Library of Rassegna iberistica

The Admiration of All Mankind

Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association

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open access | peer reviewed
    edited by
  • Adrián J. Sáez - Università Ca’ Foscari Venezia, Italia - email

Abstract

In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.

Keywords Clientelar relationship • Narratology • Galatea • Contemporary theatre • Cervantes theatre • Dances • Lie • Don Quijote • Entremeses • La Mancha • Intertextuality • Fiction • Truth • Gender • Scipio • Quintanar de la Orden • Entremés • Grammar • Sergio Pitol • Don Quixote • Opera • Honesto y entretenido sarao • Spain • El Toboso • Translation • Fame • Society • Tríptico del carnaval • Golden Age theatre • Novelas ejemplares • José Manuel Lucía Megías • Orlando furioso • Classic • Library • Poetry • De senectute • Love • Error • Narrative frame • Quijote • Tirante • Ortega Rosa • Erotic crimes • Villaseñor • Spanish novel • Italy • La Galatea • Garcilaso • Voyage to Parnassus • Biography • Mainstreaming • Narrative perspective • María de Zayas • Romantic irony • Avellaneda • Anticipation • History • Comparative study • Interlacing • Picaresque • Recreation • Linguistic deformation • Madness • Viaje del parnaso • Narrative transition formulas • Elegiac dystic • Carla Perugini • Corography • Miguel de Cervantes • Philology • Fielding • Ludeña • Scrutiny • Revival • Theogenes • Orlando innamorato • Music • Authentication • Libretto • Theatre • Testament • Quixote • Body • Individual • Suicide • Parody • English theatre • Metafiction • Judgment • Quijote II, 74 • Irony • Jorge García López • Shakespeare • Veridiction • Poetics • Timbrio and Silerio • Cervantes • Inserted poetry • Show • Conception of speech • Reception • Rubric • Hypothetical and narrative discourse • Posthumous fame • Amplificatio of the enunciative system • Exemplary Novels • Novel • Law • Pride • Persiles • Spanish Court • Lofraso • Melancholy • Individuality • Royal Court • Jordi Gracia • Antonio de la Peña

Permalink http://doi.org/10.30687/978-88-6969-579-7 | e-ISBN 978-88-6969-579-7 | ISBN (PRINT) 978-88-6969-580-3 | Number of pages 426 | Dimensions 16x23cm | Published Dec. 1, 2021 | Language es

Copyright © 2021 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.