Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed
    edited by
  • Marco Presotto - Università degli Studi di Trento, Italia - email

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Spanish Golden Age theaterCensorshipFilmic rewritingFrancisco FrancoArgentine cinemaFilm adaptationMaría Teresa LeónCinematic spaceDictatorshipAdaptationGolden Age DramaPilar MiróNaplesTheater-cinema relationsNazismEl perro del hortelanoPortugalTheories on adaptationFrancoismSpanish theater of Golden CenturySpanish cinemaGolden Age Drama StudiesReception of the Golden Age Theatre HeritageEl Alcalde de ZalameaDialectic high vs lowCalderónMenos es másMonologueAudiencePedro Calderón de la BarcaSiglo de OroSpanishnessCinematographic adaptionNational identityRafael AlbertiScreen adaptationFranco’s regimePropagandaReceptionHispanismEl desdén con el desdénLa vida es sueñoSpainFilm versionReception of the Golden Age theatre heritageLope de VegaSpanish ComediaTheatreCommunismDon JuanShakespeareTheatre in cinemaAgustín MoretoCinemaTheatrical space

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es