Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords CommunismReception of the Golden Age Theatre HeritageNational identitySiglo de OroEl desdén con el desdénTheatre in cinemaSpainPortugalFilmic rewritingCinematic spaceCinemaLa vida es sueñoSpanish theater of Golden CenturyDialectic high vs lowPilar MiróTheatreArgentine cinemaPropagandaScreen adaptationPedro Calderón de la BarcaSpanishnessFranco’s regimeNazismNaplesFrancisco FrancoHispanismAdaptationMaría Teresa LeónSpanish cinemaDictatorshipFrancoismEl perro del hortelanoFilm versionGolden Age Drama StudiesReception of the Golden Age theatre heritageShakespeareGolden Age DramaTheories on adaptationLope de VegaRafael AlbertiTheater-cinema relationsTheatrical spaceMenos es másDon JuanCinematographic adaptionCalderónFilm adaptationAudienceCensorshipMonologueSpanish Golden Age theaterReceptionSpanish ComediaAgustín MoretoEl Alcalde de Zalamea

Thema codes ATFAATDDSG1DSE3MP

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es