Journal |
Rassegna iberistica
Journal issue | 42 | 111 | 2019
Keywords Social structure • Nationalism • Cinema • Bernardo Atxaga • Ecología • Romances of Chivalry • Dibuxos grabados • Social science • Mujer • Identity • Literary dialogues • Mitos mapuches • | Benito Pérez Galdós • Nonfiction • | Italo Calvino • Castelao • Literatura • Caballero Bonald • | Deformación artística • El dolor los demás • Valerián de Hungría • | Valerián de Hungría • Desert conquest • Surrealism • Negritud • True crime • Bellezza • Artistic deformation • Beauty • Sociologia de la llengua • | Castelao • Ecology • España • Ideologia • Mapuche myths • Textual lacunas • Hispano-American literature • Nacionalisme • Estructura social • Negros • Puesta en perspectiva narrativa • Poetical discourse • Poesía • Aposiopesis • | Bernardo Atxaga • Landscape • García Maroto • Essay • Cuba vanguardias • Misogyny • El dolor de los demás • Identidad • Italo Calvino • Critica • Cultural hybridity • Inmigrante • Lagunas textuales • Técnicas retóricas • Literature • | Inmigración • Paradox • Ciència social • Cuban avant-garde • Hibridismo cultural • Reticence • Mise en abyme • | Literatura española contemporánea • Publishing industry • Misoginia • Reticencia • Surrealismo • Women • Immigrant • Immigration • Paralipsis • Contemporary Spanish literature • Poetry • Sociology of language • Miguel Ángel Hernández • Paisaje • Baroque • Novelas • Figurativización • True Crime • Rhetorical techniques • Libri di cavalleria • Paradosso • Ideology • No ficción • Letteratura ispanoamericana • | Conquista del desierto • | Wilcock • Narrative perspective • Spanish Republic • Discurso • Barroco • Borges • | Assaig • Negrismo • Dialogo letterario • Wilcock • Criticism • Galdós’ novels • Editoria • Einaudi editore
Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language ca, it, es
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