Rivista | Rassegna iberistica
Fascicolo | 42 | 111 | 2019

42 | 111 | 2019

open access | peer reviewed

Keywords Landscape • Técnicas retóricas • Identity • Wilcock • Publishing industry • Cultural hybridity • Nacionalisme • | Italo Calvino • Ciència social • Aposiopesis • Figurativización • Borges • Baroque • Poesía • Cinema • Lagunas textuales • Castelao • Caballero Bonald • Estructura social • Paradox • Spanish Republic • True crime • Social science • Mujer • Literatura • Critica • Misogyny • Mapuche myths • Paralipsis • Poetical discourse • Literature • Women • Puesta en perspectiva narrativa • Bellezza • España • Einaudi editore • Immigrant • Paradosso • Textual lacunas • Sociology of language • Nationalism • Hispano-American literature • Galdós’ novels • Narrative perspective • Negros • Desert conquest • | Valerián de Hungría • | Wilcock • | Bernardo Atxaga • Rhetorical techniques • Sociologia de la llengua • Negritud • Cuba vanguardias • Hibridismo cultural • Nonfiction • | Assaig • El dolor de los demás • Inmigrante • Beauty • Cuban avant-garde • Artistic deformation • | Inmigración • Mise en abyme • Novelas • Misoginia • Miguel Ángel Hernández • Reticence • | Literatura española contemporánea • Essay • Bernardo Atxaga • Ideologia • Contemporary Spanish literature • Identidad • No ficción • Italo Calvino • | Conquista del desierto • Ecología • Negrismo • Ecology • Libri di cavalleria • Criticism • | Castelao • Letteratura ispanoamericana • | Benito Pérez Galdós • Ideology • Surrealism • Mitos mapuches • Reticencia • | Deformación artística • Editoria • Immigration • Discurso • Poetry • Romances of Chivalry • True Crime • El dolor los demás • Dialogo letterario • Dibuxos grabados • Paisaje • Literary dialogues • Social structure • García Maroto • Barroco • Surrealismo • Valerián de Hungría

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua it, ca, es

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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