Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Discurso • Social structure • | Wilcock • | Castelao • Poetical discourse • Borges • Paradosso • Ciència social • Literature • Nacionalisme • Publishing industry • Landscape • Paisaje • Poetry • | Assaig • Misoginia • | Literatura española contemporánea • Bellezza • Immigrant • Castelao • | Valerián de Hungría • Nonfiction • Paralipsis • Essay • Cultural hybridity • Negrismo • No ficción • Miguel Ángel Hernández • Sociology of language • Valerián de Hungría • Estructura social • Romances of Chivalry • | Inmigración • Misogyny • Galdós’ novels • Artistic deformation • Beauty • Desert conquest • Einaudi editore • Social science • Mise en abyme • | Deformación artística • Hispano-American literature • | Benito Pérez Galdós • Poesía • | Italo Calvino • Editoria • Lagunas textuales • Aposiopesis • Inmigrante • Dialogo letterario • Literary dialogues • España • Reticencia • Ecology • Paradox • Novelas • Hibridismo cultural • Identity • Literatura • Nationalism • Critica • Barroco • Spanish Republic • El dolor los demás • Cuba vanguardias • Letteratura ispanoamericana • Baroque • Libri di cavalleria • Ideologia • Figurativización • Sociologia de la llengua • Caballero Bonald • Italo Calvino • Mujer • Identidad • Wilcock • Women • Mitos mapuches • Dibuxos grabados • Rhetorical techniques • García Maroto • | Bernardo Atxaga • Contemporary Spanish literature • Puesta en perspectiva narrativa • Textual lacunas • Bernardo Atxaga • Cinema • Ecología • | Conquista del desierto • Surrealism • Criticism • Negros • Negritud • Immigration • Narrative perspective • El dolor de los demás • Cuban avant-garde • True Crime • Técnicas retóricas • Ideology • Reticence • True crime • Surrealismo • Mapuche myths

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, ca, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.