Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 25 | 2016

25 | 2016

open access | peer reviewed
Abstract

Keywords Venetian villas • Opera • Antonio Morassi • Border crossing • Osthoff • Cultural heritage of Venezia Giulia and Istria • Pierre Bourdieu • History of dress • Realm of art • Ulisse Aldrovandi • Douglas Gordon • Nature • Giuseppe Mazzotti • Gatekeepers • Contemporary art • Individual • Intermediaries • Objects • Grotesque • Sociology • Museum • Academy • Ouverture • Pirro Ligorio • Federico Pendasio • Philosophical disenfranchisement • Gatekeeper • Gabriele Paleotti • Keeper • Mediations • ‘The Store’ • Gesture • Art worlds • Venice’s Lido • Art field • Armstrong and Mitchell Cran • Antiquarians • Art • Jewish cemetery • Curator • Consumer culture • Visual arts • Claes Oldenburg • Cultural policy • Entrepreneur • Fashion studies • Philosophy of art • Exhibition • Howard Becker • Venetian Veduta • Caucasus • Fashion • Guardi • Arthur Danto • Archival photographs • Identity formation • Industrial heritage • Production • Restoration • Photography • Early photography • Material culture • Michelangelo Muraro • Pragmatism • Arsenale • History • Steve McQueen • Venice • Damien Hirst • Forgers • Art market

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua it, en

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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