Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 28 | 2019

Il corpo dell’arte

open access | peer reviewed

Keywords Abramović • Film • Anna Moffo • Costume • Galindo • Puer mingens • Printmaking • Neo-avant-garde • Body • Drawing • Iconology • Nijinsky • La Salpêtrière • Television • Russian ballet • Aesthetics and politics • Agamben • Devotion • Stage • Casts • Fruition • Illusion • Padua • Skin • Cult • Body movements • Emilia, Veneto • Theatre and performance • Prospero Clemente • Soprano • Iconography • Dance notations • Pordenone • Performer • Female • Ornamentation • Performance • 1960s radicalism • Avant-garde • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Louvre • Vanessa Beecroft • Opera • Biopolitic • Gothic • Franciscan saints • Performance Art • Marcantonio Magno • Plague • Device • Models • Nicoletto da Modena • Revolutionary avant-garde • Andrea Mantegna • Saint Sebastian • Dance • Theatre • Symbolism

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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