Rivista |
Venezia Arti
Fascicolo | 25 | 2016
Keywords Antonio Morassi • Pierre Bourdieu • ‘The Store’ • Industrial heritage • Venetian villas • Arthur Danto • Cultural heritage of Venezia Giulia and Istria • Consumer culture • History of dress • Academy • Nature • Pragmatism • Gabriele Paleotti • Restoration • Antiquarians • Caucasus • Fashion • Identity formation • Border crossing • Art field • Giuseppe Mazzotti • Claes Oldenburg • Mediations • Production • Venice’s Lido • Gatekeepers • Damien Hirst • Armstrong and Mitchell Cran • Archival photographs • Howard Becker • Material culture • Photography • Entrepreneur • Ouverture • Osthoff • Visual arts • Steve McQueen • Venice • Art market • Philosophical disenfranchisement • Curator • Keeper • Philosophy of art • Ulisse Aldrovandi • Grotesque • Douglas Gordon • Exhibition • Gatekeeper • Forgers • Federico Pendasio • Realm of art • Guardi • Objects • Venetian Veduta • Contemporary art • Fashion studies • Jewish cemetery • Arsenale • Gesture • History • Intermediaries • Museum • Michelangelo Muraro • Art • Sociology • Individual • Art worlds • Pirro Ligorio • Opera • Cultural policy • Early photography
Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Pubblicato 20 Dicembre 2016 | Lingua it, en
Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
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