Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Misogyny • Negros • True Crime • Cuban avant-garde • Mapuche myths • Rhetorical techniques • Reticence • Puesta en perspectiva narrativa • Mujer • Romances of Chivalry • Einaudi editore • Nonfiction • Inmigrante • Negritud • | Inmigración • Mitos mapuches • Aposiopesis • Bernardo Atxaga • | Bernardo Atxaga • Criticism • Discurso • | Wilcock • No ficción • Ecology • Borges • Immigration • Valerián de Hungría • Nacionalisme • Cuba vanguardias • | Assaig • Letteratura ispanoamericana • Desert conquest • Miguel Ángel Hernández • España • Hibridismo cultural • Textual lacunas • | Conquista del desierto • | Valerián de Hungría • García Maroto • Mise en abyme • Women • Publishing industry • Poesía • Ciència social • Critica • Immigrant • Paralipsis • Narrative perspective • Libri di cavalleria • Cultural hybridity • Figurativización • Essay • Identity • El dolor los demás • Literatura • Social science • Misoginia • Poetry • Galdós’ novels • | Deformación artística • Sociologia de la llengua • | Castelao • Reticencia • Dialogo letterario • Literary dialogues • Surrealism • Negrismo • Social structure • Caballero Bonald • Cinema • Beauty • Spanish Republic • Artistic deformation • El dolor de los demás • Poetical discourse • Identidad • Dibuxos grabados • Italo Calvino • Paradox • Estructura social • Lagunas textuales • Bellezza • Ideology • Contemporary Spanish literature • | Benito Pérez Galdós • Surrealismo • Baroque • Novelas • Sociology of language • Castelao • True crime • Nationalism • Wilcock • Técnicas retóricas • Barroco • Ideologia • Editoria • Literature • Landscape • Paradosso • | Literatura española contemporánea • Ecología • Hispano-American literature • | Italo Calvino • Paisaje

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language ca, it, es

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