Rivista | Rassegna iberistica
Fascicolo | 42 | 111 | 2019
Keywords Sociologia de la llengua • Nonfiction • True Crime • Identity • Literary dialogues • Cinema • Italo Calvino • Discurso • Women • | Inmigración • Contemporary Spanish literature • Ideology • Hibridismo cultural • Misoginia • Paradox • Aposiopesis • Desert conquest • | Deformación artística • Social structure • Ecology • Editoria • Landscape • García Maroto • Misogyny • Literature • Mujer • Nationalism • Inmigrante • | Assaig • Wilcock • Criticism • Beauty • Cuban avant-garde • Estructura social • | Bernardo Atxaga • No ficción • Libri di cavalleria • Ciència social • | Wilcock • Novelas • Cuba vanguardias • Rhetorical techniques • El dolor los demás • Miguel Ángel Hernández • Narrative perspective • Mise en abyme • El dolor de los demás • Cultural hybridity • Reticencia • Poetical discourse • Identidad • Paisaje • Critica • Social science • Bernardo Atxaga • Bellezza • | Italo Calvino • Surrealismo • Negritud • | Benito Pérez Galdós • Galdós’ novels • Caballero Bonald • Reticence • Baroque • | Valerián de Hungría • Literatura • Spanish Republic • Immigration • Paradosso • Romances of Chivalry • Dialogo letterario • | Castelao • | Conquista del desierto • Negros • Barroco • Poetry • Valerián de Hungría • Castelao • Nacionalisme • Immigrant • Negrismo • Puesta en perspectiva narrativa • Ideologia • Dibuxos grabados • Textual lacunas • Einaudi editore • Lagunas textuales • Mitos mapuches • Publishing industry • Artistic deformation • Sociology of language • Hispano-American literature • Ecología • Essay • True crime • Paralipsis • Técnicas retóricas • Figurativización • España • Letteratura ispanoamericana • Poesía • Surrealism • | Literatura española contemporánea • Borges • Mapuche myths
Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua es, ca, it
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