Collana |
Storie dell’arte contemporanea
Miscellanea | Storie della Biennale di Venezia
Capitolo | 1914. Galileo Chini a Venezia
Abstract
Antonio Fradeletto, in his role as General Secretary of the Biennale, made agreements with Galileo Chini to set up a personal exhibition at Venice Biennale in 1914. In that exhibition he would summarise his newly concluded human and professional experience in Siam, not so much in terms of a celebration of his vast decorative interventions, as in those of his very personal reinterpretation of what had been the perception of a reality that appeared, and was, very far from the imagination of the public of the Venetian event. Alongside this sort of visual summary of that little-known East, Chini had had the opportunity to create the decoration of the International Hall destined to host the works of Ivan Mestrovic, and at that juncture, despite the winds of war were now blowing impetuously over the whole of Europe or perhaps just for that reason, he had proposed a soothing reading, all focused on the themes of Spring.
Pubblicato 18 Dicembre 2019 | Lingua: it
Keywords Galileo Chini • Biennale di Venezia 1914 • Antonio Fradeletto • Ivan Mestrovic • Bangkok
Copyright © 2019 Massimo De Grassi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-366-3/006
Storie della Biennale: nuove ricerche
Mapping pavilions
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_3464 |
dc.contributor.author |
De Grassi Massimo |
dc.title |
1914. Galileo Chini a Venezia |
dc.type |
Capitolo |
dc.language.iso |
it |
dc.description.abstract |
Antonio Fradeletto, in his role as General Secretary of the Biennale, made agreements with Galileo Chini to set up a personal exhibition at Venice Biennale in 1914. In that exhibition he would summarise his newly concluded human and professional experience in Siam, not so much in terms of a celebration of his vast decorative interventions, as in those of his very personal reinterpretation of what had been the perception of a reality that appeared, and was, very far from the imagination of the public of the Venetian event. Alongside this sort of visual summary of that little-known East, Chini had had the opportunity to create the decoration of the International Hall destined to host the works of Ivan Mestrovic, and at that juncture, despite the winds of war were now blowing impetuously over the whole of Europe or perhaps just for that reason, he had proposed a soothing reading, all focused on the themes of Spring. |
dc.relation.ispartof |
Storie dell’arte contemporanea |
dc.relation.ispartof |
Atlante delle Biennali |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2019-12-18 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-367-0/1914-galileo-chini-a-venezia/ |
dc.identifier.doi |
10.30687/978-88-6969-366-3/006 |
dc.identifier.issn |
2610-9905 |
dc.identifier.eissn |
2610-9891 |
dc.identifier.isbn |
978-88-6969-367-0 |
dc.identifier.eisbn |
978-88-6969-366-3 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Antonio Fradeletto |
dc.subject |
Antonio Fradeletto |
dc.subject |
Bangkok |
dc.subject |
Bangkok |
dc.subject |
Biennale di Venezia 1914 |
dc.subject |
Biennale di Venezia 1914 |
dc.subject |
Galileo Chini |
dc.subject |
Galileo Chini |
dc.subject |
Ivan Mestrovic |
dc.subject |
Ivan Mestrovic |
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