Verso l’ipermodernità

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Campo DC	Valore
dc.identifier	ECF_chapter_18912
dc.contributor.author	Cianciotto Serena
dc.title	Verso l’ipermodernità. Io, famiglia e Storia nel romanzo multigenerazionale portoghese
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	The article aims to explore the dialogue existing between Levantado do Chão, first published in 1980 by the Nobel Prize José Saramago soon after the Carnation Revolution (1974), and Cemitério de Pianos, written in 2006 by José Luís Peixoto. While Saramago’s multi-generational novel conveys a hope for historical progress at the beginning of the democratic era in Portugal, eternity and repetition dominate in the family vicissitudes of Peixoto’s work as a symptom for the new hypermodern sensibility at the culmination of the transition to the new millennium.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2024-06-20
dc.dateAccepted	2024-02-23
dc.dateSubmitted	2023-10-04
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-834-7/verso-lipermodernita/
dc.identifier.doi	10.30687/978-88-6969-833-0/004
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-834-7
dc.identifier.eisbn	978-88-6969-833-0
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	History
dc.subject	Hypermodernity
dc.subject	José Luís Peixoto
dc.subject	José Saramago
dc.subject	Multi-generational novel

Capitolo
open access peer reviewed

Verso l’ipermodernità

Io, famiglia e Storia nel romanzo multigenerazionale portoghese

Serena Cianciotto Università degli Studi di Siena, Italia; Universität Leipzig, Deutschland

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abstract

The article aims to explore the dialogue existing between Levantado do Chão, first published in 1980 by the Nobel Prize José Saramago soon after the Carnation Revolution (1974), and Cemitério de Pianos, written in 2006 by José Luís Peixoto. While Saramago’s multi-generational novel conveys a hope for historical progress at the beginning of the democratic era in Portugal, eternity and repetition dominate in the family vicissitudes of Peixoto’s work as a symptom for the new hypermodern sensibility at the culmination of the transition to the new millennium.

Pubblicato

20 Giugno 2024

Accettato

23 Febbraio 2024

Presentato

04 Ottobre 2023

Lingua

ISBN (PRINT)

978-88-6969-834-7

ISBN (EBOOK)

978-88-6969-833-0

Keywords: José Saramago • Hypermodernity • José Luís Peixoto • Multi-generational novel • History

permalink: http://doi.org/10.30687/978-88-6969-833-0/004

Copyright: © 2024 Serena Cianciotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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