Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 24 | Edited book | The Admiration of All Mankind

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Poetry • Love • Romantic irony • Interlacing • Error • Society • Honesto y entretenido sarao • Libretto • Grammar • Jordi Gracia • Revival • Royal Court • Contemporary theatre • Garcilaso • Avellaneda • Clientelar relationship • Truth • Elegiac dystic • Corography • Entremés • La Mancha • Don Quixote • Conception of speech • Pride • El Toboso • Ortega Rosa • Gender • Anticipation • Testament • Law • La Galatea • Tríptico del carnaval • Jorge García López • Opera • Quixote • Shakespeare • Veridiction • Cervantes • Recreation • Fame • Spanish Court • Irony • Show • Judgment • Lofraso • Reception • Lie • Tirante • Scrutiny • Italy • Madness • María de Zayas • Ludeña • Poetics • Don Quijote • Golden Age theatre • Scipio • Library • Orlando innamorato • Authentication • Timbrio and Silerio • Comparative study • Viaje del parnaso • Exemplary Novels • Biography • Dances • Novelas ejemplares • Antonio de la Peña • Theatre • Theogenes • Translation • Quijote • Orlando furioso • Voyage to Parnassus • Galatea • Quijote II, 74 • Philology • Melancholy • Amplificatio of the enunciative system • Narrative transition formulas • Narratology • Cervantes theatre • De senectute • Body • Narrative perspective • Inserted poetry • Villaseñor • Novel • Carla Perugini • Miguel de Cervantes • Metafiction • Mainstreaming • Suicide • Parody • Fielding • Hypothetical and narrative discourse • Spanish novel • Narrative frame • Entremeses • Music • Quintanar de la Orden • Erotic crimes • Spain • Posthumous fame • Persiles • Individuality • José Manuel Lucía Megías • Linguistic deformation • Rubric • Classic • Fiction • English theatre • Sergio Pitol • Picaresque • History • Individual • Intertextuality

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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