Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Cultural hybridity • Miguel Ángel Hernández • Identidad • Ideologia • Literatura • España • Misoginia • Mapuche myths • Dibuxos grabados • Identity • Técnicas retóricas • Sociologia de la llengua • Surrealism • Hibridismo cultural • Poesía • Hispano-American literature • Nonfiction • | Conquista del desierto • Nationalism • Negros • El dolor los demás • Social structure • | Valerián de Hungría • Reticencia • | Deformación artística • Cuba vanguardias • Bellezza • Cuban avant-garde • Valerián de Hungría • Romances of Chivalry • Caballero Bonald • Galdós’ novels • Literature • True Crime • | Benito Pérez Galdós • Paralipsis • Libri di cavalleria • Beauty • Misogyny • Ideology • Narrative perspective • Immigrant • | Inmigración • Immigration • Negrismo • Mitos mapuches • | Castelao • Borges • García Maroto • Paradox • Critica • Textual lacunas • Rhetorical techniques • Letteratura ispanoamericana • Puesta en perspectiva narrativa • Cinema • Essay • Publishing industry • Aposiopesis • El dolor de los demás • Dialogo letterario • Bernardo Atxaga • Barroco • Surrealismo • Baroque • Nacionalisme • Novelas • Paradosso • | Bernardo Atxaga • Landscape • Ecología • Poetry • Sociology of language • Figurativización • | Literatura española contemporánea • Women • Desert conquest • Mise en abyme • Wilcock • Lagunas textuales • Social science • Reticence • | Italo Calvino • Italo Calvino • Poetical discourse • Castelao • Spanish Republic • Ciència social • Einaudi editore • Estructura social • Inmigrante • Mujer • | Assaig • Contemporary Spanish literature • | Wilcock • Negritud • Paisaje • Criticism • No ficción • Artistic deformation • Discurso • Ecology • True crime • Literary dialogues • Editoria

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, ca, it

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