Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Nationalism • Desert conquest • Reticence • Bellezza • Literary dialogues • Cinema • Critica • Negrismo • Poetry • Estructura social • Criticism • | Valerián de Hungría • Contemporary Spanish literature • Mujer • Nacionalisme • Caballero Bonald • Discurso • García Maroto • | Deformación artística • Immigrant • Baroque • Nonfiction • Surrealism • Paradox • No ficción • Romances of Chivalry • Aposiopesis • Sociology of language • Publishing industry • Ecology • Hibridismo cultural • Misogyny • Puesta en perspectiva narrativa • Wilcock • Novelas • | Conquista del desierto • Inmigrante • Editoria • Figurativización • | Castelao • | Italo Calvino • Poesía • | Wilcock • | Inmigración • | Literatura española contemporánea • Textual lacunas • Reticencia • Dialogo letterario • Libri di cavalleria • Borges • El dolor de los demás • Cuba vanguardias • Essay • Miguel Ángel Hernández • Ideology • Valerián de Hungría • Hispano-American literature • Identity • Mise en abyme • Sociologia de la llengua • Castelao • Narrative perspective • Rhetorical techniques • True Crime • Dibuxos grabados • Landscape • España • Literature • Cultural hybridity • | Bernardo Atxaga • Bernardo Atxaga • Surrealismo • Mapuche myths • True crime • Mitos mapuches • Poetical discourse • Identidad • Artistic deformation • Ideologia • Misoginia • Paisaje • Barroco • Social science • Galdós’ novels • Ciència social • El dolor los demás • Letteratura ispanoamericana • Einaudi editore • Negros • Ecología • Literatura • Cuban avant-garde • Lagunas textuales • Immigration • | Benito Pérez Galdós • Paralipsis • Social structure • Negritud • | Assaig • Beauty • Spanish Republic • Paradosso • Women • Técnicas retóricas • Italo Calvino

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language ca, es, it

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