Rassegna iberistica

41 | 110 | 2018

open access | peer reviewed

Keywords Chorography • Saer • Catalonia • Catalan literature • Identity • Iberian and Latin-American Comparative Studies • Soap operas • Visual poetry • Technopoetics • Collective memory • Communities • Catalan poetry • Deconstruction • Hebrew poetry in Spain • E-literature • Piglia • Postmodern subject • Cervantes • Sociology • Metaliterature • Detective genre • Silviano Santiago • Persiles • Literary field • Grotesque esperpento • Avellaneda • Lope de Vega • Pere Gimferrer • Postcolonial identities • Conversation • Toledo • Modernism • Family models • Contemporary narrative • Spanish Humanism • Neogothic myth • Jewish-Christian relations • Catullus’ fortuna • Valle-Inclán • Postmodernity • Goths • Basque Studies • Catalan Literature • Baroque • Gender roles • Latin America • Reason and madness • National identity • Hispano-Jewish culture • Translation Studies • Vicent Andrés Estellés • La gioia della strada • Postmodernism • Classical and contemporary poetics

Permalink http://doi.org/10.30687/Ri/2037-6588/2018/11 | Published Dec. 11, 2018 | Language ca, en, es, it

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