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Herramientas embotadas

Lachmann y las acotaciones

Luigi Giuliani    Università degli Studi di Perugia, Italia    

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abstract

This article tackles the problem of editing the stage directions from a neo-Lachmannian point of view. After considering the nature of the stage direction a sign within the semiotic nature of the theatrical text, the behaviour of the copyists in the manuscript and printed transmission of the Spanish theatre of the Golden Age is taken into account, in order to analyse those problems that arise in the application of the method in the phase of constitutio textus. Thus, the focus is on four paradigmatic cases: variants stemming from different staging; variants within a recensio cum stemmate; variants in a contaminatio; lack of stage directions either in one-witness traditions or in the archetype.

Published
Dec. 11, 2018
Accepted
Oct. 10, 2018
Submitted
Oct. 9, 2018
Language
ES
ISBN (PRINT)
978-88-6969-305-2
ISBN (EBOOK)
978-88-6969-304-5

Keywords: Performative variantsStemmaticsNotational trascriptionsNeoLachmannian methodCopyists

Copyright: © 2018 Luigi Giuliani. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.