El teatro clásico español en el cine

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Campo DC	Valore
dc.title	El teatro clásico español en el cine
dc.type	Book
dc.language.iso	es
dc.description.abstract	This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.date.issued	2019-07-12
dc.dateAccepted	None
dc.dateSubmitted	None
dc.identifier.uri	http://doi.org/10.14277/978-88-6969-330-4
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-331-1
dc.identifier.eisbn	978-88-6969-330-4
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open

open access peer reviewed

edited by

Marco Presotto Università di Bologna

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abstract

This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords: Reception of the Golden Age Theatre Heritage. Film adaptation. Agustín Moreto. Spanish theater of Golden Century. Reception. Francisco Franco. Spanish Comedia. Franco’s regime. Argentine cinema. Dialectic high vs low. Monologue. Cinema. Portugal. Communism. La vida es sueño. Lope de Vega. Theatre in cinema. Spanish cinema. Pilar Miró. Propaganda. Francoism. Screen adaptation. El desdén con el desdén. Calderón. Siglo de Oro. Dictatorship. Censorship. Don Juan. Theatre. Film version. Cinematographic adaption. Hispanism. Filmic rewriting. National identity. Reception of the Golden Age theatre heritage. Theories on adaptation. Nazism. Golden Age Drama. Spanish Golden Age theater. Golden Age Drama Studies. Menos es más. Shakespeare. Spain. El Alcalde de Zalamea. Audience. Theater-cinema relations. Naples. Spanishness. Adaptation. Theatrical space. María Teresa León. Cinematic space. El perro del hortelano. Rafael Alberti. Pedro Calderón de la Barca.

Published: July 12, 2019

Language: es

ISBN (print): 978-88-6969-331-1
ISBN (ebook): 978-88-6969-330-4
DOI 10.30687/978-88-6969-330-4

permalink http://doi.org/10.30687/978-88-6969-330-4

This work is licensed under a Creative Commons Attribution 4.0 International License