Classical Spanish Theater in the Cinema

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DC Field	Value
dc.identifier	ECF_book_372
dc.creator	Presotto Marco
dc.title	Classical Spanish Theater in the Cinema
dc.type	Edited book
dc.language.iso	es
dc.description.abstract	This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.
dc.relation.ispartof	Library of Rassegna iberistica
dc.identifier.doi	10.30687/978-88-6969-330-4
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-07-12
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-331-1/
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-331-1
dc.identifier.eisbn	978-88-6969-330-4
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Adaptation
dc.subject	Adaptation
dc.subject	Adaptation
dc.subject	Adaptation
dc.subject	Adaptation
dc.subject	Agustín Moreto
dc.subject	Agustín Moreto
dc.subject	Agustín Moreto
dc.subject	Argentine cinema
dc.subject	Argentine cinema
dc.subject	Argentine cinema
dc.subject	Audience
dc.subject	Audience
dc.subject	Audience
dc.subject	Calderón
dc.subject	Calderón
dc.subject	Calderón
dc.subject	Censorship
dc.subject	Censorship
dc.subject	Censorship
dc.subject	Cinema
dc.subject	Cinema
dc.subject	Cinema
dc.subject	Cinematic space
dc.subject	Cinematic space
dc.subject	Cinematic space
dc.subject	Cinematographic adaption
dc.subject	Cinematographic adaption
dc.subject	Cinematographic adaption
dc.subject	Communism
dc.subject	Communism
dc.subject	Communism
dc.subject	Dialectic high vs low
dc.subject	Dialectic high vs low
dc.subject	Dialectic high vs low
dc.subject	Dictatorship
dc.subject	Dictatorship
dc.subject	Dictatorship
dc.subject	Don Juan
dc.subject	Don Juan
dc.subject	Don Juan
dc.subject	El Alcalde de Zalamea
dc.subject	El Alcalde de Zalamea
dc.subject	El Alcalde de Zalamea
dc.subject	El desdén con el desdén
dc.subject	El desdén con el desdén
dc.subject	El desdén con el desdén
dc.subject	El perro del hortelano
dc.subject	El perro del hortelano
dc.subject	El perro del hortelano
dc.subject	El perro del hortelano
dc.subject	El perro del hortelano
dc.subject	Film adaptation
dc.subject	Film adaptation
dc.subject	Film adaptation
dc.subject	Film adaptation
dc.subject	Film adaptation
dc.subject	Film version
dc.subject	Film version
dc.subject	Film version
dc.subject	Filmic rewriting
dc.subject	Filmic rewriting
dc.subject	Filmic rewriting
dc.subject	Francisco Franco
dc.subject	Francisco Franco
dc.subject	Francisco Franco
dc.subject	Francoism
dc.subject	Francoism
dc.subject	Francoism
dc.subject	Franco’s regime
dc.subject	Franco’s regime
dc.subject	Franco’s regime
dc.subject	Golden Age Drama
dc.subject	Golden Age Drama
dc.subject	Golden Age Drama
dc.subject	Golden Age Drama Studies
dc.subject	Golden Age Drama Studies
dc.subject	Golden Age Drama Studies
dc.subject	Golden Age Drama Studies
dc.subject	Golden Age Drama Studies
dc.subject	Hispanism
dc.subject	Hispanism
dc.subject	Hispanism
dc.subject	La vida es sueño
dc.subject	La vida es sueño
dc.subject	La vida es sueño
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	María Teresa León
dc.subject	María Teresa León
dc.subject	María Teresa León
dc.subject	Menos es más
dc.subject	Menos es más
dc.subject	Menos es más
dc.subject	Monologue
dc.subject	Monologue
dc.subject	Monologue
dc.subject	Naples
dc.subject	Naples
dc.subject	Naples
dc.subject	National identity
dc.subject	National identity
dc.subject	National identity
dc.subject	Nazism
dc.subject	Nazism
dc.subject	Nazism
dc.subject	Pedro Calderón de la Barca
dc.subject	Pedro Calderón de la Barca
dc.subject	Pedro Calderón de la Barca
dc.subject	Pedro Calderón de la Barca
dc.subject	Pedro Calderón de la Barca
dc.subject	Pilar Miró
dc.subject	Pilar Miró
dc.subject	Pilar Miró
dc.subject	Pilar Miró
dc.subject	Pilar Miró
dc.subject	Portugal
dc.subject	Portugal
dc.subject	Portugal
dc.subject	Propaganda
dc.subject	Propaganda
dc.subject	Propaganda
dc.subject	Rafael Alberti
dc.subject	Rafael Alberti
dc.subject	Rafael Alberti
dc.subject	Reception
dc.subject	Reception
dc.subject	Reception
dc.subject	Reception of the Golden Age Theatre Heritage
dc.subject	Reception of the Golden Age Theatre Heritage
dc.subject	Reception of the Golden Age Theatre Heritage
dc.subject	Reception of the Golden Age theatre heritage
dc.subject	Reception of the Golden Age theatre heritage
dc.subject	Reception of the Golden Age theatre heritage
dc.subject	Screen adaptation
dc.subject	Screen adaptation
dc.subject	Screen adaptation
dc.subject	Shakespeare
dc.subject	Shakespeare
dc.subject	Shakespeare
dc.subject	Siglo de Oro
dc.subject	Siglo de Oro
dc.subject	Siglo de Oro
dc.subject	Spain
dc.subject	Spain
dc.subject	Spain
dc.subject	Spanish Comedia
dc.subject	Spanish Comedia
dc.subject	Spanish Comedia
dc.subject	Spanish Golden Age theater
dc.subject	Spanish Golden Age theater
dc.subject	Spanish Golden Age theater
dc.subject	Spanish cinema
dc.subject	Spanish cinema
dc.subject	Spanish cinema
dc.subject	Spanish theater of Golden Century
dc.subject	Spanish theater of Golden Century
dc.subject	Spanish theater of Golden Century
dc.subject	Spanishness
dc.subject	Spanishness
dc.subject	Spanishness
dc.subject	Theater-cinema relations
dc.subject	Theater-cinema relations
dc.subject	Theater-cinema relations
dc.subject	Theatre
dc.subject	Theatre
dc.subject	Theatre
dc.subject	Theatre
dc.subject	Theatre
dc.subject	Theatre in cinema
dc.subject	Theatre in cinema
dc.subject	Theatre in cinema
dc.subject	Theatre in cinema
dc.subject	Theatre in cinema
dc.subject	Theatrical space
dc.subject	Theatrical space
dc.subject	Theatrical space
dc.subject	Theories on adaptation
dc.subject	Theories on adaptation
dc.subject	Theories on adaptation

