Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

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open access | peer reviewed

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Filmic rewriting • Hispanism • Reception • Spain • Spanish Comedia • El perro del hortelano • Propaganda • Naples • Menos es más • Portugal • Dictatorship • El Alcalde de Zalamea • Film version • Monologue • Francoism • National identity • Screen adaptation • Theories on adaptation • Pilar Miró • Cinematic space • Spanish theater of Golden Century • Cinema • Reception of the Golden Age theatre heritage • Cinematographic adaption • Rafael Alberti • Calderón • Franco’s regime • Adaptation • Don Juan • Agustín Moreto • Shakespeare • Nazism • Spanish Golden Age theater • Audience • Reception of the Golden Age Theatre Heritage • Golden Age Drama • Spanishness • Francisco Franco • Theater-cinema relations • Censorship • Theatre in cinema • Spanish cinema • Film adaptation • María Teresa León • Siglo de Oro • Theatre • La vida es sueño • Lope de Vega • Dialectic high vs low • Communism • Argentine cinema • Pedro Calderón de la Barca • Golden Age Drama Studies • El desdén con el desdén • Theatrical space

Thema codes ATFA • ATD • DSG • 1DSE • 3MP

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es

Copyright © 2019 Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.