Rivista | JoLMA
Fascicolo monografico | 3 | 2 | 2022
Translation as Interpretation | On Joseph Margolis’ Aesthetics. A Symposium
open access | peer reviewed-
a cura di
- Gian Luigi Paltrinieri - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Francesco Camera - Università degli Studi di Genova, Italia - email
- Alessandro Cavazzana - Università Ca’ Foscari Venezia, Italia - email
Keywords Ontology of art Type-token History of aesthetics German Romanticism Dewey Kripke Pluralism Language Gadamer Luigi Pareyson Philosophy Pragmatism Definite Descriptions Untranslatable Compromise Hegel Interpretation Recognition Lexical Pragmatics Knowledge Plurality Intentionality Cultural emergence Margolis Joseph Margolis Paul Ricoeur Difference Translation Philosophy of art Truth Target language Hybridisation Ambiguity Beiträge Translation’s practice Source language Heidegger Definition of art Mediation Messianism Explicatures Hermeneutics Historicism Time-Space Objectivity Translation’s theory Linguistic Hospitality Implicatures Relativism Walter Benjamin Aesthetics Pragmatic objectivity Anfang
Permalink http://doi.org/10.30687/Jolma/2723-9640/2022/02 | Pubblicato 20 Dicembre 2022 | Lingua en
Copyright © Gian Luigi Paltrinieri, Francesco Camera, Alessandro Cavazzana. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
