Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Quixote • Erotic crimes • Italy • Intertextuality • Recreation • Libretto • English theatre • Dances • Exemplary Novels • Poetry • Love • Society • Novel • Theatre • Individuality • Amplificatio of the enunciative system • Quijote • Grammar • Show • Law • Fielding • Don Quixote • Honesto y entretenido sarao • Lofraso • Opera • Miguel de Cervantes • Jorge García López • Cervantes theatre • Mainstreaming • Narratology • Persiles • Spanish Court • Interlacing • Testament • Scipio • María de Zayas • Quijote II, 74 • Inserted poetry • Linguistic deformation • Narrative transition formulas • Fame • Conception of speech • Narrative frame • José Manuel Lucía Megías • Reception • Ortega Rosa • La Mancha • Translation • Irony • Don Quijote • Royal Court • Viaje del parnaso • Villaseñor • Lie • Body • Timbrio and Silerio • Individual • Library • Ludeña • Novelas ejemplares • Shakespeare • Orlando innamorato • Spanish novel • Golden Age theatre • De senectute • Classic • Gender • Tirante • History • Rubric • La Galatea • Judgment • Voyage to Parnassus • Veridiction • Philology • Avellaneda • Picaresque • Comparative study • Truth • Poetics • Elegiac dystic • Biography • Romantic irony • Quintanar de la Orden • Antonio de la Peña • Music • Posthumous fame • Corography • Contemporary theatre • Revival • Theogenes • Anticipation • Fiction • Madness • Parody • Suicide • Metafiction • Narrative perspective • Scrutiny • Tríptico del carnaval • Carla Perugini • Error • Entremeses • Clientelar relationship • Galatea • Pride • Cervantes • Jordi Gracia • Entremés • Sergio Pitol • El Toboso • Garcilaso • Hypothetical and narrative discourse • Melancholy • Orlando furioso • Spain • Authentication

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.