Итальянская живопись ‘до Рафаэля’ в творчестве Николая Рериха

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DC Field	Value
dc.identifier	ECF_chapter_5048
dc.contributor.author	Voytekunas Valentina
dc.title	Итальянская живопись ‘до Рафаэля’ в творчестве Николая Рериха
dc.type	Chapter
dc.language.iso	ru
dc.description.abstract	At the turn of the 20th century, interest in Italy and the artistic heritage of the Old Italian Masters, especially the Proto-Renaissance and Early Renaissance was a noticeable phenomenon in Russian culture. Painting ‘before Raphael’ became one of the most important sources that influenced the style and imagery of many Russian artists, including Nicholas Roerich. This article examines the factors that determined Roerich’s interest in early Italian art and analyzes the direct experience of the artist studying ancient painting in Italy, which was reflected in his artistic practice of the 1900s-1910s.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2020-12-22
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-463-9/italianskaia-zhivopis-do-rafaelia-v-tvorchestve-ni/
dc.identifier.doi	10.30687/978-88-6969-462-2/008
dc.identifier.eissn	2784-8868
dc.identifier.isbn	978-88-6969-463-9
dc.identifier.eisbn	978-88-6969-462-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Art ‘before Raphael’
dc.subject	Art ‘before Raphael’
dc.subject	Influence
dc.subject	Influence
dc.subject	Interpretation
dc.subject	Interpretation
dc.subject	Italian painting
dc.subject	Italian painting
dc.subject	Nicholas Roerich
dc.subject	Nicholas Roerich
dc.subject	Perception
dc.subject	Perception
dc.subject	Proto-Renaissance
dc.subject	Proto-Renaissance
dc.subject	Quattrocento
dc.subject	Quattrocento
dc.subject	Reception
dc.subject	Reception

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Итальянская живопись ‘до Рафаэля’ в творчестве Николая Рериха

Valentina Voytekunas State Institute for Art Studies (SIAS), Moscow, Russia

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abstract

At the turn of the 20th century, interest in Italy and the artistic heritage of the Old Italian Masters, especially the Proto-Renaissance and Early Renaissance was a noticeable phenomenon in Russian culture. Painting ‘before Raphael’ became one of the most important sources that influenced the style and imagery of many Russian artists, including Nicholas Roerich. This article examines the factors that determined Roerich’s interest in early Italian art and analyzes the direct experience of the artist studying ancient painting in Italy, which was reflected in his artistic practice of the 1900s-1910s.

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Dec. 22, 2020

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ISBN (PRINT)

978-88-6969-463-9

ISBN (EBOOK)

978-88-6969-462-2

Keywords: Quattrocento • Perception • Art ‘before Raphael’ • Proto-Renaissance • Influence • Interpretation • Reception • Nicholas Roerich • Italian painting

permalink: http://doi.org/10.30687/978-88-6969-462-2/008

Copyright: © 2020 Valentina Voytekunas. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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