Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Borges • Reticence • Editoria • | Deformación artística • Artistic deformation • Immigration • Caballero Bonald • Ciència social • | Italo Calvino • Cuba vanguardias • Mapuche myths • Negritud • Negrismo • Nonfiction • Cinema • Essay • Paralipsis • Sociology of language • Literatura • Social structure • Poesía • Libri di cavalleria • Valerián de Hungría • | Valerián de Hungría • Immigrant • Aposiopesis • Ecology • Castelao • Cultural hybridity • Ecología • | Conquista del desierto • Mujer • Publishing industry • | Assaig • Discurso • España • Hibridismo cultural • Rhetorical techniques • Spanish Republic • Criticism • García Maroto • | Benito Pérez Galdós • Lagunas textuales • | Inmigración • Baroque • Poetical discourse • Women • Figurativización • Paisaje • Desert conquest • Einaudi editore • Cuban avant-garde • El dolor de los demás • Poetry • | Wilcock • Nationalism • Novelas • | Bernardo Atxaga • Miguel Ángel Hernández • Hispano-American literature • Romances of Chivalry • Reticencia • Identidad • Literature • Landscape • Italo Calvino • True Crime • Paradosso • Textual lacunas • Contemporary Spanish literature • Ideology • Surrealismo • Paradox • El dolor los demás • Identity • No ficción • Wilcock • Inmigrante • Técnicas retóricas • Narrative perspective • Ideologia • Mitos mapuches • Sociologia de la llengua • Negros • Literary dialogues • Misoginia • Puesta en perspectiva narrativa • Galdós’ novels • True crime • | Castelao • Dibuxos grabados • Misogyny • Critica • Nacionalisme • Dialogo letterario • Surrealism • | Literatura española contemporánea • Mise en abyme • Bellezza • Social science • Letteratura ispanoamericana • Bernardo Atxaga • Estructura social • Beauty • Barroco

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua es, it, ca

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