Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Literary dialogues • Sociologia de la llengua • Mapuche myths • Aposiopesis • Critica • No ficción • Técnicas retóricas • Contemporary Spanish literature • Reticencia • Baroque • Literatura • El dolor de los demás • Hispano-American literature • Negrismo • Misoginia • Figurativización • Surrealism • Women • Artistic deformation • Romances of Chivalry • Cultural hybridity • Hibridismo cultural • Wilcock • Estructura social • Einaudi editore • El dolor los demás • Poesía • | Literatura española contemporánea • Social science • Barroco • Identity • Nacionalisme • Lagunas textuales • Reticence • Letteratura ispanoamericana • Immigrant • Textual lacunas • Mitos mapuches • Galdós’ novels • Paisaje • Miguel Ángel Hernández • Ideology • Cinema • | Bernardo Atxaga • Novelas • Dialogo letterario • Publishing industry • Borges • Puesta en perspectiva narrativa • Beauty • Criticism • | Valerián de Hungría • Negritud • Ecología • Mujer • Social structure • Sociology of language • True Crime • | Wilcock • Ciència social • Editoria • Ideologia • | Benito Pérez Galdós • | Italo Calvino • García Maroto • Essay • Desert conquest • Libri di cavalleria • Literature • Dibuxos grabados • Nonfiction • | Assaig • Landscape • Poetical discourse • Paradosso • Ecology • Inmigrante • Bellezza • Mise en abyme • | Deformación artística • Cuban avant-garde • Caballero Bonald • Identidad • Italo Calvino • Valerián de Hungría • Immigration • Misogyny • Rhetorical techniques • True crime • Paralipsis • Paradox • España • Surrealismo • | Conquista del desierto • Bernardo Atxaga • Spanish Republic • Poetry • | Castelao • Narrative perspective • Negros • Castelao • Discurso • Nationalism • | Inmigración • Cuba vanguardias

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua ca, it, es

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.