Annali di Ca’ Foscari. Serie orientale

57 | 2021

open access | peer reviewed

Keywords Heian Japan • Morphemes order • ʿAlī Aḥmad Bākaṯīr • 20FM • Taiping Guangji • Song Meiling • 2011 protests • Global visibility • Japanese Language Education • Armenian • Kidendō • Nikutai • Koranic Hermeneutics • Poetry • Nur-al-Din ʿAbd-al-Raḥmān Jāmi • Teacher’s Cooperation among and beyond Europe • Pharaohs • Arabic article • Buddhist architecture • Ape • Armenian dialects • Arabic linguistic tradition • Tang-Song transition • Sugawara no Michizane • Sinitic Poetry • Literary creation • Civilisation • Tibetan Bon religion • The feminism debate • Pre-Islamic • Persian poetry • Akbarian studies • Sanskrit Studies in Italy • Musical instruments • Reforms and cooperation • word order • Advocacy by Teachers’ Associations • Monkey • Zola • Urmia • No-Level Brick Language Education (NoLBrick) • Realism • Public service advertising • Resāla-ye musiqi • History of Oriental Studies • Time • Ichikawa Hiroshi • Carlo Formichi • Translation • Spoken word • Fujiwara no Yoshifusa • Standard Hindī • Body • Morphological change • Flower • Faraḥ Šammā • Bai Juyi • Translation policy • Corporeality and language • Islamic linguistic thought • Definiteness • Japanese language • Mother Tantra • Uno Kuniichi • Political dissent • Diptotism • Literary theory • Swat • Gandhara • Wisteria • Leftist parties • Chushou • Cultural innovation • Karada • Social networks • Stupa • Morocco • Areal distribution • Informal language learning • Asian Film Festivals • Transformation • Idols • Virtual worlds • Digital humanities • rDzogs chen • Film Festival Network • Olympic spectacle • Asianness • Last day of spring • Literary translation • Words • Naturalism • Oreste Nazari • Political power • Shintai • Kan Takayuki • Pharaonism • Beijing 2008 • Mi • Arabic language • Tawfīq al-Ḥakīm • Catholic Missions • Festival Programming • Mao Dun • The “New Life” Movement • Egyptian playwrights • Associations of Japanese Language Teachers in Euro • Daibei • Lopon Tendzin Namdak • Guan ware • Socialism • Ancient Chinese literature • Language contact • Virtual reality • Frontier clients • Ambiguity • Tokyo International Film Festival • Poetry Banquet • Spoken Hindī • Yaʿqūb Ṣanūʿ • Alfred Faraǧ • Imperfect • Longquan kilns • Khitan-led Liao • History of Indian Studies in Italy • Kanke bunsō • Laohudong kilns • Yu Dafu • Okina • Semantics • Learning through technology • Code-switching • Symbolic capital • Stair-risers • Ge ware • Localisation • Hindī varieties • Oḍi-rajas • Chinese ceramics • Brand China • China’s national image • Theory of translation • Poetic imagery • Shatuo

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2021/01 | Published June 30, 2021 | Language en, it

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