Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Literature • Figurativización • Inmigrante • Negritud • Puesta en perspectiva narrativa • Baroque • Nonfiction • | Bernardo Atxaga • Borges • Italo Calvino • Social structure • Contemporary Spanish literature • Editoria • Reticencia • Social science • El dolor los demás • Bernardo Atxaga • Hibridismo cultural • Novelas • Poetry • Dibuxos grabados • | Literatura española contemporánea • Cuban avant-garde • Valerián de Hungría • Romances of Chivalry • | Benito Pérez Galdós • Publishing industry • Nationalism • Einaudi editore • Critica • Lagunas textuales • Dialogo letterario • Spanish Republic • Identidad • Paradox • Poesía • Surrealismo • Cultural hybridity • Miguel Ángel Hernández • Sociologia de la llengua • Aposiopesis • | Italo Calvino • Wilcock • Mitos mapuches • Identity • True Crime • García Maroto • | Conquista del desierto • Ideology • Rhetorical techniques • Landscape • Barroco • Técnicas retóricas • Misoginia • Paradosso • Discurso • Nacionalisme • Caballero Bonald • Ideologia • Negros • Cuba vanguardias • Essay • | Valerián de Hungría • | Wilcock • True crime • | Castelao • Literary dialogues • Narrative perspective • Surrealism • Sociology of language • Textual lacunas • Galdós’ novels • | Assaig • Mapuche myths • Poetical discourse • Women • Hispano-American literature • Paisaje • Artistic deformation • Libri di cavalleria • Paralipsis • No ficción • El dolor de los demás • Ecology • Bellezza • Mise en abyme • Criticism • | Inmigración • Estructura social • Immigration • Immigrant • Ecología • Negrismo • Desert conquest • Literatura • Misogyny • Ciència social • | Deformación artística • Reticence • Mujer • Castelao • Cinema • Letteratura ispanoamericana • España • Beauty

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, ca, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.