Listening to Pablo García Baena

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Campo DC	Valore
dc.contributor.author	Mistrorigo Alessandro
dc.title	Listening to Pablo García Baena
dc.type	Journal Article
dc.language.iso	es
dc.identifier.uri	http://doi.org/10.14277/Ri/2037-6588/2020/114/002
dc.description.abstract	The article focuses on the Spanish poet Pablo García Baena’s first Italian anthology, Rumore occulto, published by Passigli Editori in 2018. It demonstrates how audio recordings can inform translation process especially when dealing with poetry. By collecting and examining specific recordings where García Baena reads aloud some of his poems, the study shows in what way this author uses prosodic tools as caesura and enjambment to modify the versification of his poems. In these specific recordings, translator can listen to how author’s voice rearranges the printed poem and use these variations to reproduce specific metrics and rhythm in the target language too. This type of recordings also helps with semantics; in fact, interpreting the poem following the author’s vocal action on the original text can be beneficial to make a better lexical choice.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 43 \| Issue 114 \| December 2020
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.date.issued	2020-11-10
dc.dateAccepted	2019-12-10
dc.dateSubmitted	2020-10-21
dc.identifier.issn	0392-4777
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.subject	Pablo García Baena
dc.subject	Spanish poetry
dc.subject	Poetry reading
dc.subject	Translation
dc.subject	Metrics
dc.subject	Voice
dc.subject	Audio recording
dc.subject	\| Pablo García Baena
dc.subject	Poesía española
dc.subject	Lectura poética
dc.subject	Traducción
dc.subject	Métrica
dc.subject	Voz
dc.subject	Grabación de audio

Research Article

Listening to Pablo García Baena

Notes on the Translation of Rumore occulto

open access peer reviewed

Alessandro Mistrorigo Università Ca’ Foscari Venezia, Italia

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abstract

The article focuses on the Spanish poet Pablo García Baena’s first Italian anthology, Rumore occulto, published by Passigli Editori in 2018. It demonstrates how audio recordings can inform translation process especially when dealing with poetry. By collecting and examining specific recordings where García Baena reads aloud some of his poems, the study shows in what way this author uses prosodic tools as caesura and enjambment to modify the versification of his poems. In these specific recordings, translator can listen to how author’s voice rearranges the printed poem and use these variations to reproduce specific metrics and rhythm in the target language too. This type of recordings also helps with semantics; in fact, interpreting the poem following the author’s vocal action on the original text can be beneficial to make a better lexical choice.

Keywords: Pablo García Baena. Spanish poetry. Poetry reading. Translation. Metrics. Voice. Audio recording. | Pablo García Baena. Poesía española. Lectura poética. Traducción. Métrica. Voz. Grabación de audio.

Language: es

Submitted: Dec. 10, 2019
Accepted: Oct. 21, 2020
Published: Nov. 10, 2020

permalink: http://doi.org/10.30687/Ri/2037-6588/2020/114/002

This work is licensed under a Creative Commons Attribution 4.0 International License