Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Cuba vanguardias • Surrealism • Identidad • Letteratura ispanoamericana • | Bernardo Atxaga • Wilcock • | Literatura española contemporánea • Figurativización • Borges • Libri di cavalleria • Beauty • Critica • Paradosso • Estructura social • Immigrant • Hibridismo cultural • Essay • Barroco • Baroque • Women • Novelas • Mitos mapuches • | Wilcock • Inmigrante • Poetical discourse • Galdós’ novels • Social structure • Cultural hybridity • Bellezza • Hispano-American literature • | Castelao • Misogyny • Negros • Poesía • Dibuxos grabados • Ideologia • Immigration • Ecology • Bernardo Atxaga • Einaudi editore • Literary dialogues • Sociology of language • Mapuche myths • Nacionalisme • El dolor los demás • Paralipsis • Spanish Republic • El dolor de los demás • Cuban avant-garde • Sociologia de la llengua • Dialogo letterario • Reticence • Surrealismo • Negrismo • Castelao • Landscape • Rhetorical techniques • Caballero Bonald • | Assaig • Miguel Ángel Hernández • Ciència social • Artistic deformation • Social science • Identity • Misoginia • Lagunas textuales • Editoria • Negritud • True crime • | Valerián de Hungría • Criticism • Literatura • Mise en abyme • Italo Calvino • True Crime • No ficción • España • Textual lacunas • Nonfiction • Narrative perspective • | Conquista del desierto • | Italo Calvino • Publishing industry • Mujer • Poetry • Puesta en perspectiva narrativa • Valerián de Hungría • Aposiopesis • Desert conquest • | Deformación artística • Técnicas retóricas • Discurso • Paisaje • Cinema • Romances of Chivalry • García Maroto • | Inmigración • Ecología • Reticencia • Nationalism • Contemporary Spanish literature • Literature • Ideology • Paradox • | Benito Pérez Galdós

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Published June 21, 2019 | Language es, ca, it

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