Rassegna iberistica

42 | 112 | 2019

open access | peer reviewed

Keywords Novel·la catalana • Eugeni d’Ors • Cyberpunk • Documentary • Mujer • Mirror • Transposición • Pedra de tartera • Italy • Visual arts • Prima guerra mondiale • Análisis semiótico • Ciberpunk • Neutralismo • Fiction • Narratives de la memòria • | Arturo Farinelli • First World War • Portraits • Look • J • Foix • Narratives of Memory • Mediterraneità • Retratos • Catalan novel • Maria Barbal • Persuasion • Influence • Artes visuales • Fantástico • Fernando Birri • Persuasión • Comic • | Prensa • Architettura Moderna • Historieta • Modern Architecture • Postmemory • Correspondence • Ties • | J • Literary Anthropology • | Muerte • Milan’s Triennale • | Maria Barbal • Intellettuali • V • S • | Guerra Civil espanyola • Argumentation • Pirineus • Queer • Stanford • Gossip • Ideología • Spain • Arturo Farinelli • Letteratura panispanica • Mirar • | Etnografia • Josep Carner • Literature • Argumentación • T • Antropologia i docència • Lina Meruane • Noucentisme • Nabí • Literary tradition • Literary allusion • Ethnography • Triennale di Milano • Neutralism • Novel·la catalana contemporània • | Salgari • Antropologia literària • Spanish Civil War • Identidad • Semiotic analysis • Salgari • Poesia catalana • Carteggio • Internacionalització de la literatura de llengües • Literatura • Chisme • Fantastic fiction • Biopolitics • Catalonia • Espejo • Transposition • Poetics • Afterpop • | Narrativa spagnola contemporanea • Biopolítica • Intellectuals • Press • Identity • Death • Internationalisation of minority language literatu • Ideology • Family • Teaching Anthropology • Woman • Contemporary Catalan Novel • Poetry • Familia • Postmemoria • Vínculos • | Queer • Panhispanic literature • Spanish narrative • Pyrenees • Eliot • Poetic dialogue

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/13 | Published Dec. 4, 2019 | Language en, ca, it, es

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