Quaderni di Venezia Arti

Taking and Denying

Challenging Canons in Arts and Philosophy

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open access
    edited by
  • Giovanni Argan - Università Ca’ Foscari Venezia, Italia - email
  • Maria Redaelli - Università Ca’ Foscari Venezia, Italia - email
  • Alexandra Timonina - Università Ca’ Foscari Venezia, Italia - email

Abstract

The volume includes papers presented at the II International Conference of PhD students of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice and the State Institute for Art Studies in Moscow Taking and Denying: Challenging Canons in Arts and Philosophy (23-25 September 2020).

Keywords Livre d’artiste • Roger Fry • Dmitry Zhilinsky • Art ontology • Medieval mosaic floor • ‘Motherland’ • Canon • Apocalypse • Islimi • Artistic reception • Woodcut • Easel Painters’ Society • Videographic criticism • Soviet painter • Art ‘before Raphael’ • Unity of West and East • Gunch • Peltae pattern • Shape of water • Soviet architectural décor • Art Nouveau • Expressionism • 15th century • Post-soviet art • Symbols • New Objectivity • Academicism • Postcolonial studies • Statics • Interpretation • Edwardian gift book • Visual perception • Formula similarity • Quattrocento • Islamic architectural ornament • Easel painting • Project Method – Dynamics • Celebration of unity • Reception • Berlin Dada • Timur Novikov • Perception • Abstraction • Eugene Lanceray • Kazan railway station • Religion • Old masters • Systems • Marble slab • Non-European art exhibitions • Artie Vierkant • Pre-Columbian collections • Contemporary Soviet Art • Art history and ethnography • History of collections • Joseph Margolis • Miniature • Post-soviet society • Museum of Painterly Culture • Nineteenth-century France • Influence • Non finito • National style • Allegory of Russia • Book illustration • Russian art • Nostalgia • Italian painting • Speculative cinema • Nicholas Roerich • Girikh • Tangible forms • Christianism • Dogma • Post-Impressionism • Parody • Bouchot • Compositional axes • Film studies • Richard Wollheim • Allegory for peace • Post-media condition • Monumental painting • Soviet painting • Proto-Renaissance • Дмитрий Жилинский • Central Asian architectural décor • Italian Studies • Stucco • VKHUTEMAS • Modernism • Type-token distinction • Venturi • Nineteenth-century editions • Pre-Columbian art • YouTube • Weimar art • Prophecy • Print • ‘Peace’

Permalink http://doi.org/10.30687/978-88-6969-462-2 | e-ISBN 978-88-6969-462-2 | ISBN (PRINT) 978-88-6969-463-9 | Published Dec. 22, 2020 | Language en, it, ru

Copyright © 2020 Giovanni Argan, Maria Redaelli, Alexandra Timonina. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.