Rassegna iberistica

42 | 112 | 2019

open access | peer reviewed

Keywords Artes visuales • Catalonia • Internacionalització de la literatura de llengües • Neutralism • Modern Architecture • Press • Stanford • | Muerte • Mediterraneità • Visual arts • Familia • Poetry • Look • Literature • Foix • Arturo Farinelli • Prima guerra mondiale • Antropologia i docència • Identidad • T • Pedra de tartera • Identity • Internationalisation of minority language literatu • Análisis semiótico • Ideology • Postmemory • Argumentación • Novel·la catalana • Biopolítica • Argumentation • Gossip • Antropologia literària • Family • Influence • Neutralismo • Ciberpunk • Milan’s Triennale • Poetic dialogue • Ethnography • | J • Ties • J • Cyberpunk • | Prensa • | Maria Barbal • Catalan novel • Intellettuali • Panhispanic literature • Teaching Anthropology • Fantastic fiction • Fernando Birri • Correspondence • | Queer • V • Mirror • First World War • Poesia catalana • Italy • Queer • Carteggio • Vínculos • Letteratura panispanica • Josep Carner • Nabí • Comic • Biopolitics • Architettura Moderna • Intellectuals • Transposición • Persuasion • Historieta • Postmemoria • Spanish narrative • Eliot • Literary Anthropology • Pirineus • Spain • Mujer • Portraits • Persuasión • Novel·la catalana contemporània • Fiction • Literary allusion • Chisme • Mirar • Pyrenees • Salgari • Ideología • Poetics • Narratives of Memory • Espejo • | Etnografia • Maria Barbal • Noucentisme • Lina Meruane • Woman • | Arturo Farinelli • Contemporary Catalan Novel • Literary tradition • Afterpop • Documentary • Narratives de la memòria • Transposition • Triennale di Milano • | Guerra Civil espanyola • Death • Literatura • | Salgari • Fantástico • | Narrativa spagnola contemporanea • Semiotic analysis • S • Retratos • Spanish Civil War • Eugeni d’Ors

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/13 | Published Dec. 4, 2019 | Language en, es, ca, it

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