Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords AdaptationFilm versionHispanismLope de VegaCensorshipMaría Teresa LeónSpainCinematographic adaptionNazismGolden Age Drama StudiesArgentine cinemaEl perro del hortelanoCommunismDialectic high vs lowMenos es másSpanish ComediaCinemaAudienceRafael AlbertiEl Alcalde de ZalameaMonologueFrancisco FrancoFranco’s regimeReception of the Golden Age Theatre HeritageSpanish cinemaSpanish Golden Age theaterAgustín MoretoFrancoismDictatorshipNational identitySpanish theater of Golden CenturySpanishnessLa vida es sueñoGolden Age DramaTheatre in cinemaTheories on adaptationEl desdén con el desdénReceptionSiglo de OroFilmic rewritingShakespeareFilm adaptationPilar MiróDon JuanReception of the Golden Age theatre heritageTheatreCalderónPedro Calderón de la BarcaScreen adaptationCinematic spaceNaplesPortugalPropagandaTheatrical spaceTheater-cinema relations

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es