Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Contemporary Spanish literature • Borges • Galdós’ novels • | Bernardo Atxaga • El dolor de los demás • Cuban avant-garde • Letteratura ispanoamericana • Reticencia • Ideologia • Nacionalisme • Desert conquest • Textual lacunas • Narrative perspective • Dialogo letterario • Hispano-American literature • Cuba vanguardias • Libri di cavalleria • | Benito Pérez Galdós • Mujer • Nationalism • | Inmigración • Discurso • Novelas • Caballero Bonald • | Literatura española contemporánea • Ecology • Figurativización • García Maroto • Paradox • Spanish Republic • Identity • Ideology • | Deformación artística • Valerián de Hungría • Surrealism • Wilcock • Paradosso • Sociologia de la llengua • Nonfiction • El dolor los demás • Publishing industry • Técnicas retóricas • True Crime • Aposiopesis • Ecología • Einaudi editore • Criticism • Baroque • Hibridismo cultural • Paralipsis • Romances of Chivalry • Identidad • Landscape • Estructura social • España • Paisaje • Cinema • Sociology of language • Ciència social • Mitos mapuches • Mise en abyme • Rhetorical techniques • Editoria • Critica • Reticence • True crime • | Conquista del desierto • Surrealismo • | Assaig • Negritud • | Wilcock • Essay • Social science • Social structure • Lagunas textuales • Women • Cultural hybridity • Negros • | Castelao • Castelao • Misogyny • Dibuxos grabados • Barroco • | Italo Calvino • Poesía • Artistic deformation • Literary dialogues • Bernardo Atxaga • Immigrant • Miguel Ángel Hernández • Poetical discourse • Literatura • No ficción • Negrismo • Immigration • Misoginia • Bellezza • Poetry • Literature • | Valerián de Hungría • Puesta en perspectiva narrativa • Beauty • Inmigrante • Mapuche myths • Italo Calvino

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, ca, it

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