Edited book
open access peer reviewed

edited by

Marco Presotto Università di Trento, Italia

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abstract

This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Published

July 12, 2019

Language

ISBN (PRINT)

978-88-6969-331-1

ISBN (EBOOK)

978-88-6969-330-4

Number of pages

200

Dimensions

16x23 cm

Keywords

Propaganda • Spanish cinema • Dialectic high vs low • Shakespeare • Film version • Portugal • National identity • Theater-cinema relations • El Alcalde de Zalamea • Francoism • Franco’s regime • Monologue • Reception of the Golden Age Theatre Heritage • Dictatorship • Censorship • Spanishness • Argentine cinema • Cinema • Nazism • Naples • Calderón • Filmic rewriting • María Teresa León • Pedro Calderón de la Barca • Theories on adaptation • El perro del hortelano • Spain • Golden Age Drama • Screen adaptation • La vida es sueño • Reception of the Golden Age theatre heritage • Spanish Golden Age theater • Spanish theater of Golden Century • Film adaptation • Francisco Franco • Pilar Miró • Reception • Golden Age Drama Studies • El desdén con el desdén • Menos es más • Spanish Comedia • Lope de Vega • Hispanism • Theatre in cinema • Adaptation • Don Juan • Cinematographic adaption • Rafael Alberti • Theatre • Siglo de Oro • Cinematic space • Communism • Audience • Agustín Moreto • Theatrical space

permalink http://doi.org/10.30687/978-88-6969-330-4

Copyright: © 2019 Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.