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Mañana, las ratas de José B. Adolph

Entre realismo y ciencia-ficción

Rodja Bernardoni    Università di Pisa, Italia    

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abstract

This paper aims to analyse the novel Mañana, las ratas by German-Peruvian writer José Bernardo Adolph. Written in 1977 and published in 1984 the text is a dystopian novel set in a distant future, that nevertheless is a vivid representation of the dynamics and the conflicts of the Peruvian society of the 70s and 80s. This study intends to investigate the structure of the novel in order to point out how the author succeeds in blending together two different literary genres such as dystopian fiction and realism, creating a new version of the classic paradigm of dystopic narrative. To do so, the research will concentrate on the study of some significant example of the Adolph’s previous books, and on the intertextual connections of Mañana, las ratas with both classic dystopian novels such as 1984, We or Brand New World and writers such as José Diez-Canseco, Sebastián Salazar Bondy, Julio Ramón Ribeyro, Alfredo Bryce Echenique y Mario Vargas Llosa, whose texts explore through different mode of realism social and political issues of their time.

Published
May 14, 2019
Accepted
Feb. 26, 2019
Submitted
Feb. 6, 2019
Language
ES
ISBN (PRINT)
978-88-6969-320-5
ISBN (EBOOK)
978-88-6969-319-9

Keywords: Peruvian literatureLimaRealismUrban novelDystopian fictionScience-fictionIntertextuality

Copyright: © 2019 Rodja Bernardoni. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.