Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Novelas • Critica • Hispano-American literature • Women • Identity • Literatura • Bellezza • Nationalism • Beauty • Negrismo • Libri di cavalleria • Surrealismo • Artistic deformation • Cuban avant-garde • Discurso • | Conquista del desierto • Puesta en perspectiva narrativa • Miguel Ángel Hernández • Dibuxos grabados • Técnicas retóricas • | Benito Pérez Galdós • Paralipsis • García Maroto • Lagunas textuales • Cultural hybridity • | Italo Calvino • Criticism • Contemporary Spanish literature • Social science • Hibridismo cultural • Bernardo Atxaga • Cinema • Spanish Republic • Rhetorical techniques • Castelao • Surrealism • Mujer • Galdós’ novels • | Inmigración • Textual lacunas • Ciència social • Nacionalisme • | Castelao • Negros • Paradosso • Valerián de Hungría • Einaudi editore • Social structure • Paradox • Identidad • Nonfiction • True crime • | Literatura española contemporánea • España • | Assaig • Dialogo letterario • Mise en abyme • Narrative perspective • Paisaje • | Bernardo Atxaga • Barroco • Misogyny • Essay • Publishing industry • Sociologia de la llengua • Negritud • Literature • Mapuche myths • Aposiopesis • Landscape • Poetical discourse • Ecología • Poetry • True Crime • Italo Calvino • Editoria • Reticencia • El dolor los demás • Poesía • Baroque • Misoginia • Desert conquest • Ideologia • Romances of Chivalry • Estructura social • Ecology • Ideology • No ficción • Letteratura ispanoamericana • Borges • Wilcock • Cuba vanguardias • | Valerián de Hungría • Figurativización • Immigrant • El dolor de los demás • Sociology of language • Mitos mapuches • Caballero Bonald • Literary dialogues • Reticence • | Wilcock • Immigration • Inmigrante • | Deformación artística

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua ca, it, es

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