Series | Library of Rassegna iberistica
Volume 24 | Edited book | The Admiration of All Mankind
Abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Keywords Clientelar relationship • Don Quijote • Miguel de Cervantes • Poetry • Quintanar de la Orden • Tirante • Amplificatio of the enunciative system • Contemporary theatre • Garcilaso • Don Quixote • Suicide • Lie • Ludeña • Metafiction • La Mancha • Narrative transition formulas • El Toboso • Truth • Grammar • Love • Opera • Erotic crimes • Tríptico del carnaval • Honesto y entretenido sarao • Shakespeare • Philology • Interlacing • Avellaneda • Libretto • Anticipation • Biography • Mainstreaming • Society • Entremés • Error • Galatea • Orlando innamorato • Scrutiny • Posthumous fame • Carla Perugini • Madness • Narrative perspective • Persiles • Conception of speech • Law • Fielding • Melancholy • Quijote • Show • Italy • Voyage to Parnassus • Body • Narrative frame • Orlando furioso • English theatre • Romantic irony • Sergio Pitol • Music • Individual • Novelas ejemplares • Quixote • Jorge García López • History • Scipio • Spanish Court • Inserted poetry • Picaresque • Translation • Pride • Comparative study • Judgment • Fiction • Theogenes • Veridiction • Linguistic deformation • Spanish novel • Ortega Rosa • Entremeses • Revival • La Galatea • Library • Royal Court • De senectute • Reception • Authentication • Hypothetical and narrative discourse • Cervantes • Recreation • Narratology • Viaje del parnaso • José Manuel Lucía Megías • Antonio de la Peña • Dances • Testament • Rubric • Classic • María de Zayas • Parody • Lofraso • Individuality • Elegiac dystic • Jordi Gracia • Fame • Timbrio and Silerio • Cervantes theatre • Irony • Theatre • Corography • Quijote II, 74 • Intertextuality • Villaseñor • Poetics • Golden Age theatre • Gender • Spain • Novel • Exemplary Novels
Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es
Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
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