Quaderni di Venezia Arti | Volume 4

cover

Edited book

Taking and Denying +


Challenging Canons in Arts and Philosophy



edited by

Giovanni Argan    Università Ca’ Foscari Venezia, Italia    

Maria Redaelli    Università Ca’ Foscari Venezia, Italia    

Alexandra Timonina    Università Ca’ Foscari Venezia, Italia    

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Abstract
Published: Dec. 22, 2020
Introductory Remarks
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Syntheses of Traditions
The ‘Unknown Arts’ of Ancient America: Challenging Classical Art Canons in Nineteenth-Century France
The Reception of Pre-Columbian Art before the Primitivist and Surrealist Avant-Gardes
Susana Stüssi Garcia   
Dec. 22, 2020
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Medieval Islamic Stucco Décor vs. Soviet Architecture of Uzbekistan
Guzel Zagirova   
Dec. 22, 2020
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Unfolding Cultural Heritage
Peltae subacquee e specchiature marmoree
La forma dell’acqua tra storia dell’arte e filosofia
Luca Marchetti    Beatrice Spampinato   
Dec. 22, 2020
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Uno scandalo nello scandalo
L’Apocalisse come eccezione nel canone neotestamentario
Ermanno Antonioli   
Dec. 22, 2020
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Тема России, объединяющей народы, в проектах монументальной живописи Евгения Лансере
Pavel Pavlinov   
Dec. 22, 2020
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Станковизм как канон и его преодоление в живописи Общества станковистов
Oksana Voronina   
Dec. 22, 2020
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Interpreting the Renaissance Art
Incontri, scontri, confronti
Appunti sulla ricezione della xilografia nordica in Italia tra XV e XX secolo
Lorenzo Gigante   
Dec. 22, 2020
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Итальянская живопись ‘до Рафаэля’ в творчестве Николая Рериха
Valentina Voytekunas   
Dec. 22, 2020
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La pittura neorinascimentale di Dmitrij Žilinskij
Giovanni Argan   
Dec. 22, 2020
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At the Threshold of Modern Art
Weimar Art: Between Tradition and Avant-Garde
Maria Belikova   
Dec. 22, 2020
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The Example of Vincent van Gogh
Denying Forms, Systems and Academicism in Art and Religion
Vasiliki Rouska   
Dec. 22, 2020
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Dispute of Canons: Book Design Traditions at the Beginning of the 20th Century
England vs France
Dmitry Lebedev   
Dec. 22, 2020
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Comparing the Cologne Sonderbund of 1912 and the Second Post-Impressionist Exhibition in London
Alexandra Timonina   
Dec. 22, 2020
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Hybrid as a Canon
Tra il foglio vuoto e lo schermo
Type e token alla prova dell’arte post-mediale
Francesco Ragazzi   
Dec. 22, 2020
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From Ancient to Digital
Situating Blackness in Salambo (Domenico Gaido, 1914)
Jan De Lozier   
Dec. 22, 2020
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Timur Novikov. L’attualità del passato
Maria Redaelli   
Dec. 22, 2020
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