Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Figurativización • | Benito Pérez Galdós • Criticism • Borges • Desert conquest • Paralipsis • España • Negros • Dialogo letterario • Barroco • Cuba vanguardias • Misoginia • | Literatura española contemporánea • Paradosso • Discurso • Women • Wilcock • Identidad • Dibuxos grabados • Reticence • Immigrant • Inmigrante • Misogyny • Italo Calvino • Reticencia • Ciència social • | Assaig • Valerián de Hungría • El dolor de los demás • Técnicas retóricas • | Deformación artística • Cultural hybridity • | Italo Calvino • Miguel Ángel Hernández • Poetical discourse • Poesía • No ficción • Sociologia de la llengua • Hibridismo cultural • Artistic deformation • | Wilcock • Publishing industry • Essay • Rhetorical techniques • Lagunas textuales • Ecología • Ideology • Critica • Estructura social • Textual lacunas • Cinema • El dolor los demás • Negrismo • Literature • | Conquista del desierto • Narrative perspective • Nacionalisme • Paradox • Nationalism • | Castelao • Contemporary Spanish literature • Negritud • Mitos mapuches • Letteratura ispanoamericana • True Crime • García Maroto • Surrealismo • True crime • Baroque • Castelao • | Inmigración • Editoria • Ecology • Aposiopesis • Novelas • Hispano-American literature • Ideologia • Social structure • Mise en abyme • Spanish Republic • Einaudi editore • Cuban avant-garde • Caballero Bonald • Beauty • Nonfiction • Bernardo Atxaga • Identity • Landscape • Mujer • Galdós’ novels • Social science • | Bernardo Atxaga • Immigration • Poetry • Literary dialogues • Mapuche myths • Surrealism • Libri di cavalleria • Puesta en perspectiva narrativa • | Valerián de Hungría • Romances of Chivalry • Sociology of language • Bellezza • Literatura • Paisaje

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua es, ca, it

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