Series | Library of Rassegna iberistica
Edited book | The Admiration of All Mankind
Chapter | El hombre que mató a don Quijote de Terry Gilliam (2018) desde la transversalidad de la recreación
Abstract
In this study, I undertake an analysis of Terry Gilliam’s The Man Who Killed Don Quixote (2018), a cinematographic recreation of Cervantes’s Don Quixote. I will scrutinise its themes, formal resources, and characterization in relation to other ways of recreation (primarily, the literary and musical ones), while paying special attention to the identity of the protagonists, the metafictional procedures, and the strategies employed in order to reword some of the main episodes of the original novel. In this sense, this study allows for an understanding of the Cervantine text from a transversal perspective.
Submitted: Feb. 8, 2021 | Accepted: March 8, 2021 | Published Dec. 1, 2021 | Language: es
Keywords Metafiction • Recreation • Mainstreaming • Cervantes • Don Quixote
Copyright © 2021 Santiago A. López Navia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-579-7/009
Introducción
Conferencias plenarias
Comunicaciones
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_5639 |
dc.contributor.author |
López Navia Santiago A. |
dc.title |
El hombre que mató a don Quijote de Terry Gilliam (2018) desde la transversalidad de la recreación |
dc.type |
Chapter |
dc.language.iso |
es |
dc.description.abstract |
In this study, I undertake an analysis of Terry Gilliam’s The Man Who Killed Don Quixote (2018), a cinematographic recreation of Cervantes’s Don Quixote. I will scrutinise its themes, formal resources, and characterization in relation to other ways of recreation (primarily, the literary and musical ones), while paying special attention to the identity of the protagonists, the metafictional procedures, and the strategies employed in order to reword some of the main episodes of the original novel. In this sense, this study allows for an understanding of the Cervantine text from a transversal perspective. |
dc.relation.ispartof |
Library of Rassegna iberistica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2021-12-01 |
dc.dateAccepted |
2021-03-08 |
dc.dateSubmitted |
2021-02-08 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-580-3/el-hombre-que-mato-a-don-quijote-de-terry-gilliam/ |
dc.identifier.doi |
10.30687/978-88-6969-579-7/009 |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-580-3 |
dc.identifier.eisbn |
978-88-6969-579-7 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Cervantes |
dc.subject |
Cervantes |
dc.subject |
Don Quixote |
dc.subject |
Don Quixote |
dc.subject |
Mainstreaming |
dc.subject |
Mainstreaming |
dc.subject |
Metafiction |
dc.subject |
Metafiction |
dc.subject |
Recreation |
dc.subject |
Recreation |
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