Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Negros • | Assaig • | Castelao • Barroco • Textual lacunas • Baroque • Einaudi editore • Mujer • Mapuche myths • Reticence • Miguel Ángel Hernández • Nacionalisme • Sociologia de la llengua • Paradox • Rhetorical techniques • Galdós’ novels • Poetical discourse • Aposiopesis • Nonfiction • | Inmigración • Sociology of language • Cultural hybridity • El dolor de los demás • Beauty • Immigration • | Italo Calvino • Essay • Landscape • Ecology • Hibridismo cultural • Paralipsis • Puesta en perspectiva narrativa • Contemporary Spanish literature • Paisaje • Caballero Bonald • Literary dialogues • Narrative perspective • Bellezza • Inmigrante • Letteratura ispanoamericana • Desert conquest • Ecología • Literatura • Poetry • Nationalism • El dolor los demás • Lagunas textuales • Castelao • Reticencia • Literature • Romances of Chivalry • Social science • Estructura social • Técnicas retóricas • True Crime • Cuban avant-garde • True crime • Borges • Criticism • Cuba vanguardias • | Literatura española contemporánea • Surrealism • España • Editoria • No ficción • Discurso • Ideology • Bernardo Atxaga • Women • Spanish Republic • Hispano-American literature • Identidad • Misogyny • Social structure • Immigrant • | Bernardo Atxaga • Misoginia • Identity • Negritud • Cinema • | Conquista del desierto • Poesía • Publishing industry • García Maroto • Novelas • Artistic deformation • Ciència social • | Valerián de Hungría • Valerián de Hungría • Dibuxos grabados • Critica • Wilcock • Mise en abyme • Dialogo letterario • | Deformación artística • Surrealismo • | Benito Pérez Galdós • Mitos mapuches • Paradosso • | Wilcock • Libri di cavalleria • Ideologia • Figurativización • Italo Calvino • Negrismo

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language it, ca, es

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