Journal |
Rassegna iberistica
Journal issue | 42 | 112 | 2019
42 | 112 | 2019
open access | peer reviewedKeywords Portraits • Comic • Pedra de tartera • Mediterraneità • Poetic dialogue • Poetry • Retratos • Argumentación • Ideología • Transposition • Look • Análisis semiótico • First World War • Modern Architecture • Eliot • Identity • Pyrenees • Ciberpunk • Queer • Stanford • Intellectuals • Espejo • Fantástico • Vínculos • Mirar • Lina Meruane • Pirineus • Ideology • Spanish narrative • Literature • Literary tradition • Noucentisme • Contemporary Catalan Novel • Postmemoria • Correspondence • Salgari • Neutralismo • Fiction • Narratives of Memory • Woman • Transposición • Antropologia i docència • Literary allusion • Novel·la catalana contemporània • Triennale di Milano • Maria Barbal • | Arturo Farinelli • Antropologia literària • S • Milan’s Triennale • Biopolítica • Ties • Family • Historieta • Postmemory • T • Neutralism • | Muerte • | J • Mirror • Arturo Farinelli • Letteratura panispanica • Mujer • Cyberpunk • | Prensa • Familia • Identidad • Novel·la catalana • | Queer • Spain • Visual arts • Architettura Moderna • Literary Anthropology • Nabí • Catalan novel • Artes visuales • Narratives de la memòria • Josep Carner • Documentary • Intellettuali • | Narrativa spagnola contemporanea • Internationalisation of minority language literatu • | Guerra Civil espanyola • | Salgari • Panhispanic literature • Teaching Anthropology • Semiotic analysis • Spanish Civil War • Ethnography • Gossip • Press • Catalonia • Poesia catalana • Foix • Fernando Birri • Fantastic fiction • Persuasion • Internacionalització de la literatura de llengües • Argumentation • | Etnografia • J • Italy • Poetics • V • Eugeni d’Ors • Prima guerra mondiale • Chisme • Literatura • Persuasión • Influence • Carteggio • Death • Biopolitics • | Maria Barbal • Afterpop
Permalink http://doi.org/10.30687/Ri/2037-6588/2019/13 | Published Dec. 4, 2019 | Language en, ca, es, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Articles
- Persuasive Strategies in the National-Syndicalist Discourse: Y (1938-1945)
- Carla Prestigiacomo
- Dec. 4, 2019
- Spanish 21th Century Narrative: an Expanding Galaxy
- Maura Rossi
- Dec. 4, 2019
- The Reception of Emilio Salgari in Argentina
- Alice Favaro
- Dec. 4, 2019
- Gossip and Vanity: Two Possible Ways of Discerning Death in Los dos retratos by Norah Lange
- Mariana Concolino
- Dec. 4, 2019
- ‘Blood in the Queer Eye’: Anomalous Bodies and Monsters in Lina Meruane’s Fictions
- Gabriele Bizzarri
- Dec. 4, 2019
- «Sogno un ultimo viaggio ispanico». Seven Letters by Arturo Farinelli to Eugeni d’Ors
- Francesca Suppa
- Dec. 4, 2019
-
Poetry, Modern Architecture and Avant-Garde
The Catalan Poet J. V. Foix at the V Triennale di Milano, 1933 - Gaspar Jaén i Urban, Marco Lucchini
- Dec. 4, 2019
-
T.S. Eliot and Josep Carner in Dialogue
Allusions to Eliot’s Poetry in Nabí - Margalit Serra
- Dec. 4, 2019
Dossier Maria Barbal
-
The Internationalization of the Catalan Novel
The Case of Pedra de tartera by Maria Barbal and its Reception within the German Speaking Countries - Jordi Jané Lligé
- Dec. 4, 2019
- The Use of Literature as Ethnographic Material: Reading Maria Barbal’s Stone in a Landslide
- Montserrat Clua i Fainé
- Dec. 4, 2019
- Literature and Memory. Pedra de tartera, by Maria Barbal, and the Memory of the Spanish Civil War
- Montserrat Gatell Perez
- Dec. 4, 2019
Note
- Soñar con los ojos abiertos. Punteo para una (re)construcción de la poética de Fernando Birri
- Marco Franzoso
- Dec. 4, 2019
Reviews
- Sara Robles Ávila y Antonio Moreno-Ortiz (eds). Comunicación mediada por ordenador
- Giuseppe Trovato
- Dec. 4, 2019
- Carmen Martín Gaite. El cuarto de atrás
- Andrea Toribio
- Dec. 4, 2019
- Juan José Millás. La vida a ratos
- Augusto Guarino
- Dec. 4, 2019
