Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Cinematographic adaptionCalderónCommunismHispanismFrancoismSpanish Golden Age theaterSpanishnessAdaptationArgentine cinemaShakespeareSiglo de OroReception of the Golden Age Theatre HeritageLa vida es sueñoNational identityCinematic spaceMonologueAgustín MoretoScreen adaptationPedro Calderón de la BarcaMaría Teresa LeónFilm versionCensorshipTheatrical spaceFilm adaptationRafael AlbertiFilmic rewritingLope de VegaTheatre in cinemaDon JuanMenos es másGolden Age Drama StudiesTheatreTheories on adaptationDictatorshipEl desdén con el desdénCinemaReceptionFranco’s regimeSpanish theater of Golden CenturyTheater-cinema relationsEl perro del hortelanoPortugalDialectic high vs lowReception of the Golden Age theatre heritageEl Alcalde de ZalameaAudienceGolden Age DramaSpanish ComediaSpanish cinemaNaplesPilar MiróSpainPropagandaNazismFrancisco Franco

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es