Rivista | Rassegna iberistica
Fascicolo | 42 | 111 | 2019

42 | 111 | 2019

open access | peer reviewed

Keywords Baroque • Ciència social • Romances of Chivalry • Social structure • Caballero Bonald • Literary dialogues • Miguel Ángel Hernández • Galdós’ novels • True crime • Libri di cavalleria • Identity • Inmigrante • Paralipsis • Letteratura ispanoamericana • Figurativización • Lagunas textuales • Social science • Ideologia • Cultural hybridity • Spanish Republic • Essay • Ecología • Dibuxos grabados • Mujer • Novelas • Borges • Landscape • Misoginia • | Wilcock • Mise en abyme • Poetry • Narrative perspective • Cuban avant-garde • Bellezza • Sociologia de la llengua • Identidad • Criticism • Editoria • Paradosso • Publishing industry • Critica • Paisaje • Nationalism • Barroco • Dialogo letterario • Italo Calvino • Bernardo Atxaga • Estructura social • No ficción • Literature • Nacionalisme • Castelao • Rhetorical techniques • Women • Poetical discourse • Literatura • Valerián de Hungría • | Benito Pérez Galdós • | Conquista del desierto • Puesta en perspectiva narrativa • | Inmigración • Sociology of language • García Maroto • Reticencia • | Italo Calvino • Hibridismo cultural • Surrealismo • Cinema • Negrismo • Mapuche myths • Beauty • Discurso • El dolor los demás • | Deformación artística • | Literatura española contemporánea • Poesía • Misogyny • Desert conquest • | Assaig • | Castelao • | Valerián de Hungría • Contemporary Spanish literature • Hispano-American literature • Negritud • Reticence • España • Cuba vanguardias • Einaudi editore • Surrealism • Paradox • Negros • Textual lacunas • Immigrant • | Bernardo Atxaga • Aposiopesis • Wilcock • Nonfiction • El dolor de los demás • Mitos mapuches • Ideology • Immigration • Técnicas retóricas • True Crime • Artistic deformation • Ecology

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua ca, it, es

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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