Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Ideology • Artistic deformation • | Literatura española contemporánea • Libri di cavalleria • Discurso • Aposiopesis • Reticencia • | Assaig • Einaudi editore • Ciència social • Mise en abyme • Social science • Negros • Ideologia • Publishing industry • El dolor los demás • El dolor de los demás • Identidad • Literary dialogues • Women • | Wilcock • Figurativización • Galdós’ novels • Criticism • Lagunas textuales • Barroco • Contemporary Spanish literature • Castelao • Letteratura ispanoamericana • Literatura • Dibuxos grabados • | Deformación artística • Desert conquest • Surrealismo • | Bernardo Atxaga • Bernardo Atxaga • Negrismo • Sociologia de la llengua • Identity • Baroque • Italo Calvino • Narrative perspective • Valerián de Hungría • | Italo Calvino • Cinema • Paisaje • Rhetorical techniques • True crime • Essay • Cultural hybridity • Cuba vanguardias • Dialogo letterario • Borges • Mitos mapuches • Romances of Chivalry • Caballero Bonald • Cuban avant-garde • Estructura social • Misoginia • Literature • España • Miguel Ángel Hernández • Nationalism • Novelas • | Valerián de Hungría • | Inmigración • Reticence • Beauty • Landscape • Misogyny • Spanish Republic • Bellezza • Nacionalisme • Editoria • True Crime • Ecología • | Castelao • Wilcock • No ficción • Immigrant • Paradosso • Immigration • Mujer • Mapuche myths • Poesía • Ecology • Paradox • García Maroto • Paralipsis • Social structure • Surrealism • Puesta en perspectiva narrativa • Hispano-American literature • Sociology of language • | Benito Pérez Galdós • Poetical discourse • Técnicas retóricas • Nonfiction • | Conquista del desierto • Poetry • Critica • Hibridismo cultural • Inmigrante • Negritud • Textual lacunas

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language ca, es, it

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