Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Mitos mapuches • Contemporary Spanish literature • Cuba vanguardias • Desert conquest • El dolor de los demás • Estructura social • Cuban avant-garde • Landscape • Negrismo • Essay • Beauty • Immigration • True Crime • Bellezza • Paisaje • García Maroto • Spanish Republic • Figurativización • Lagunas textuales • Reticencia • Sociology of language • | Deformación artística • Einaudi editore • Libri di cavalleria • Misoginia • Nacionalisme • | Bernardo Atxaga • Artistic deformation • Wilcock • El dolor los demás • Surrealism • | Assaig • Aposiopesis • Sociologia de la llengua • Hispano-American literature • Narrative perspective • Ecología • España • Galdós’ novels • Romances of Chivalry • Literary dialogues • Poetry • Literatura • Letteratura ispanoamericana • Baroque • Misogyny • Dibuxos grabados • Identidad • Paradosso • | Castelao • Barroco • | Wilcock • Immigrant • Women • Caballero Bonald • Discurso • Puesta en perspectiva narrativa • Negritud • Valerián de Hungría • Nonfiction • | Benito Pérez Galdós • | Italo Calvino • No ficción • Poesía • Castelao • Mise en abyme • | Literatura española contemporánea • Identity • Italo Calvino • Bernardo Atxaga • Nationalism • Publishing industry • Mapuche myths • Negros • Ecology • Rhetorical techniques • Literature • | Valerián de Hungría • Social science • Paradox • Textual lacunas • Surrealismo • | Conquista del desierto • Criticism • Técnicas retóricas • True crime • Cultural hybridity • Borges • Paralipsis • Ideologia • Critica • Ideology • Inmigrante • Mujer • | Inmigración • Social structure • Novelas • Reticence • Miguel Ángel Hernández • Dialogo letterario • Hibridismo cultural • Poetical discourse • Editoria • Ciència social • Cinema

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua ca, es, it

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