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El teatro áureo en la pantalla: estrategias de cinematización del monólogo (I)

Simone Trecca    Università degli Studi Roma Tre, Italia    

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abstract

The purpose of this essay is to propose, through some significant examples, a model of study of film rewriting strategies of Spanish Golden Age drama, starting with monologues modalities of adaptation. After a methodological introduction, the study will focus on appropriation tactics of two famous female monologues, taken from Lope de Vega’s Fuente Ovejuna and Calderón de la Barca’s El alcalde de Zalamea.

Published
July 12, 2019
Accepted
March 26, 2019
Submitted
March 12, 2019
Language
ES
ISBN (PRINT)
978-88-6969-331-1
ISBN (EBOOK)
978-88-6969-330-4

Keywords: Filmic rewritingPedro Calderón de la BarcaScreen adaptationLope de VegaMonologueGolden Age Drama

Copyright: © 2019 Simone Trecca. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.