Rivista | Rassegna iberistica
Fascicolo | 42 | 111 | 2019

42 | 111 | 2019

open access | peer reviewed

Keywords | Assaig • Poetical discourse • | Wilcock • Social structure • Borges • Mujer • Desert conquest • Miguel Ángel Hernández • True Crime • | Inmigración • Paradosso • Publishing industry • Wilcock • Ideologia • Narrative perspective • Paralipsis • Dibuxos grabados • Nationalism • Valerián de Hungría • Discurso • Estructura social • Cuba vanguardias • Italo Calvino • Essay • Critica • Literatura • Barroco • Bellezza • Galdós’ novels • Hibridismo cultural • Ecology • | Benito Pérez Galdós • Misogyny • Mitos mapuches • Identidad • No ficción • Lagunas textuales • Paradox • Spanish Republic • Cuban avant-garde • Beauty • Immigration • Surrealism • Literature • Sociologia de la llengua • España • Libri di cavalleria • Social science • Rhetorical techniques • Landscape • Reticencia • Ecología • Bernardo Atxaga • Negros • | Literatura española contemporánea • Misoginia • | Conquista del desierto • Ciència social • Letteratura ispanoamericana • Poetry • Dialogo letterario • Identity • Surrealismo • Women • | Deformación artística • Aposiopesis • Sociology of language • Hispano-American literature • Técnicas retóricas • Ideology • Mapuche myths • Negritud • | Valerián de Hungría • Nonfiction • Mise en abyme • Cultural hybridity • | Bernardo Atxaga • Nacionalisme • Novelas • Negrismo • Poesía • Baroque • El dolor los demás • | Castelao • Cinema • | Italo Calvino • Romances of Chivalry • Einaudi editore • Artistic deformation • Inmigrante • Figurativización • Criticism • True crime • Textual lacunas • Contemporary Spanish literature • Castelao • Immigrant • Paisaje • Editoria • Caballero Bonald • Puesta en perspectiva narrativa • García Maroto • El dolor de los demás • Reticence • Literary dialogues

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua ca, es, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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