Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 24 | Edited book | The Admiration of All Mankind

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Entremeses • Fame • Narrative frame • Conception of speech • Sergio Pitol • Irony • Love • Grammar • Entremés • Music • Italy • Show • Metafiction • Recreation • Revival • Avellaneda • Philology • Corography • Hypothetical and narrative discourse • Error • Clientelar relationship • Inserted poetry • Mainstreaming • Opera • Novelas ejemplares • Voyage to Parnassus • Truth • Elegiac dystic • Exemplary Novels • La Mancha • Miguel de Cervantes • Picaresque • Spanish novel • Theatre • Villaseñor • Ludeña • Galatea • Antonio de la Peña • Quijote II, 74 • Parody • Honesto y entretenido sarao • Timbrio and Silerio • Don Quixote • De senectute • Poetics • Scipio • Rubric • Classic • Suicide • Quixote • La Galatea • Narrative transition formulas • Anticipation • Biography • Individuality • Judgment • Cervantes theatre • Spain • Lofraso • Madness • José Manuel Lucía Megías • Pride • María de Zayas • Carla Perugini • Comparative study • English theatre • Orlando furioso • Lie • Orlando innamorato • Ortega Rosa • Cervantes • Jordi Gracia • Veridiction • Narratology • Golden Age theatre • Testament • Viaje del parnaso • Scrutiny • History • Persiles • Poetry • Library • Novel • Narrative perspective • Shakespeare • Law • Gender • Don Quijote • Authentication • Amplificatio of the enunciative system • Translation • Tríptico del carnaval • Royal Court • Society • Intertextuality • Reception • Romantic irony • Tirante • Spanish Court • Contemporary theatre • Jorge García López • Erotic crimes • El Toboso • Melancholy • Theogenes • Interlacing • Fiction • Dances • Libretto • Posthumous fame • Quintanar de la Orden • Linguistic deformation • Fielding • Body • Garcilaso • Quijote • Individual

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

chevron_left chevron_right

downloadfile_download

  • file_download 511
  • search 1428
  • format_quote 0

Table of contents