Herramientas embotadas

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Campo DC	Valore
dc.identifier	ECF_chapter_2282
dc.contributor.author	Giuliani Luigi
dc.title	Herramientas embotadas. Lachmann y las acotaciones
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	This article tackles the problem of editing the stage directions from a neo-Lachmannian point of view. After considering the nature of the stage direction a sign within the semiotic nature of the theatrical text, the behaviour of the copyists in the manuscript and printed transmission of the Spanish theatre of the Golden Age is taken into account, in order to analyse those problems that arise in the application of the method in the phase of constitutio textus. Thus, the focus is on four paradigmatic cases: variants stemming from different staging; variants within a recensio cum stemmate; variants in a contaminatio; lack of stage directions either in one-witness traditions or in the archetype.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-12-11
dc.dateAccepted	2018-10-10
dc.dateSubmitted	2018-10-09
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-305-2/herramientas-embotadas/
dc.identifier.doi	10.30687/978-88-6969-304-5/001
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-305-2
dc.identifier.eisbn	978-88-6969-304-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Copyists
dc.subject	Copyists
dc.subject	NeoLachmannian method
dc.subject	NeoLachmannian method
dc.subject	Notational trascriptions
dc.subject	Notational trascriptions
dc.subject	Performative variants
dc.subject	Performative variants
dc.subject	Stemmatics
dc.subject	Stemmatics

Capitolo
open access peer reviewed

Herramientas embotadas

Lachmann y las acotaciones

Luigi Giuliani Università degli Studi di Perugia, Italia

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abstract

This article tackles the problem of editing the stage directions from a neo-Lachmannian point of view. After considering the nature of the stage direction a sign within the semiotic nature of the theatrical text, the behaviour of the copyists in the manuscript and printed transmission of the Spanish theatre of the Golden Age is taken into account, in order to analyse those problems that arise in the application of the method in the phase of constitutio textus. Thus, the focus is on four paradigmatic cases: variants stemming from different staging; variants within a recensio cum stemmate; variants in a contaminatio; lack of stage directions either in one-witness traditions or in the archetype.

Pubblicato

11 Dicembre 2018

Accettato

10 Ottobre 2018

Presentato

09 Ottobre 2018

Lingua

ISBN (PRINT)

978-88-6969-305-2

ISBN (EBOOK)

978-88-6969-304-5

Keywords: Stemmatics • Copyists • Notational trascriptions • NeoLachmannian method • Performative variants

permalink: http://doi.org/10.30687/978-88-6969-304-5/001

Copyright: © 2018 Luigi Giuliani. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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