Taking and Denying
Challenging Canons in Arts and Philosophy
open access
-
edited by
- Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
- Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
- Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email
Abstract
The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).
Keywords Livre d’artiste • ‘Motherland’ • Quattrocento • Girikh • Medieval mosaic floor • Interpretation • Eugene Lanceray • Miniature • Roger Fry • Art ontology • National style • Berlin Dada • Soviet architectural décor • Non-European art exhibitions • Compositional axes • Apocalypse • Expressionism • Non finito • Project Method – Dynamics • Russian art • Christianism • Unity of West and East • Art ‘before Raphael’ • Dmitry Zhilinsky • Peltae pattern • Richard Wollheim • Modernism • Venturi • YouTube • Kazan railway station • Allegory for peace • Proto-Renaissance • Soviet painting • Nicholas Roerich • Post-soviet art • Italian Studies • Perception • Easel painting • Tangible forms • Weimar art • Gunch • Nostalgia • Post-soviet society • Central Asian architectural décor • Edwardian gift book • Italian painting • Nineteenth-century editions • Artistic reception • Дмитрий Жилинский • Religion • ‘Peace’ • Celebration of unity • Visual perception • History of collections • Film studies • Marble slab • Reception • Pre-Columbian art • Statics • Formula similarity • Influence • Nineteenth-century France • Book illustration • Easel Painters’ Society • Systems • Allegory of Russia • Art history and ethnography • Joseph Margolis • Contemporary Soviet Art • Art Nouveau • Islimi • Artie Vierkant • Canon • Speculative cinema • Soviet painter • New Objectivity • Bouchot • Islamic architectural ornament • Prophecy • Parody • Symbols • Academicism • VKHUTEMAS • Post-media condition • Pre-Columbian collections • Abstraction • Monumental painting • Shape of water • Videographic criticism • Postcolonial studies • Timur Novikov • Museum of Painterly Culture • Post-Impressionism • 15th century • Stucco • Dogma • Woodcut • Old masters • Print • Type-token distinction
Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, en, it
Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Syntheses of Traditions
-
The ‘Unknown Arts’ of Ancient America: Challenging Classical Art Canons in Nineteenth-Century France
The Reception of Pre-Columbian Art before the Primitivist and Surrealist Avant-Gardes - Dec. 22, 2020
Unfolding Cultural Heritage
-
Peltae subacquee e specchiature marmoree
La forma dell’acqua tra storia dell’arte e filosofia - Dec. 22, 2020
-
Uno scandalo nello scandalo
L’Apocalisse come eccezione nel canone neotestamentario - Dec. 22, 2020
Interpreting the Renaissance Art
-
Incontri, scontri, confronti
Appunti sulla ricezione della xilografia nordica in Italia tra XV e XX secolo - Dec. 22, 2020
- La pittura neorinascimentale di Dmitrij Žilinskij
- Dec. 22, 2020
At the Threshold of Modern Art
- Weimar Art: Between Tradition and Avant-Garde
- Dec. 22, 2020
-
The Example of Vincent van Gogh
Denying Forms, Systems and Academicism in Art and Religion - Dec. 22, 2020
-
Dispute of Canons: Book Design Traditions at the Beginning of the 20th Century
England vs France - Dec. 22, 2020
- Comparing the Cologne Sonderbund of 1912 and the Second Post-Impressionist Exhibition in London
- Dec. 22, 2020
Hybrid as a Canon
-
Tra il foglio vuoto e lo schermo
Type e token alla prova dell’arte post-mediale - Dec. 22, 2020
-
From Ancient to Digital
Situating Blackness in Salambo (Domenico Gaido, 1914) - Dec. 22, 2020
- Timur Novikov. L’attualità del passato
- Dec. 22, 2020