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Campo DC	Valore
dc.identifier	ECF_book_328
dc.creator	Giuliani Luigi
dc.creator	Pineda Victoria
dc.title	«Entra el editor y dice»: ecdótica y acotaciones teatrales (siglos XVI y XVII)
dc.type	Miscellanea
dc.language.iso	es
dc.description.abstract	La edición de las didascalias escénicas es uno de los pasos más delicados de la labor del crítico textual, sobre todo en el caso de las acotaciones del teatro de los siglos XVI y XVII, cuyos textos nos han llegado de manera azarosa en versiones manipuladas por compañías de actores. Este volumen aborda la ecdótica de las didascalias desde distintas perspectivas: la semiótica, la estemmática, la transmisión manuscrita e impresa, la evolución de la escritura dramatúrgica, la historia del teatro, la praxis editorial pasada y presente, la traducción y la mirada comparatista hacia textos del Siglo de Oro español y los teatros nacionales inglés, francés, portugués y holandés.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.identifier.doi	10.30687/978-88-6969-304-5
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-12-11
dc.identifier.uri	http://edizionicafoscari.unive.it/it/edizioni4/libri/978-88-6969-305-2/
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-305-2
dc.identifier.eisbn	978-88-6969-304-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Actors’ roles
dc.subject	Actors’ roles
dc.subject	Actors’ roles
dc.subject	Aside
dc.subject	Aside
dc.subject	Aside
dc.subject	Autograph comedies
dc.subject	Autograph comedies
dc.subject	Autograph comedies
dc.subject	Autograph manuscripts
dc.subject	Autograph manuscripts
dc.subject	Autograph manuscripts
dc.subject	Calderón de la Barca
dc.subject	Calderón de la Barca
dc.subject	Calderón de la Barca
dc.subject	Calderón de la Barca
dc.subject	Calderón de la Barca
dc.subject	Copyists
dc.subject	Copyists
dc.subject	Copyists
dc.subject	Critical edition
dc.subject	Critical edition
dc.subject	Critical edition
dc.subject	Digital edition
dc.subject	Digital edition
dc.subject	Digital edition
dc.subject	Dutch adaptations
dc.subject	Dutch adaptations
dc.subject	Dutch adaptations
dc.subject	Editing
dc.subject	Editing
dc.subject	Editing
dc.subject	Editing
dc.subject	Editing
dc.subject	Editing, reading, performing dramatic texts
dc.subject	Editing, reading, performing dramatic texts
dc.subject	Editing, reading, performing dramatic texts
dc.subject	Editorial criteria
dc.subject	Editorial criteria
dc.subject	Editorial criteria
dc.subject	Editor’s choices
dc.subject	Editor’s choices
dc.subject	Editor’s choices
dc.subject	El castigo sin venganza
dc.subject	El castigo sin venganza
dc.subject	El castigo sin venganza
dc.subject	French theatre of the sixteenth and seventeenth ce
dc.subject	French theatre of the sixteenth and seventeenth ce
dc.subject	French theatre of the sixteenth and seventeenth ce
dc.subject	Graphic indications
dc.subject	Graphic indications
dc.subject	Graphic indications
dc.subject	Holograph manuscripts
dc.subject	Holograph manuscripts
dc.subject	Holograph manuscripts
dc.subject	Juan Eugenio Hartzenbusch
dc.subject	Juan Eugenio Hartzenbusch
dc.subject	Juan Eugenio Hartzenbusch
dc.subject	La corona de Hungría
dc.subject	La corona de Hungría
dc.subject	La corona de Hungría
dc.subject	La dama boba
dc.subject	La dama boba
dc.subject	La dama boba
dc.subject	Locations
dc.subject	Locations
dc.subject	Locations
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	Lope de Vega’s autographs
dc.subject	Lope de Vega’s autographs
dc.subject	Lope de Vega’s autographs
dc.subject	Manuscripts
dc.subject	Manuscripts
dc.subject	Manuscripts
dc.subject	NeoLachmannian method
dc.subject	NeoLachmannian method
dc.subject	NeoLachmannian method
dc.subject	Notational trascriptions
dc.subject	Notational trascriptions
dc.subject	Notational trascriptions
dc.subject	Onstage
dc.subject	Onstage
dc.subject	Onstage
dc.subject	Performative variants
dc.subject	Performative variants
dc.subject	Performative variants
dc.subject	Portuguese theatre
dc.subject	Portuguese theatre
dc.subject	Portuguese theatre
dc.subject	Printed plays
dc.subject	Printed plays
dc.subject	Printed plays
dc.subject	Producing the stage
dc.subject	Producing the stage
dc.subject	Producing the stage
dc.subject	Scribes
dc.subject	Scribes
dc.subject	Scribes
dc.subject	Spanish Theatre of the Golden Age
dc.subject	Spanish Theatre of the Golden Age
dc.subject	Spanish Theatre of the Golden Age
dc.subject	Stage copies
dc.subject	Stage copies
dc.subject	Stage copies
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Stemmatics
dc.subject	Stemmatics
dc.subject	Stemmatics
dc.subject	Textual criticism
dc.subject	Textual criticism
dc.subject	Textual criticism
dc.subject	Textual Criticism
dc.subject	Textual Criticism
dc.subject	Textual Criticism
dc.subject	Textual studies
dc.subject	Textual studies
dc.subject	Textual studies
dc.subject	Theatre
dc.subject	Theatre
dc.subject	Theatre
dc.subject	Variants
dc.subject	Variants
dc.subject	Variants
dc.subject	Vera Tassis
dc.subject	Vera Tassis
dc.subject	Vera Tassis
dc.subject	Verbal forms
dc.subject	Verbal forms
dc.subject	Verbal forms

