El teatro áureo en la pantalla: estrategias de cinematización del

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Campo DC	Valore
dc.identifier	ECF_chapter_2685
dc.contributor.author	Trecca Simone
dc.title	El teatro áureo en la pantalla: estrategias de cinematización del monólogo (I)
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	The purpose of this essay is to propose, through some significant examples, a model of study of film rewriting strategies of Spanish Golden Age drama, starting with monologues modalities of adaptation. After a methodological introduction, the study will focus on appropriation tactics of two famous female monologues, taken from Lope de Vega’s Fuente Ovejuna and Calderón de la Barca’s El alcalde de Zalamea.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-07-12
dc.dateAccepted	2019-03-26
dc.dateSubmitted	2019-03-12
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-331-1/el-teatro-aureo-en-la-pantalla-estrategias-de-cine/
dc.identifier.doi	10.30687/978-88-6969-330-4/004
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-331-1
dc.identifier.eisbn	978-88-6969-330-4
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Filmic rewriting
dc.subject	Filmic rewriting
dc.subject	Golden Age Drama
dc.subject	Golden Age Drama
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Monologue
dc.subject	Monologue
dc.subject	Pedro Calderón de la Barca
dc.subject	Pedro Calderón de la Barca
dc.subject	Screen adaptation
dc.subject	Screen adaptation

Capitolo
open access peer reviewed

El teatro áureo en la pantalla: estrategias de cinematización del monólogo (I)

Simone Trecca Università degli Studi Roma Tre, Italia

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abstract

The purpose of this essay is to propose, through some significant examples, a model of study of film rewriting strategies of Spanish Golden Age drama, starting with monologues modalities of adaptation. After a methodological introduction, the study will focus on appropriation tactics of two famous female monologues, taken from Lope de Vega’s Fuente Ovejuna and Calderón de la Barca’s El alcalde de Zalamea.

Pubblicato

12 Luglio 2019

Accettato

26 Marzo 2019

Presentato

12 Marzo 2019

Lingua

ISBN (PRINT)

978-88-6969-331-1

ISBN (EBOOK)

978-88-6969-330-4

Keywords: Filmic rewriting • Golden Age Drama • Screen adaptation • Lope de Vega • Monologue • Pedro Calderón de la Barca

permalink: http://doi.org/10.30687/978-88-6969-330-4/004

Copyright: © 2019 Simone Trecca. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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