Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Lagunas textuales • Mise en abyme • Dialogo letterario • Narrative perspective • | Inmigración • Contemporary Spanish literature • Cuba vanguardias • Baroque • | Literatura española contemporánea • | Wilcock • Beauty • Landscape • True crime • Textual lacunas • | Castelao • Negros • Desert conquest • Surrealism • Literature • Bellezza • Negritud • | Assaig • Puesta en perspectiva narrativa • García Maroto • Cultural hybridity • | Valerián de Hungría • Criticism • Sociology of language • Rhetorical techniques • Ideology • Hibridismo cultural • Reticencia • Figurativización • Sociologia de la llengua • Caballero Bonald • Reticence • Novelas • Identity • Literatura • | Deformación artística • Discurso • Mitos mapuches • Ciència social • Hispano-American literature • Immigrant • Women • Essay • Ideologia • Inmigrante • Nationalism • Misogyny • | Conquista del desierto • Miguel Ángel Hernández • Poetry • Dibuxos grabados • Immigration • Castelao • Libri di cavalleria • Aposiopesis • Barroco • Estructura social • Cinema • Italo Calvino • Galdós’ novels • Cuban avant-garde • Paradox • Paradosso • Identidad • Nonfiction • No ficción • Valerián de Hungría • Romances of Chivalry • Nacionalisme • Critica • Spanish Republic • Técnicas retóricas • Ecology • | Benito Pérez Galdós • Wilcock • Literary dialogues • Social science • Surrealismo • Artistic deformation • Mujer • Einaudi editore • Letteratura ispanoamericana • Paisaje • Negrismo • Editoria • Misoginia • El dolor de los demás • Poetical discourse • Social structure • Paralipsis • Ecología • True Crime • España • Mapuche myths • | Italo Calvino • El dolor los demás • | Bernardo Atxaga • Borges • Poesía • Bernardo Atxaga • Publishing industry

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua es, ca, it

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