Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Borges • Paisaje • Discurso • Ciència social • Identidad • Ideologia • Italo Calvino • Paralipsis • Publishing industry • Galdós’ novels • Barroco • No ficción • Einaudi editore • Misogyny • Social structure • Hibridismo cultural • Mapuche myths • Poesía • | Italo Calvino • Nacionalisme • Técnicas retóricas • Dibuxos grabados • Ecology • Sociologia de la llengua • | Deformación artística • Dialogo letterario • Letteratura ispanoamericana • Desert conquest • Negrismo • Rhetorical techniques • Artistic deformation • Nationalism • Cinema • Essay • Ecología • Valerián de Hungría • Reticencia • Negros • Identity • Bellezza • Literatura • Hispano-American literature • Spanish Republic • El dolor de los demás • Social science • García Maroto • Nonfiction • | Castelao • Surrealismo • Novelas • | Conquista del desierto • Wilcock • Bernardo Atxaga • Miguel Ángel Hernández • Literature • Narrative perspective • | Inmigración • España • | Bernardo Atxaga • Ideology • Contemporary Spanish literature • Mujer • True crime • Libri di cavalleria • Immigrant • Castelao • Estructura social • Beauty • El dolor los demás • Paradosso • | Benito Pérez Galdós • Lagunas textuales • Inmigrante • Sociology of language • Misoginia • Caballero Bonald • Literary dialogues • Editoria • Negritud • Cuba vanguardias • True Crime • | Literatura española contemporánea • Textual lacunas • Poetical discourse • | Assaig • Landscape • | Wilcock • Paradox • Romances of Chivalry • Puesta en perspectiva narrativa • Mise en abyme • Aposiopesis • Figurativización • Surrealism • Cuban avant-garde • Mitos mapuches • | Valerián de Hungría • Baroque • Critica • Criticism • Women • Poetry • Cultural hybridity • Immigration • Reticence

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, it, ca

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