Series |
Library of Rassegna iberistica
Volume 24 | Edited book | The Admiration of All Mankind
Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
open access | peer reviewed
Abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Keywords Quintanar de la Orden • Testament • Lie • Ortega Rosa • Individual • Miguel de Cervantes • Fame • Ludeña • El Toboso • Persiles • Royal Court • Parody • Interlacing • Library • Fiction • Novelas ejemplares • Translation • Poetry • Tríptico del carnaval • Hypothetical and narrative discourse • Spanish Court • Classic • Theogenes • Contemporary theatre • Mainstreaming • Erotic crimes • Linguistic deformation • Posthumous fame • Gender • Recreation • Opera • Garcilaso • Shakespeare • Exemplary Novels • Quijote • Theatre • Cervantes • Scipio • Elegiac dystic • Don Quixote • Amplificatio of the enunciative system • Metafiction • Judgment • Biography • Conception of speech • Avellaneda • Body • Individuality • Spanish novel • Jordi Gracia • Honesto y entretenido sarao • Picaresque • Grammar • Entremés • History • La Mancha • Narrative frame • Revival • Orlando innamorato • Narrative perspective • Novel • Entremeses • Madness • Clientelar relationship • Society • Voyage to Parnassus • Jorge García López • Philology • Fielding • Dances • Quijote II, 74 • Comparative study • Narratology • Viaje del parnaso • Cervantes theatre • Romantic irony • Quixote • Villaseñor • Pride • Golden Age theatre • Italy • María de Zayas • Authentication • José Manuel Lucía Megías • De senectute • Poetics • Show • Sergio Pitol • Anticipation • La Galatea • English theatre • Irony • Reception • Love • Rubric • Music • Lofraso • Melancholy • Carla Perugini • Error • Law • Timbrio and Silerio • Suicide • Narrative transition formulas • Don Quijote • Libretto • Inserted poetry • Tirante • Spain • Antonio de la Peña • Galatea • Intertextuality • Truth • Scrutiny • Veridiction • Corography • Orlando furioso
Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es
Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Introducción
Conferencias plenarias
Comunicaciones