- Laura A. Arnés et al. Bisexulidades feministas
- Susanna Regazzoni
- Dec. 4, 2019
Review Proposals
- Review Proposals
- Dec. 4, 2019
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_issue_119 |
|
dc.title |
Vol. 42 | Issue 112 | December 2019 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Journal issue |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2019/112/ |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.issued |
2019-12-04 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/Ri/2037-6588/2019/13 |
|
dc.peer-review |
yes |
|
dc.subject |
Afterpop |
|
dc.subject |
Afterpop |
|
dc.subject |
Antropologia i docència |
|
dc.subject |
Antropologia i docència |
|
dc.subject |
Antropologia literària |
|
dc.subject |
Antropologia literària |
|
dc.subject |
Análisis semiótico |
|
dc.subject |
Análisis semiótico |
|
dc.subject |
Architettura Moderna |
|
dc.subject |
Architettura Moderna |
|
dc.subject |
Argumentación |
|
dc.subject |
Argumentación |
|
dc.subject |
Argumentation |
|
dc.subject |
Argumentation |
|
dc.subject |
Artes visuales |
|
dc.subject |
Artes visuales |
|
dc.subject |
Arturo Farinelli |
|
dc.subject |
Arturo Farinelli |
|
dc.subject |
Biopolitics |
|
dc.subject |
Biopolitics |
|
dc.subject |
Biopolítica |
|
dc.subject |
Biopolítica |
|
dc.subject |
Carteggio |
|
dc.subject |
Carteggio |
|
dc.subject |
Catalan novel |
|
dc.subject |
Catalan novel |
|
dc.subject |
Catalonia |
|
dc.subject |
Catalonia |
|
dc.subject |
Chisme |
|
dc.subject |
Chisme |
|
dc.subject |
Ciberpunk |
|
dc.subject |
Ciberpunk |
|
dc.subject |
Comic |
|
dc.subject |
Comic |
|
dc.subject |
Contemporary Catalan Novel |
|
dc.subject |
Contemporary Catalan Novel |
|
dc.subject |
Correspondence |
|
dc.subject |
Correspondence |
|
dc.subject |
Cyberpunk |
|
dc.subject |
Cyberpunk |
|
dc.subject |
Death |
|
dc.subject |
Death |
|
dc.subject |
Documentary |
|
dc.subject |
Documentary |
|
dc.subject |
Eliot |
|
dc.subject |
Eliot |
|
dc.subject |
Espejo |
|
dc.subject |
Espejo |
|
dc.subject |
Ethnography |
|
dc.subject |
Ethnography |
|
dc.subject |
Eugeni d’Ors |
|
dc.subject |
Eugeni d’Ors |
|
dc.subject |
Familia |
|
dc.subject |
Familia |
|
dc.subject |
Family |
|
dc.subject |
Family |
|
dc.subject |
Fantastic fiction |
|
dc.subject |
Fantastic fiction |
|
dc.subject |
Fantástico |
|
dc.subject |
Fantástico |
|
dc.subject |
Fernando Birri |
|
dc.subject |
Fernando Birri |
|
dc.subject |
Fiction |
|
dc.subject |
Fiction |
|
dc.subject |
First World War |
|
dc.subject |
First World War |
|
dc.subject |
Foix |
|
dc.subject |
Foix |
|
dc.subject |
Gossip |
|
dc.subject |
Gossip |
|
dc.subject |
Historieta |
|
dc.subject |
Historieta |
|
dc.subject |
Identidad |
|
dc.subject |
Identidad |
|
dc.subject |
Identidad |
|
dc.subject |
Identidad |
|
dc.subject |
Identity |
|
dc.subject |
Identity |
|
dc.subject |
Identity |
|
dc.subject |
Identity |
|
dc.subject |
Ideology |
|
dc.subject |
Ideology |
|
dc.subject |
Ideología |
|
dc.subject |
Ideología |
|
dc.subject |
Influence |
|
dc.subject |
Influence |
|
dc.subject |
Intellectuals |
|
dc.subject |
Intellectuals |
|
dc.subject |
Intellettuali |
|
dc.subject |
Intellettuali |
|
dc.subject |
Internacionalització de la literatura de llengües |
|
dc.subject |
Internacionalització de la literatura de llengües |
|
dc.subject |
Internationalisation of minority language literatu |
|
dc.subject |
Internationalisation of minority language literatu |
|
dc.subject |
Italy |
|
dc.subject |
Italy |
|
dc.subject |
J |
|
dc.subject |
J |
|
dc.subject |
Josep Carner |
|
dc.subject |
Josep Carner |
|
dc.subject |
Letteratura panispanica |
|
dc.subject |
Letteratura panispanica |
|
dc.subject |
Lina Meruane |
|
dc.subject |
Lina Meruane |
|
dc.subject |
Literary Anthropology |
|
dc.subject |
Literary Anthropology |
|
dc.subject |
Literary allusion |
|
dc.subject |
Literary allusion |
