Quaderni di Venezia Arti

Series | Quaderni di Venezia Arti
Volume 4 | Edited book | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy

open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Artistic reception • Soviet architectural décor • Allegory for peace • Soviet painter • Post-soviet society • Dogma • Formula similarity • National style • Pre-Columbian art • Interpretation • Bouchot • Nineteenth-century editions • Academicism • Peltae pattern • Girikh • Art Nouveau • Non finito • Tangible forms • Old masters • VKHUTEMAS • Christianism • Shape of water • History of collections • Postcolonial studies • Prophecy • Dmitry Zhilinsky • Canon • Film studies • Miniature • Venturi • Expressionism • ‘Motherland’ • Contemporary Soviet Art • Easel painting • Timur Novikov • Celebration of unity • Eugene Lanceray • Statics • Marble slab • Islimi • Berlin Dada • Symbols • Videographic criticism • Post-Impressionism • Дмитрий Жилинский • Easel Painters’ Society • Parody • Livre d’artiste • Medieval mosaic floor • Kazan railway station • Perception • Stucco • Joseph Margolis • Post-soviet art • Art history and ethnography • Quattrocento • Nineteenth-century France • Woodcut • Roger Fry • New Objectivity • Visual perception • Islamic architectural ornament • Modernism • Richard Wollheim • Print • Pre-Columbian collections • Compositional axes • Religion • Nostalgia • Influence • Speculative cinema • Abstraction • Monumental painting • ‘Peace’ • Soviet painting • Apocalypse • Unity of West and East • Type-token distinction • Allegory of Russia • Project Method – Dynamics • Italian Studies • Artie Vierkant • YouTube • Italian painting • Russian art • Non-European art exhibitions • Art ontology • Edwardian gift book • Museum of Painterly Culture • Systems • Weimar art • Post-media condition • 15th century • Reception • Book illustration • Gunch • Art ‘before Raphael’ • Proto-Renaissance • Central Asian architectural décor • Nicholas Roerich

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, en, it

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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