La dialéctica alto vs bajo en El perro del hortelano

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DC Field	Value
dc.identifier	ECF_chapter_2661
dc.contributor.author	Trambaioli Marcella
dc.title	La dialéctica alto vs bajo en El perro del hortelano. Del decorado verbal de Lope de Vega a la transposición fílmica de Pilar Miró
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	Pilar Miró shows a great ability in translating into cinematographic terms the linguistic, social and metaphorical elaboration that Lope de Vega realises in his play The Gardener’s Dog opposing high vs low. If the dramatist hardly alludes to specific places where the characters act, Miró adopts a number of effective solutions, both spatial and symbolic, some of them really original (such as the introduction of a dwarf who always accompanies the Countess being her monstrous double). Many sequences reflect perfectly in spatial terms the distance that separates Teodoro and Diana up until Tristán, with his tricks, finds the way they can consider themselves equal at the end of the play.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2019-07-12
dc.dateAccepted	2019-04-22
dc.dateSubmitted	2019-02-19
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-331-1/la-dialectica-alto-vs-bajo-en-el-perro-del-hortela/
dc.identifier.doi	10.30687/978-88-6969-330-4/010
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-331-1
dc.identifier.eisbn	978-88-6969-330-4
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Dialectic high vs low
dc.subject	Dialectic high vs low
dc.subject	El perro del hortelano
dc.subject	El perro del hortelano
dc.subject	Film version
dc.subject	Film version
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Pilar Miró
dc.subject	Pilar Miró

Chapter
open access peer reviewed

La dialéctica alto vs bajo en El perro del hortelano

Del decorado verbal de Lope de Vega a la transposición fílmica de Pilar Miró

Marcella Trambaioli Università del Piemonte Orientale, Vercelli, Italia

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abstract

Pilar Miró shows a great ability in translating into cinematographic terms the linguistic, social and metaphorical elaboration that Lope de Vega realises in his play The Gardener’s Dog opposing high vs low. If the dramatist hardly alludes to specific places where the characters act, Miró adopts a number of effective solutions, both spatial and symbolic, some of them really original (such as the introduction of a dwarf who always accompanies the Countess being her monstrous double). Many sequences reflect perfectly in spatial terms the distance that separates Teodoro and Diana up until Tristán, with his tricks, finds the way they can consider themselves equal at the end of the play.

Published

July 12, 2019

Accepted

April 22, 2019

Submitted

Feb. 19, 2019

Language

ISBN (PRINT)

978-88-6969-331-1

ISBN (EBOOK)

978-88-6969-330-4

Keywords: Dialectic high vs low • Lope de Vega • Pilar Miró • El perro del hortelano • Film version

permalink: http://doi.org/10.30687/978-88-6969-330-4/010

Copyright: © 2019 Marcella Trambaioli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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