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El perro del hortelano: de espacio escénico a espacio cinematográfico

Juan Carlos Garrot Zambrana    Université de Tours, France    

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abstract

In 1996, the movie El perro del hortelano, a film version of the homonymous comedy by Lope de Vega due to Pilar Miró, premiered in Spain. This essay aims to study how the rather vague and reduced space of the piece becomes a filmic space characterised by realism, as well as abundance. Attention is also paid to some omission of dialogue, very important to understand the character of Teodoro; they can be compensated by the silent image. Finally, the consequences of having shot the film in different parts of Portugal, easily recognisable to the Spanish spectator, are analysed.

Pubblicato
12 Luglio 2019
Accettato
02 Maggio 2019
Presentato
19 Febbraio 2019
Lingua
ES
ISBN (PRINT)
978-88-6969-331-1
ISBN (EBOOK)
978-88-6969-330-4

Keywords: El perro del hortelanoSpainLope de VegaNaplesPortugalTheatrical spacePilar MiróCinematic space

Copyright: © 2019 Juan Carlos Garrot Zambrana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.