Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords PortugalFranco’s regimeLa vida es sueñoSpainDon JuanPedro Calderón de la BarcaFrancisco FrancoCommunismFilmic rewritingShakespeareAgustín MoretoNaplesCinematographic adaptionSpanish theater of Golden CenturyTheories on adaptationTheatreSpanishnessSpanish cinemaMaría Teresa LeónSpanish Golden Age theaterGolden Age DramaPilar MiróTheatre in cinemaEl desdén con el desdénPropagandaCalderónMonologueRafael AlbertiNational identityReception of the Golden Age theatre heritageEl perro del hortelanoDialectic high vs lowFilm adaptationFrancoismGolden Age Drama StudiesScreen adaptationCensorshipArgentine cinemaTheater-cinema relationsAudienceSpanish ComediaHispanismMenos es másNazismLope de VegaCinemaFilm versionEl Alcalde de ZalameaReceptionAdaptationTheatrical spaceReception of the Golden Age Theatre HeritageCinematic spaceDictatorshipSiglo de Oro

Thema codes ATFAATDDSG1DSE3MP

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es