Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords National style • Monumental painting • Project Method – Dynamics • Quattrocento • Systems • Statics • Post-Impressionism • VKHUTEMAS • Nicholas Roerich • Prophecy • Livre d’artiste • Weimar art • Дмитрий Жилинский • Film studies • Islamic architectural ornament • Art ontology • Expressionism • Influence • Russian art • New Objectivity • Non finito • Islimi • Art history and ethnography • Easel Painters’ Society • Contemporary Soviet Art • Old masters • Allegory of Russia • Artistic reception • Speculative cinema • Timur Novikov • Joseph Margolis • ‘Motherland’ • Religion • Post-media condition • Shape of water • Abstraction • Visual perception • Post-soviet art • Academicism • Medieval mosaic floor • Postcolonial studies • Soviet painter • YouTube • Roger Fry • Apocalypse • Artie Vierkant • Non-European art exhibitions • Interpretation • Symbols • 15th century • Print • Nostalgia • Girikh • Formula similarity • Pre-Columbian collections • Eugene Lanceray • Museum of Painterly Culture • Venturi • Soviet architectural décor • Book illustration • Gunch • ‘Peace’ • Unity of West and East • Easel painting • Miniature • Celebration of unity • Pre-Columbian art • Woodcut • Compositional axes • Reception • Marble slab • Perception • Berlin Dada • Type-token distinction • Soviet painting • Edwardian gift book • Videographic criticism • Allegory for peace • Bouchot • Nineteenth-century France • Stucco • Post-soviet society • Italian Studies • Art Nouveau • Peltae pattern • Proto-Renaissance • Parody • Art ‘before Raphael’ • Central Asian architectural décor • Italian painting • Christianism • Dmitry Zhilinsky • Nineteenth-century editions • Tangible forms • Kazan railway station • Canon • Modernism • History of collections • Richard Wollheim • Dogma

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language en, ru, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.