The Admiration of All Mankind
Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
edited by
abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Linguistic deformation • Libretto • Timbrio and Silerio • Villaseñor • Posthumous fame • Tirante • Classic • Shakespeare • Carla Perugini • Persiles • Revival • Viaje del parnaso • Ludeña • Society • Don Quijote • Biography • Fame • Love • Individual • María de Zayas • Amplificatio of the enunciative system • Picaresque • Translation • Italy • Golden Age theatre • Narrative perspective • Avellaneda • Testament • Exemplary Novels • Orlando furioso • Novelas ejemplares • Royal Court • Fielding • Spanish Court • Suicide • Inserted poetry • Rubric • Comparative study • Cervantes theatre • Error • Erotic crimes • Don Quixote • Scipio • Spain • Narrative frame • Irony • Jorge García López • Individuality • Orlando innamorato • Ortega Rosa • Clientelar relationship • Romantic irony • Quijote II, 74 • Theatre • Tríptico del carnaval • History • Scrutiny • Honesto y entretenido sarao • Law • Anticipation • Quixote • Lofraso • Antonio de la Peña • Elegiac dystic • Entremeses • Conception of speech • English theatre • Fiction • Intertextuality • Quijote • Cervantes • Body • Pride • José Manuel Lucía Megías • Madness • Show • Interlacing • Reception • La Galatea • Spanish novel • Miguel de Cervantes • Truth • Galatea • Opera • De senectute • Garcilaso • Gender • Corography • Parody • Metafiction • Library • Jordi Gracia • Mainstreaming • Narrative transition formulas • Music • Dances • Grammar • Judgment • Entremés • Voyage to Parnassus • Veridiction • Philology • Hypothetical and narrative discourse • Poetry • El Toboso • Recreation • Narratology • Poetics • Melancholy • Quintanar de la Orden • Sergio Pitol • Novel • Authentication • Theogenes • La Mancha • Lie • Contemporary theatre