Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Surrealism • Nacionalisme • Einaudi editore • Textual lacunas • Cuban avant-garde • Aposiopesis • Ciència social • Negrismo • Romances of Chivalry • Mapuche myths • Italo Calvino • | Benito Pérez Galdós • Poesía • Misoginia • Reticencia • Misogyny • Hispano-American literature • Literatura • Paralipsis • Nonfiction • Sociologia de la llengua • Ideologia • Miguel Ángel Hernández • Women • Criticism • Hibridismo cultural • Wilcock • True crime • Social science • | Bernardo Atxaga • Sociology of language • Cinema • Figurativización • Castelao • Negros • Publishing industry • Cuba vanguardias • Nationalism • Identidad • Galdós’ novels • Mujer • Social structure • El dolor los demás • Paisaje • Editoria • Cultural hybridity • Literature • Barroco • García Maroto • Contemporary Spanish literature • Puesta en perspectiva narrativa • Literary dialogues • Lagunas textuales • Ecología • El dolor de los demás • Beauty • Valerián de Hungría • Bernardo Atxaga • Dibuxos grabados • Letteratura ispanoamericana • Paradosso • Paradox • Poetical discourse • Poetry • Estructura social • Identity • Critica • | Valerián de Hungría • Borges • Ideology • Mitos mapuches • Spanish Republic • | Italo Calvino • True Crime • Essay • Caballero Bonald • Ecology • Dialogo letterario • Inmigrante • | Conquista del desierto • Discurso • Surrealismo • Immigration • Libri di cavalleria • | Deformación artística • No ficción • Immigrant • | Literatura española contemporánea • Reticence • | Inmigración • Landscape • Novelas • | Wilcock • Técnicas retóricas • Baroque • Artistic deformation • España • Negritud • | Castelao • Narrative perspective • | Assaig • Bellezza • Mise en abyme • Desert conquest • Rhetorical techniques

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua it, ca, es

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