Framing the Unframed: Avalanche, an Art Magazine

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Campo DC	Valore
dc.identifier	ECF_article_13891
dc.title	Framing the Unframed: Avalanche, an Art Magazine
dc.contributor.author	Gusman Tancredi
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/the-journal-for-the-philosophy-of-language-mind-an/2023/1/framing-the-unframed-avalanche-an-art-magazine/
dc.description.abstract	Between the 1960s and 1970s, art practices such as performance, conceptual, and land art challenged the very possibility of framing the artwork and clearly demarcating the boundaries that enclosed it. In this context, art and artists’ magazines assumed a pivotal role as they became the medium and site for the presentation and dissemination of these new art forms. This essay examines Avalanche, a magazine published between 1970 and 1976 in New York, and analyses how this periodical framed new art within its paper boundaries while at the same time expanding this art in time and space and showing the processual nature of the framing processes.
dc.relation.ispartof	JoLMA
dc.relation.ispartof	Vol. 4 \| Num. 1 \| Giugno 2023
dc.issued	2023-09-25
dc.dateAccepted	2023-08-07
dc.dateSubmitted	2023-06-19
dc.identifier.issn
dc.identifier.eissn	2723-9640
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Jolma/2723-9640/2023/01/006
dc.peer-review	yes
dc.subject	Art magazines
dc.subject	Art of the 1960s and 1970s
dc.subject	Artists’ magazines
dc.subject	Avalanche magazine
dc.subject	Contemporary art
dc.subject	Framing in art

Articolo
open access peer reviewed

Framing the Unframed: Avalanche, an Art Magazine

Tancredi Gusman Università di Roma Tor Vergata

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abstract

Between the 1960s and 1970s, art practices such as performance, conceptual, and land art challenged the very possibility of framing the artwork and clearly demarcating the boundaries that enclosed it. In this context, art and artists’ magazines assumed a pivotal role as they became the medium and site for the presentation and dissemination of these new art forms. This essay examines Avalanche, a magazine published between 1970 and 1976 in New York, and analyses how this periodical framed new art within its paper boundaries while at the same time expanding this art in time and space and showing the processual nature of the framing processes.

Pubblicato

25 Settembre 2023

Accettato

07 Agosto 2023

Presentato

19 Giugno 2023

Lingua

Keywords: Avalanche magazine • Art of the 1960s and 1970s • Art magazines • Framing in art • Contemporary art • Artists’ magazines

permalink http://doi.org/10.30687/Jolma/2723-9640/2023/01/006

Copyright: © 2023 Tancredi Gusman. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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