Quaderni di Venezia Arti

Series | Quaderni di Venezia Arti
Volume 4 | Edited book | Taking and Denying

Taking and Denying

Challenging Canons in Arts and Philosophy

open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Quattrocento • Joseph Margolis • Interpretation • Italian Studies • Systems • Kazan railway station • VKHUTEMAS • Compositional axes • Speculative cinema • Venturi • Nineteenth-century editions • Film studies • Russian art • Non finito • Peltae pattern • Eugene Lanceray • Allegory of Russia • Unity of West and East • Tangible forms • ‘Peace’ • Post-Impressionism • Dogma • Weimar art • Stucco • Formula similarity • Nineteenth-century France • Islimi • Academicism • Symbols • Post-soviet society • Soviet painting • Marble slab • Proto-Renaissance • Woodcut • Girikh • Allegory for peace • Celebration of unity • Perception • Shape of water • Pre-Columbian art • Islamic architectural ornament • Art ‘before Raphael’ • 15th century • Miniature • Soviet architectural décor • Central Asian architectural décor • Artie Vierkant • Art history and ethnography • Videographic criticism • Bouchot • Expressionism • Italian painting • Easel painting • Canon • Pre-Columbian collections • ‘Motherland’ • Post-media condition • Apocalypse • Abstraction • Artistic reception • YouTube • Richard Wollheim • Postcolonial studies • Type-token distinction • Influence • Post-soviet art • Gunch • Art Nouveau • Reception • History of collections • Timur Novikov • Christianism • Book illustration • New Objectivity • Monumental painting • Museum of Painterly Culture • Modernism • Dmitry Zhilinsky • Soviet painter • Art ontology • Parody • Prophecy • Berlin Dada • Livre d’artiste • Non-European art exhibitions • Roger Fry • Medieval mosaic floor • Project Method – Dynamics • Statics • Old masters • Religion • Nicholas Roerich • Easel Painters’ Society • Contemporary Soviet Art • Visual perception • Edwardian gift book • Print • Дмитрий Жилинский • National style • Nostalgia

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language ru, it, en

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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