Library of Rassegna iberistica

Classical Spanish Theater in the Cinema

crossmark logo

open access | peer reviewed

Abstract
This book aims to deepen the relationship between classical Spanish theater and cinema through the analysis of a corpus which has been only partially studied and recently rescued by critics. The chapters first deal with theoretical questions about the cinematographic adaptation of a dramatic text, followed by specific studies of significant periods in the political and cultural history of Spain in the 20th century, such as the artistic production of exile and that of the Franco regime, also taking into account the creative contribution of the most recent films based on the theme and their impact on contemporary society.

Keywords Theatre in cinemaAdaptationReception of the Golden Age theatre heritageCensorshipCinemaArgentine cinemaFilm adaptationGolden Age DramaSpanish Golden Age theaterGolden Age Drama StudiesDictatorshipTheories on adaptationLope de VegaDialectic high vs lowHispanismShakespearePedro Calderón de la BarcaEl Alcalde de ZalameaAudienceSpanish ComediaEl perro del hortelanoSpanish theater of Golden CenturyEl desdén con el desdénAgustín MoretoPropagandaReception of the Golden Age Theatre HeritageNational identityMaría Teresa LeónSiglo de OroSpanish cinemaDon JuanSpanishnessMonologueTheater-cinema relationsLa vida es sueñoFilm versionScreen adaptationPortugalMenos es másCinematic spaceFrancisco FrancoPilar MiróTheatrical spaceFrancoismReceptionTheatreCalderónNazismCommunismNaplesCinematographic adaptionFranco’s regimeSpainFilmic rewritingRafael Alberti

Thema codes ATFAATDDSG1DSE3MP

Permalink http://doi.org/10.30687/978-88-6969-330-4 | e-ISBN 978-88-6969-330-4 | ISBN (PRINT) 978-88-6969-331-1 | Number of pages 200 | Dimensions 16x23cm | Published July 12, 2019 | Language es