Journal |
Annali di Ca’ Foscari. Serie orientale
Journal issue | 55 | 2019
Research Article | The Peregrinations of panjgāh
The Peregrinations of panjgāh
- Owen Wright - SOAS University of London, UK - email
Abstract
One of the more durable elements in the modal repertoires of the art-music traditions of the Middle East and Central Asia, panjgāh has a recorded history going back to the beginning of the fourteenth century, and all major theoretical texts of the following centuries refer to it. Discussed here is the documentation of its emergence, diffusion and morphological development, leading to a presentation and comparison of contemporary forms from Turkey to Xinjiang, manifestly diverse but in several cases still demonstrably related.
Submitted: Jan. 24, 2019 | Accepted: Feb. 20, 2019 | Published June 27, 2019 | Language: en
Keywords Maqām/makam/mughām • Mode • Historical musicology • History of music in Central Asia • History of music in the Middle East
Copyright © 2019 Owen Wright. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2019/01/003
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_1658 |
|
dc.title |
The Peregrinations of panjgāh |
|
dc.contributor.author |
Wright Owen |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
en |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2019/1/the-peregrinations-of-panjgah/ |
|
dc.description.abstract |
One of the more durable elements in the modal repertoires of the art-music traditions of the Middle East and Central Asia, panjgāh has a recorded history going back to the beginning of the fourteenth century, and all major theoretical texts of the following centuries refer to it. Discussed here is the documentation of its emergence, diffusion and morphological development, leading to a presentation and comparison of contemporary forms from Turkey to Xinjiang, manifestly diverse but in several cases still demonstrably related. |
|
dc.relation.ispartof |
Annali di Ca’ Foscari. Serie orientale |
|
dc.relation.ispartof |
Vol. 55 | June 2019 |
|
dc.issued |
2019-06-27 |
|
dc.dateAccepted |
2019-02-20 |
|
dc.dateSubmitted |
2019-01-24 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2385-3042 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/AnnOr/2385-3042/2019/01/003 |
|
dc.peer-review |
yes |
|
dc.subject |
Historical musicology |
|
dc.subject |
Historical musicology |
|
dc.subject |
History of music in Central Asia |
|
dc.subject |
History of music in Central Asia |
|
dc.subject |
History of music in the Middle East |
|
dc.subject |
History of music in the Middle East |
|
dc.subject |
Maqām/makam/mughām |
|
dc.subject |
Maqām/makam/mughām |
|
dc.subject |
Mode |
|
dc.subject |
Mode |
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