Series |
Library of Rassegna iberistica
Edited book | “Enter the Editor and He Says": Ecdotics and Theatrical Annotations (16th and 17th Centuries)
Chapter | Las acotaciones en los impresos y manuscritos de La dama duende (siglo XVII)
Las acotaciones en los impresos y manuscritos de La dama duende (siglo XVII)
- Fausta Antonucci - Università degli Studi Roma Tre, Italia - email
Abstract
Stage directions in 17th-century printed copies of Calderón de la Barca’s La dama duende are much more detailed than those in the manuscripts, therefore it is likely that the printed stage directions derive from a theatrical script. The manuscripts, also originated in theatrical circles, are probably closer to the original written by the playwright as far as the stage directions are concerned. At the same time, there is evidence that the modifications introduced in stage directions affect modifications in the text. We also analyse stage directions in the edition of Calderón’s play by Vera Tassis, which is intended for reading, and stage directions related to the cupboard, a key piece of intrigue and scenery.
Submitted: May 8, 2018 | Accepted: June 1, 2018 | Published Dec. 11, 2018 | Language: es
Keywords Editing • Calderón de la Barca • Textual Criticism • Stage directions
Copyright © 2018 Fausta Antonucci. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-304-5/007
Introducción
- Presentación o Loa
- Luigi Giuliani, Victoria Pineda
- Dec. 11, 2018
Capítulos
-
Herramientas embotadas
Lachmann y las acotaciones - Luigi Giuliani
- Dec. 11, 2018
-
La edición de las acotaciones
El caso del aparte en los autógrafos de Lope de Vega - Javier Rubiera
- Dec. 11, 2018
-
La acotación como texto
Con ejemplos de Lope de Vega - Gonzalo Pontón
- Dec. 11, 2018
-
Lope ante la puesta en escena
Las acotaciones en las comedias autógrafas - Sònia Boadas
- Dec. 11, 2018
-
Las Comedias escogidas de Lope de Vega por Juan Eugenio Hartzenbusch
Editar y reescribir - Miguel Ángel Lama Hernández
- Dec. 11, 2018
-
Las acotaciones de Calderón
De los autógrafos a las ediciones de Vera Tassis - Fernando Rodríguez-Gallego
- Dec. 11, 2018
- Las acotaciones en los impresos y manuscritos de La dama duende (siglo XVII)
- Fausta Antonucci
- Dec. 11, 2018
- La edición de variantes didascálicas en el teatro inglés de la época de Shakespeare
- Jesús Tronch
- Dec. 11, 2018
-
«Un apoyo que no hay que desdeñar»
Formas y funciones de las acotaciones francesas (siglos XVI y XVII) - Véronique Lochert
- Dec. 11, 2018
- Editar el escenario portugués
- José Camões
- Dec. 11, 2018
- Acotaciones en las adaptaciones neerlandesas de las comedias de Lope de Vega
- Antonio Sánchez Jiménez
- Dec. 11, 2018
Crivellari, D. (2021). Notas sobre el proceso de composición y representación de La niñez del Padre Rojas, de Lope. Criticón, 142, 85–107. https://doi.org/10.4000/criticon.20089
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_1981 |
|
dc.contributor.author |
Antonucci Fausta |
|
dc.title |
Las acotaciones en los impresos y manuscritos de La dama duende (siglo XVII) |
|
dc.type |
Chapter |
|
dc.language.iso |
es |
|
dc.description.abstract |
Stage directions in 17th-century printed copies of Calderón de la Barca’s La dama duende are much more detailed than those in the manuscripts, therefore it is likely that the printed stage directions derive from a theatrical script. The manuscripts, also originated in theatrical circles, are probably closer to the original written by the playwright as far as the stage directions are concerned. At the same time, there is evidence that the modifications introduced in stage directions affect modifications in the text. We also analyse stage directions in the edition of Calderón’s play by Vera Tassis, which is intended for reading, and stage directions related to the cupboard, a key piece of intrigue and scenery. |
|
dc.relation.ispartof |
Library of Rassegna iberistica |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2018-12-11 |
|
dc.dateAccepted |
2018-06-01 |
|
dc.dateSubmitted |
2018-05-08 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-305-2/las-acotaciones-en-los-impresos-y-manuscritos-de-l/ |
|
dc.identifier.doi |
10.30687/978-88-6969-304-5/007 |
|
dc.identifier.issn |
2610-8844 |
|
dc.identifier.eissn |
2610-9360 |
|
dc.identifier.isbn |
978-88-6969-305-2 |
|
dc.identifier.eisbn |
978-88-6969-304-5 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Calderón de la Barca |
|
dc.subject |
Calderón de la Barca |
|
dc.subject |
Editing |
|
dc.subject |
Editing |
|
dc.subject |
Stage directions |
|
dc.subject |
Stage directions |
|
dc.subject |
Textual Criticism |
|
dc.subject |
Textual Criticism |
| Download data |