Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Immigration • Textual lacunas • Critica • Misogyny • Ciència social • Lagunas textuales • Social science • True Crime • Barroco • Libri di cavalleria • Literary dialogues • El dolor de los demás • Caballero Bonald • Ideologia • Discurso • Técnicas retóricas • Figurativización • Ideology • Dibuxos grabados • Identidad • Mise en abyme • | Castelao • | Wilcock • Negros • Publishing industry • | Conquista del desierto • Narrative perspective • Cuban avant-garde • | Literatura española contemporánea • Estructura social • Poetical discourse • Mujer • Poetry • | Bernardo Atxaga • Einaudi editore • Immigrant • El dolor los demás • No ficción • True crime • Inmigrante • Editoria • Contemporary Spanish literature • Beauty • Criticism • Paradosso • Social structure • Mapuche myths • Valerián de Hungría • Cultural hybridity • Novelas • Sociologia de la llengua • Nonfiction • Essay • Nacionalisme • Letteratura ispanoamericana • Desert conquest • | Deformación artística • Paralipsis • Miguel Ángel Hernández • Nationalism • | Valerián de Hungría • Reticencia • Rhetorical techniques • Dialogo letterario • Mitos mapuches • Wilcock • España • Sociology of language • Cinema • Surrealismo • Negrismo • Artistic deformation • Paradox • Spanish Republic • Misoginia • Castelao • Bellezza • Aposiopesis • García Maroto • Hispano-American literature • Identity • Hibridismo cultural • Galdós’ novels • Ecología • | Italo Calvino • Reticence • Literatura • Bernardo Atxaga • | Assaig • Negritud • Baroque • Landscape • Literature • | Inmigración • Poesía • Romances of Chivalry • | Benito Pérez Galdós • Surrealism • Women • Cuba vanguardias • Borges • Ecology • Paisaje • Italo Calvino • Puesta en perspectiva narrativa

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language it, ca, es

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