Riflessi dei rapporti italo-russi del Seicento e Settecento sul patrimonio iconografico dei Balcani

• Magdelena Stoyanova - Bulgarian Academy of Science, Sofija, Bălgarija - email

Medioevo latino e bizantino

• La chiesa di San Gregorio l’Illuminatore ad Ani e le sue pitture
  Dall’arte ‘franca’ al ‘Global Middle Ages’
• Maria Raffaella Menna, Maria Andaloro

• Acceptus e magister David a Siponto: nuove acquisizioni
• Gioia Bertelli

• Uccelli paradisiaci e spazio sacro
  Note intorno a paradisi terrestri e celesti
• Maria Cristina Carile

• San Nicola di Mesopotam
  Correnti culturali adriatiche
• Maurizio Triggiani

• Un capitello ionico ad imposta di epoca protobizantina reimpiegato nella Ulu Camii di Manisa
• Claudia Barsanti

Lingue, linguistica e letterature

• Lettere turche tra i Balcani e il Bosforo
  Il pendolo di Yahya Kemal e Orhan Pamuk
• Giampiero Bellingeri

• Gianclaudio Macchiarella e l’italiano negli Stati Uniti
• Mark Epstein

• Gli amici, il giardino e i fiori
  Tre capitoli del Tur-e Ma‘refat di Mirzâ ‘Abdo ’l-Qâder Bidel
• Riccardo Zipoli

Arte islamica

• Adoption and Diffusion of the Ottoman(ized) Style Majolica Outside the Boundaries of the Ottoman Empire
  Italy and Central Europe (Seventeenth-eighteenth Centuries)
• Federica Broilo

• Una miniatura safavide con scena di caccia
• Giovanni Curatola

• The Long Tradition of the Cycle of Paintings of Qusayr ‘Amra
• Mattia Guidetti

Cultura visuale e testo

• The Use of Quranic Inscriptions in the Bahmani Royal Mausoleums
  The Case of Three Tombstones from Ashtur
• Sara Mondini

• Reading Inscriptions on Seljuk Caravanserais
• Scott Redford

• On the Trail of Evliya Çelebi’s Inscriptions and Graffiti
• Mehmet Tütüncü

Storia dell’arte, restauro, conservazione

• La rivista Monumentet
  La tutela e il restauro in Albania negli anni del Partito del Lavoro
• Maurizio Boriani, Maria Cristina Giambruno

• Il contributo di Gianclaudio Macchiarella per la salvaguardia del patrimonio culturale albanese
  Riflessioni e percorsi condivisi
• Antonella Versaci

• In viaggio con l’eclettismo
  40.179186; 44.499103 – 39.859212; 20.027100
• Francesca Villa

Storia e dinamiche identitarie riflesse nell’arte

• The Affair of Durazzo (1559) and the Controversial Destitution of the Provveditore all'Armata
• Vera Costantini

• Van: il Paradiso Perduto degli Armeni
• Aldo Ferrari

• Stalin come soggetto di icone
• Gianfranco Giraudo

• Riflessi dei rapporti italo-russi del Seicento e Settecento sul patrimonio iconografico dei Balcani
• Magdelena Stoyanova

• Riflessioni sull’architettura armena nel segno dell’identità e delle dinamiche di confronto interculturale
• Boghos Zekiyan

Storia dell’arte, studi religiosi e antropologia

• Musiche, sospiri e voci dalle tekke di Delvina
• Giovanni De Zorzi

• Representing the Bektashis
  Exploring Epistemologies in Visual Anthropology
• Massimiliano Fusari

• Sul commento detto di Ibn ʿArabī alla sūra 94
• Angelo Scarabel

DC Field	Value
dc.identifier	ECF_chapter_313
dc.contributor.author	Stoyanova Magdelena
dc.title	Riflessi dei rapporti italo-russi del Seicento e Settecento sul patrimonio iconografico dei Balcani
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	Easel paintings recovered in the last decades in Italy and in the Balkans disclosed surprising evidence about the role of Russia and Orthodox enclaves in anti-Turkish military and ideological mobilization of Christians during the seventeenth and eighteenth centuries. The novelties match the unusual political engagement of Orthodox painters as well as their original responses to the challenges of Italian Renaissance and Baroque, ranging from transformation of themes and compositional designs to upgrading of materials and techniques. In order to elucidate the historic background and the concrete ways of this rapprochement between Western and Orthodox methods, little known testimonies provided by Russian and Balkan archives are compared with the results of technical and technological investigations carried out in Eastern Europe. They demonstrate that the occidentalization of Balkan iconography occurred under the spiritual guidance of the Kiev and Moscow Theological Academies and was technically assisted by the czar painters, while the practical organization was carried out by the Russian monarchs’ agents in Italy: Caretta, Bozis, Beklemišev, Raguzinsky and Orloff.
dc.relation.ispartof	Eurasiatica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2016-07-19
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-086-0/riflessi-dei-rapporti-italo-russi-del-seicento-e-s/
dc.identifier.doi	10.14277/6969-085-3/EUR-6-21
dc.identifier.issn	2610-8879
dc.identifier.eissn	2610-9433
dc.identifier.isbn	978-88-6969-086-0
dc.identifier.eisbn	978-88-6969-085-3
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Armory school
dc.subject	Armory school
dc.subject	Balkan art
dc.subject	Balkan art
dc.subject	Theodoros Poulakis
dc.subject	Theodoros Poulakis
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