Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 24 | Edited book | The Admiration of All Mankind

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Royal Court • Pride • Timbrio and Silerio • Jorge García López • Orlando furioso • Anticipation • Carla Perugini • Dances • Grammar • Elegiac dystic • Error • Irony • Quijote • Metafiction • Italy • Opera • Clientelar relationship • José Manuel Lucía Megías • Lie • Tríptico del carnaval • Don Quixote • Society • Show • Classic • Interlacing • De senectute • Novel • Exemplary Novels • Avellaneda • Love • Cervantes theatre • Viaje del parnaso • Library • Spain • Narratology • Conception of speech • Orlando innamorato • Theatre • Narrative transition formulas • Lofraso • Individuality • Body • Cervantes • Truth • Law • Gender • Judgment • Individual • Libretto • Fame • Spanish Court • Fiction • Parody • English theatre • Garcilaso • Romantic irony • Tirante • Quijote II, 74 • Reception • Ortega Rosa • Comparative study • Shakespeare • Intertextuality • El Toboso • Music • Testament • Voyage to Parnassus • Spanish novel • Galatea • Biography • La Mancha • La Galatea • Scipio • Philology • Novelas ejemplares • Theogenes • Translation • Golden Age theatre • Narrative perspective • Revival • Rubric • Contemporary theatre • María de Zayas • Don Quijote • Fielding • Linguistic deformation • Melancholy • Mainstreaming • Villaseñor • Posthumous fame • Scrutiny • Inserted poetry • Ludeña • History • Madness • Entremeses • Veridiction • Antonio de la Peña • Miguel de Cervantes • Hypothetical and narrative discourse • Poetics • Entremés • Erotic crimes • Quintanar de la Orden • Amplificatio of the enunciative system • Picaresque • Persiles • Corography • Poetry • Sergio Pitol • Quixote • Authentication • Suicide • Narrative frame • Jordi Gracia • Recreation • Honesto y entretenido sarao

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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