Rassegna iberistica

42 | 111 | 2019

open access | peer reviewed

Keywords Textual lacunas • Cuban avant-garde • Mitos mapuches • No ficción • | Assaig • Italo Calvino • Poesía • Cuba vanguardias • Miguel Ángel Hernández • Misogyny • Novelas • Essay • El dolor de los demás • Poetry • Literary dialogues • Aposiopesis • Einaudi editore • | Bernardo Atxaga • Artistic deformation • Misoginia • Identidad • Ecología • Criticism • Negros • Paralipsis • Puesta en perspectiva narrativa • Mise en abyme • Libri di cavalleria • True crime • Caballero Bonald • Ecology • Negrismo • Wilcock • Castelao • El dolor los demás • Inmigrante • Paradox • Poetical discourse • Surrealismo • | Castelao • | Wilcock • Literature • Romances of Chivalry • Valerián de Hungría • Ideologia • Ciència social • Baroque • Bernardo Atxaga • Women • Social science • | Valerián de Hungría • Hispano-American literature • Mujer • Hibridismo cultural • Estructura social • | Italo Calvino • Identity • Sociology of language • Immigrant • | Inmigración • Surrealism • Immigration • | Deformación artística • Critica • Galdós’ novels • | Literatura española contemporánea • Beauty • Figurativización • Barroco • Contemporary Spanish literature • Nationalism • Técnicas retóricas • Narrative perspective • | Conquista del desierto • Discurso • | Benito Pérez Galdós • Mapuche myths • Sociologia de la llengua • Nacionalisme • Paisaje • Reticencia • Spanish Republic • España • Negritud • Borges • Cinema • Landscape • Social structure • True Crime • Paradosso • Publishing industry • Literatura • Dialogo letterario • Rhetorical techniques • Editoria • Letteratura ispanoamericana • Nonfiction • Lagunas textuales • Cultural hybridity • Dibuxos grabados • Bellezza • Reticence • García Maroto • Desert conquest • Ideology

Permalink http://doi.org/10.30687/Ri/2037-6588/2019/12 | Pubblicato 21 Giugno 2019 | Lingua es, it, ca

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