Biblioteca di Rassegna iberistica

Collana | Biblioteca di Rassegna iberistica
Miscellanea | El teatro clásico español en el cine
Capitolo | El perro del hortelano: de espacio escénico a espacio cinematográfico

El perro del hortelano: de espacio escénico a espacio cinematográfico

Abstract

In 1996, the movie El perro del hortelano, a film version of the homonymous comedy by Lope de Vega due to Pilar Miró, premiered in Spain. This essay aims to study how the rather vague and reduced space of the piece becomes a filmic space characterised by realism, as well as abundance. Attention is also paid to some omission of dialogue, very important to understand the character of Teodoro; they can be compensated by the silent image. Finally, the consequences of having shot the film in different parts of Portugal, easily recognisable to the Spanish spectator, are analysed.


Open access | Peer reviewed

Presentato: 19 Febbraio 2019 | Accettato: 02 Maggio 2019 | Pubblicato 12 Luglio 2019 | Lingua: es

Keywords Lope de VegaTheatrical spaceCinematic spaceSpainPilar MiróNaplesEl perro del hortelanoPortugal


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