Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

25 | 2016

open access | peer reviewed
Abstract

Keywords Cultural heritage of Venezia Giulia and Istria • Venice’s Lido • Venice • History • Art worlds • Giuseppe Mazzotti • Jewish cemetery • Identity formation • Industrial heritage • Ouverture • Art field • Venetian villas • Philosophy of art • Cultural policy • Fashion • Visual arts • Consumer culture • Opera • Exhibition • Material culture • Museum • Individual • Sociology • Caucasus • Antonio Morassi • Contemporary art • Gatekeepers • Gabriele Paleotti • Claes Oldenburg • Pierre Bourdieu • Archival photographs • Objects • Intermediaries • Production • Photography • ‘The Store’ • Venetian Veduta • Art market • History of dress • Arthur Danto • Michelangelo Muraro • Pirro Ligorio • Gesture • Guardi • Border crossing • Howard Becker • Nature • Ulisse Aldrovandi • Curator • Pragmatism • Entrepreneur • Art • Fashion studies • Federico Pendasio • Grotesque • Steve McQueen • Realm of art • Douglas Gordon • Early photography • Mediations • Osthoff • Keeper • Antiquarians • Forgers • Academy • Gatekeeper • Armstrong and Mitchell Cran • Restoration • Philosophical disenfranchisement • Damien Hirst • Arsenale

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua en, it

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.