Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo monografico | 28 | 2019

Il corpo dell’arte

open access | peer reviewed

Keywords Ornamentation • Avant-garde, Mask, Hybrid Identity, Abjection Embo • Costume • Performer • Nijinsky • Body movements • Padua • Marcantonio Magno • Performance • Biopolitic • Prospero Clemente • Franciscan saints • La Salpêtrière • Casts • Opera • Theatre • Plague • Dance • Printmaking • Stage • Models • Illusion • Russian ballet • Avant-garde • Devotion • Neo-avant-garde • Agamben • Television • Puer mingens • Abramović • Theatre and performance • Galindo • Gothic • Soprano • Iconography • Skin • Louvre • Vanessa Beecroft • Performance Art • Dance notations • Andrea Mantegna • Anna Moffo • Female • Nicoletto da Modena • Symbolism • Body • Revolutionary avant-garde • Fruition • 1960s radicalism • Iconology • Pordenone • Aesthetics and politics • Device • Saint Sebastian • Drawing • Film • Cult • Emilia, Veneto

Permalink http://doi.org/10.30687/VA/2385-2720/2019/05 | Pubblicato 11 Dicembre 2019 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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