|
dc.subject |
Literary tradition |
|
dc.subject |
Literary tradition |
|
dc.subject |
Literatura |
|
dc.subject |
Literatura |
|
dc.subject |
Literature |
|
dc.subject |
Literature |
|
dc.subject |
Look |
|
dc.subject |
Look |
|
dc.subject |
Maria Barbal |
|
dc.subject |
Maria Barbal |
|
dc.subject |
Maria Barbal |
|
dc.subject |
Maria Barbal |
|
dc.subject |
Maria Barbal |
|
dc.subject |
Maria Barbal |
|
dc.subject |
Mediterraneità |
|
dc.subject |
Mediterraneità |
|
dc.subject |
Milan’s Triennale |
|
dc.subject |
Milan’s Triennale |
|
dc.subject |
Mirar |
|
dc.subject |
Mirar |
|
dc.subject |
Mirror |
|
dc.subject |
Mirror |
|
dc.subject |
Modern Architecture |
|
dc.subject |
Modern Architecture |
|
dc.subject |
Mujer |
|
dc.subject |
Mujer |
|
dc.subject |
Nabí |
|
dc.subject |
Nabí |
|
dc.subject |
Narratives de la memòria |
|
dc.subject |
Narratives de la memòria |
|
dc.subject |
Narratives of Memory |
|
dc.subject |
Narratives of Memory |
|
dc.subject |
Neutralism |
|
dc.subject |
Neutralism |
|
dc.subject |
Neutralismo |
|
dc.subject |
Neutralismo |
|
dc.subject |
Noucentisme |
|
dc.subject |
Noucentisme |
|
dc.subject |
Novel·la catalana |
|
dc.subject |
Novel·la catalana |
|
dc.subject |
Novel·la catalana contemporània |
|
dc.subject |
Novel·la catalana contemporània |
|
dc.subject |
Panhispanic literature |
|
dc.subject |
Panhispanic literature |
|
dc.subject |
Pedra de tartera |
|
dc.subject |
Pedra de tartera |
|
dc.subject |
Persuasion |
|
dc.subject |
Persuasion |
|
dc.subject |
Persuasión |
|
dc.subject |
Persuasión |
|
dc.subject |
Pirineus |
|
dc.subject |
Pirineus |
|
dc.subject |
Poesia catalana |
|
dc.subject |
Poesia catalana |
|
dc.subject |
Poetic dialogue |
|
dc.subject |
Poetic dialogue |
|
dc.subject |
Poetics |
|
dc.subject |
Poetics |
|
dc.subject |
Poetry |
|
dc.subject |
Poetry |
|
dc.subject |
Portraits |
|
dc.subject |
Portraits |
|
dc.subject |
Postmemoria |
|
dc.subject |
Postmemoria |
|
dc.subject |
Postmemory |
|
dc.subject |
Postmemory |
|
dc.subject |
Press |
|
dc.subject |
Press |
|
dc.subject |
Prima guerra mondiale |
|
dc.subject |
Prima guerra mondiale |
|
dc.subject |
Pyrenees |
|
dc.subject |
Pyrenees |
|
dc.subject |
Queer |
|
dc.subject |
Queer |
|
dc.subject |
Retratos |
|
dc.subject |
Retratos |
|
dc.subject |
S |
|
dc.subject |
S |
|
dc.subject |
Salgari |
|
dc.subject |
Salgari |
|
dc.subject |
Semiotic analysis |
|
dc.subject |
Semiotic analysis |
|
dc.subject |
Spain |
|
dc.subject |
Spain |
|
dc.subject |
Spanish Civil War |
|
dc.subject |
Spanish Civil War |
|
dc.subject |
Spanish narrative |
|
dc.subject |
Spanish narrative |
|
dc.subject |
Stanford |
|
dc.subject |
Stanford |
|
dc.subject |
T |
|
dc.subject |
T |
|
dc.subject |
Teaching Anthropology |
|
dc.subject |
Teaching Anthropology |
|
dc.subject |
Ties |
|
dc.subject |
Ties |
|
dc.subject |
Transposición |
|
dc.subject |
Transposición |
|
dc.subject |
Transposition |
|
dc.subject |
Transposition |
|
dc.subject |
Triennale di Milano |
|
dc.subject |
Triennale di Milano |
|
dc.subject |
V |
|
dc.subject |
Visual arts |
|
dc.subject |
Visual arts |
|
dc.subject |
Vínculos |
|
dc.subject |
Vínculos |
|
dc.subject |
Woman |
|
dc.subject |
Woman |
|
dc.subject |
| Arturo Farinelli |
|
dc.subject |
| Arturo Farinelli |
|
dc.subject |
| Guerra Civil espanyola |
|
dc.subject |
| Guerra Civil espanyola |
|
dc.subject |
| J |
|
dc.subject |
| J |
|
dc.subject |
| Maria Barbal |
|
dc.subject |
| Maria Barbal |
|
dc.subject |
| Muerte |
|
dc.subject |
| Muerte |
|
dc.subject |
| Narrativa spagnola contemporanea |
|
dc.subject |
| Narrativa spagnola contemporanea |
|
dc.subject |
| Prensa |
|
dc.subject |
| Prensa |
|
dc.subject |
| Queer |
|
dc.subject |
| Queer |
|
dc.subject |
| Salgari |
|
dc.subject |
| Salgari |
|
dc.subject |
| Etnografia |
|
dc.subject |
| Etnografia |