Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Desert conquest • Barroco • Hibridismo cultural • Rhetorical techniques • Einaudi editore • Reticence • Italo Calvino • Mitos mapuches • Baroque • | Wilcock • España • El dolor de los demás • Nacionalisme • Paralipsis • | Assaig • Misogyny • | Valerián de Hungría • Critica • Inmigrante • Narrative perspective • El dolor los demás • Poetical discourse • Cuba vanguardias • Publishing industry • Negros • Poetry • Reticencia • Sociologia de la llengua • Caballero Bonald • Mise en abyme • Hispano-American literature • Ideologia • True crime • Literatura • Paradosso • Women • Immigrant • Bernardo Atxaga • Cultural hybridity • Estructura social • Criticism • Editoria • Identity • Lagunas textuales • Literary dialogues • Mujer • | Castelao • Mapuche myths • Figurativización • Beauty • Surrealism • Social structure • Castelao • Literature • Sociology of language • | Inmigración • | Bernardo Atxaga • Técnicas retóricas • Misoginia • Ciència social • Valerián de Hungría • Textual lacunas • Contemporary Spanish literature • Identidad • Letteratura ispanoamericana • | Deformación artística • Cinema • Wilcock • Nonfiction • Essay • Artistic deformation • No ficción • Paisaje • Dialogo letterario • | Conquista del desierto • Ecology • Aposiopesis • Immigration • True Crime • Spanish Republic • Ideology • Dibuxos grabados • Poesía • Paradox • Romances of Chivalry • | Benito Pérez Galdós • Miguel Ángel Hernández • García Maroto • Borges • Libri di cavalleria • Cuban avant-garde • Landscape • Nationalism • Negrismo • Galdós’ novels • | Literatura española contemporánea • Discurso • Ecología • Bellezza • Surrealismo • Social science • Puesta en perspectiva narrativa • Novelas • Negritud • | Italo Calvino

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, ca, it

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