani alla Biennale (1895-1905). Organizzatori ed espositori: l’antinomia dei ruoli
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	Venice Biennale, created by the will and the organizational skills of the Venetian artists, was actually managed exclusively by Antonio Fradeletto. The new figure of the “General Secretary” has distinguished for the first time the role of artists, interrupting the tradition of ‘self-rule’ of painters and sculptors used to managing any artistic event. This essay analyses this important moment of transition, reporting events that took place in its administration during the first years of the Biennale. Through magazines periodicals of the time we report the critical fortune that these works of art had in the local and national press, in an attempt to verify if the creators of the Biennale succeeded in the difficult task of emerging and getting noticed in such a vast and international artistic context.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.relation.ispartof	Atlante delle Biennali
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-12-18
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-367-0/gli-artisti-veneziani-alla-biennale-1895-1905/
dc.identifier.doi	10.30687/978-88-6969-366-3/005
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-367-0
dc.identifier.eisbn	978-88-6969-366-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Antonio Fradeletto
dc.subject	Antonio Fradeletto
dc.subject	Organization of exhibitions
dc.subject	Organization of exhibitions
dc.subject	Venetian artists
dc.subject	Venetian artists
dc.subject	Venice Biennale
dc.subject	Venice Biennale

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Gli artisti veneziani alla Biennale (1895-1905)

Organizzatori ed espositori: l’antinomia dei ruoli

Matilde Ferrarin Università Ca’ Foscari Venezia, Italia

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abstract

Venice Biennale, created by the will and the organizational skills of the Venetian artists, was actually managed exclusively by Antonio Fradeletto. The new figure of the “General Secretary” has distinguished for the first time the role of artists, interrupting the tradition of ‘self-rule’ of painters and sculptors used to managing any artistic event. This essay analyses this important moment of transition, reporting events that took place in its administration during the first years of the Biennale. Through magazines periodicals of the time we report the critical fortune that these works of art had in the local and national press, in an attempt to verify if the creators of the Biennale succeeded in the difficult task of emerging and getting noticed in such a vast and international artistic context.

Published

Dec. 18, 2019

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ISBN (PRINT)

978-88-6969-367-0

ISBN (EBOOK)

978-88-6969-366-3

Keywords: Venice Biennale • Antonio Fradeletto • Organization of exhibitions • Venetian artists

permalink: http://doi.org/10.30687/978-88-6969-366-3/005

Copyright: © 2019 Matilde Ferrarin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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