Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Literary dialogues • Nonfiction • | Inmigración • Ecología • Figurativización • | Deformación artística • Essay • | Benito Pérez Galdós • Negritud • Mapuche myths • El dolor los demás • El dolor de los demás • Sociologia de la llengua • Wilcock • Nationalism • Ciència social • Literature • Surrealismo • Social structure • Castelao • Mitos mapuches • Poetry • Baroque • Landscape • España • Miguel Ángel Hernández • Poetical discourse • | Wilcock • Immigrant • Paisaje • Criticism • Barroco • Textual lacunas • Misoginia • Negrismo • No ficción • True Crime • Italo Calvino • Sociology of language • Dibuxos grabados • Artistic deformation • Libri di cavalleria • Publishing industry • Valerián de Hungría • Novelas • Estructura social • Borges • García Maroto • Ideologia • Inmigrante • Técnicas retóricas • | Bernardo Atxaga • Cuba vanguardias • Women • Rhetorical techniques • | Literatura española contemporánea • Reticencia • Social science • Spanish Republic • Paradox • Cultural hybridity • Paralipsis • Literatura • Discurso • Mujer • Narrative perspective • Negros • | Castelao • Beauty • Paradosso • Romances of Chivalry • Reticence • True crime • Desert conquest • | Valerián de Hungría • Ecology • Dialogo letterario • Einaudi editore • Aposiopesis • Cuban avant-garde • Surrealism • Editoria • Misogyny • Letteratura ispanoamericana • | Italo Calvino • Contemporary Spanish literature • Hispano-American literature • Identidad • | Conquista del desierto • Mise en abyme • Lagunas textuales • Puesta en perspectiva narrativa • Immigration • Bernardo Atxaga • Cinema • Bellezza • Caballero Bonald • | Assaig • Ideology • Poesía • Hibridismo cultural • Critica • Identity • Nacionalisme • Galdós’ novels

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language ca, es, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.