Miscellanea
open access peer reviewed

«Entra el editor y dice»: ecdótica y acotaciones teatrales (siglos XVI y XVII)

a cura di

Luigi Giuliani Università degli Studi di Perugia, Italia

Victoria Pineda Universidad de Extremadura, España

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abstract

La edición de las didascalias escénicas es uno de los pasos más delicados de la labor del crítico textual, sobre todo en el caso de las acotaciones del teatro de los siglos XVI y XVII, cuyos textos nos han llegado de manera azarosa en versiones manipuladas por compañías de actores. Este volumen aborda la ecdótica de las didascalias desde distintas perspectivas: la semiótica, la estemmática, la transmisión manuscrita e impresa, la evolución de la escritura dramatúrgica, la historia del teatro, la praxis editorial pasada y presente, la traducción y la mirada comparatista hacia textos del Siglo de Oro español y los teatros nacionales inglés, francés, portugués y holandés.

Pubblicato

11 Dicembre 2018

Lingua

ISBN (PRINT)

978-88-6969-305-2

ISBN (EBOOK)

978-88-6969-304-5

Numero pagine

316

Dimensioni

16x23 cm

Keywords

Juan Eugenio Hartzenbusch • Copyists • Portuguese theatre • Notational trascriptions • Editing • Theatre • Performative variants • Editorial criteria • Dutch adaptations • Variants • Actors’ roles • Stage directions • Autograph manuscripts • Locations • Graphic indications • Editor’s choices • Textual criticism • Lope de Vega • NeoLachmannian method • Textual Criticism • Critical edition • Holograph manuscripts • French theatre of the sixteenth and seventeenth ce • La corona de Hungría • Onstage • Verbal forms • Manuscripts • Digital edition • La dama boba • El castigo sin venganza • Producing the stage • Printed plays • Spanish Theatre of the Golden Age • Vera Tassis • Stage copies • Calderón de la Barca • Lope de Vega’s autographs • Textual studies • Autograph comedies • Scribes • Stemmatics • Editing, reading, performing dramatic texts • Aside

permalink http://doi.org/10.30687/978-88-6969-304-5

Copyright: © 2018 Luigi Giuliani, Victoria Pineda. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.